Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-ttngx Total loading time: 0 Render date: 2024-06-09T05:53:35.641Z Has data issue: false hasContentIssue false

5 - Words or images? Blake's representation of history

Published online by Cambridge University Press:  04 August 2010

John Beer
Affiliation:
University of Cambridge
Get access

Summary

The nature of London as it presented itself to an observer in the 1790s was most memorable for a lack of organization that amounted at times to near-anarchy. Wordsworth, arriving as a young man, noticed this confusion above all:

All moveables of wonder, from all parts,

Are here – albinos, painted Indians, dwarfs,

The horse of knowledge, and the learned pig,

The stone-eater, the man that swallows fire,

Giants, ventriloquists, the invisible girl,

The bust that speaks and moves its goggling eyes,

The wax-work, clock-work, all the marvellous craft

Of modern Merlins, wild beasts, puppet-shows,

All out-of-the-way, far-fetched, perverted things

All freaks of Nature, all Promethean thoughts

Of man, his dullness, madness, and their feats

All jumbled up together to compose

This parliament of monsters. Tents and booths

Meanwhile – as if the whole were one vast mill –

Are vomiting, receiving, on all sides,

Men, women, three-years' children, babes in arms …

To someone who had been brought up in the Lake District – even if he had also been educated in Cambridge – the experience of living in a metropolis where one might not know even the identity of one's next-door neighbour gave an overwhelming sense of human fragmentation.

As a feature of city life, the lapse into dissociation and the rise of individualism had been an increasing phenomenon at least since the seventeenth century.

Type
Chapter
Information
Romanticism, Revolution and Language
The Fate of the Word from Samuel Johnson to George Eliot
, pp. 80 - 98
Publisher: Cambridge University Press
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×