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8 - Against Conclusions

Published online by Cambridge University Press:  05 June 2012

Iain D. Thomson
Affiliation:
University of New Mexico
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Summary

Nothing ever ends.

Dr. Manhattan, in Moore and Gibbons's Watchmen

Curiosity and idle chatter, in their ambiguity [that is, in the way they uproot concepts from the phenomena that give them their true meaning], ensure that what is genuinely and newly created is outdated as soon as it emerges before the public. It can first become free in its positive possibilities only when the idle chatter covering it over has become ineffectual and the “common” interest has died away.

Heidegger (BT 218/SZ 174)

As a vague but trendy ideological buzzword, “postmodernism” had its heyday in the 1970s, 80s, and 90s, running its course through humanities departments like the proverbial bull through the china shop, shattering established literary traditions (much as Watchmen deconstructed the hero) until finally even postmodernism's most enthusiastic early proponents began to turn against it, loudly proclaiming the “end of theory” and calling for a return to the simple reading of literature (as if there had ever been any such “simple reading” in literature departments, and “literature” and “theory” had not always walked down the halls of the academy with their hands entwined). Today many mainstream philosophers seem relieved to have weathered the postmodern storm more or less unscathed. Some even evince an unmistakable air of superiority for not having allowed themselves to get caught up in the culture wars (as if defending a tradition against various “postmodern” critiques, usually by trying to ignore them, was not itself to take a side).

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Publisher: Cambridge University Press
Print publication year: 2011

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  • Against Conclusions
  • Iain D. Thomson, University of New Mexico
  • Book: Heidegger, Art, and Postmodernity
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511976605.010
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  • Against Conclusions
  • Iain D. Thomson, University of New Mexico
  • Book: Heidegger, Art, and Postmodernity
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511976605.010
Available formats
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To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Against Conclusions
  • Iain D. Thomson, University of New Mexico
  • Book: Heidegger, Art, and Postmodernity
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511976605.010
Available formats
×