Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-vvkck Total loading time: 0 Render date: 2024-04-29T18:00:46.467Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

References

Ruth Towse
Affiliation:
Bournemouth University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abbing, H. (2002) Why Are Artists Poor? The Exceptional Economy of the Arts, Amsterdam, University of Amsterdam Press.Google Scholar
Abbing, H. (2003) ‘Support for artists’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 437–44.Google Scholar
Acheson, K. (2003) ‘Globalization’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 248–54.Google Scholar
Acheson, K., and Maule, C. (1994) ‘Understanding Hollywood‘s organization and continuing success’, Journal of Cultural Economics, 18(4): 271–300.CrossRefGoogle Scholar
Acheson, K. and Maule, C. (1999) Much Ado about Culture: North American Trade Disputes, Ann Arbor, University of Michigan Press.CrossRefGoogle Scholar
Acheson, K. and Maule, C. (2004) ‘Convention on Cultural Diversity’, Journal of Cultural Economics, 28(4): 243–56.CrossRefGoogle Scholar
Acheson, K. and Maule, C. (2006) ‘Culture in international trade’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 1141–82.
,Agency for Cultural Affairs (2006) Administration of Cultural Affairs in Japan, Tokyo, Bunka (available at www.bunka.go.jp).Google Scholar
Ala-Fossi, M., Bakker, P., Ellonen, M.-K., Küng, L., Lax, S., Sádaba, C. and Wurff, R. (2008) ‘The impact of the Internet on business models in the media industries: a sector-by-sector analysis’, in Küng, L., Picard, R. and Towse, R. (eds.) The Internet and the Mass Media, London, Sage: 149–69.CrossRefGoogle Scholar
Alper, N., and Wassall, G. (2006) ‘Artists’ careers and their labor markets', in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 815–64.Google Scholar
,Americans for the Arts (2005) Creative Industries 2005: The Congressional Report, Washington, DC, Americans for the Arts (available at www.americansforthearts.org/information_services/research/services/creative_industries/default.asp).Google Scholar
,Americans for the Arts (2008) Creative Industries 2008: The 50 City Report, Washington, DC, Americans for the Arts (available at www.americansforthearts.org/information_services/research/services/creative_industries/default.asp).Google Scholar
Anderson, S., and Gabszewicz, J. (2006) ‘The media and advertising: a tale of two-sided markets,’ in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 567–614.CrossRefGoogle Scholar
Appelman, M. (2003) ‘Fixed book price’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 237–42.Google Scholar
,Arts Council (2006) The Public and the Arts 2006, Dublin, Arts Council (available at www.artscouncil.ie/Publications/PublicandtheArts2006.pdf).Google Scholar
Ashenfelter, O. (2003) ‘Art auctions’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 32–9.Google Scholar
,Australian Bureau of Statistics (2008) Arts and Culture in Australia: A Statistical Overview, 2nd edn, Sydney, Australian Bureau of Statistics (available at www.abs.gov.au/ausstats/abs@.nsf/Products/05C3AEC1302AC24ACA2574E90012F06C?opendocument).Google Scholar
,Australian Film Commission(2008) Get the Picture, Canberra, Australian Film Commission (available at www.afc.gov.au/policyandresearch/policy/film_industry.aspx).Google Scholar
Baumol, H., and Baumol, W. (1984), ‘The mass media and the cost disease’, in Hendon, W., Shaw, D. and Grant, N. (eds.) Economics of Cultural Industries, Akron, OH, Association for Cultural Economics: 109–23 [reprinted in R. Towse (ed.) (1997) Cultural Economics: The Arts, the Heritage and the Media Industries, Cheltenham, Edward Elgar, vol. II: 304–18].Google Scholar
Baumol, W. (1971) ‘Economics of Athenian drama: its relevance for the arts in a small city today’, Quarterly Journal of Economics, 85(3): 365–76.CrossRefGoogle Scholar
Baumol, W. (1996) ‘Children of the performing arts, the economic dilemma: the climbing costs of healthcare and education’, Journal of Cultural Economics, 20(3): 183–206.CrossRefGoogle Scholar
Baumol, W. (1997) ‘On the career of a microeconomist’, in Towse, R. (ed.) Baumol's Cost Disease: The Arts and Other Victims, Cheltenham, Edward Elgar: 3–28.Google Scholar
Baumol, W. (2003) ‘Applied welfare economics’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 20–31.Google Scholar
Baumol, W. (2006) ‘The arts in the “new economy”’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 339–58.CrossRefGoogle Scholar
Baumol, W., and Blinder, A. (2006) Essentials of Economics: Principles and Policy, Mason, OH, Thomson South-Western.Google Scholar
Baumol, W., and Bowen, W. (1966) Performing Arts: The Economic Dilemma, Hartford, CT, Twentieth Century Fund.Google Scholar
Benhamou, F. (2003a) ‘Artists’ labour markets', in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 69–75.Google Scholar
Benhamou, F. (2003b) ‘Heritage’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 255–62.Google Scholar
Benhamou, F. (2004) ‘Comment’, Journal of Cultural Economics, 28(4): 263–6.CrossRefGoogle Scholar
Bille, T., and Schulze, G. (2006) ‘Culture in urban and regional development’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 1051–1100.CrossRefGoogle Scholar
Blaauw, J. (2006) ‘When film met television. Film industries in western European countries and the role of television broadcasters in them: a cultural economic approach’, MA thesis, Erasmus University Rotterdam.
Blaug, M. (1978) ‘Why are Covent Garden seat prices so high?’, Journal of Cultural Economics, 2(1): 1–20.CrossRefGoogle Scholar
Blaug, M. (1986) Great Economists before Keynes, Cheltenham, Edward Elgar.Google Scholar
Blaug, M. (1999) ‘A tribute to Dick Netzer and The Subsidized Muse’, Journal of Cultural Economics, 23(1): 31–2.CrossRefGoogle Scholar
Blaug, M. (2001) ‘Where are we now on cultural economics?’, Journal of Economic Surveys, 15(2): 123–43.CrossRefGoogle Scholar
Blaug, M. (2003) ‘Welfare economics’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 476–82.Google Scholar
Boldrin, M., and Levine, D. (2002) ‘The case against intellectual property’, American Economic Review, Papers and Proceedings, 92(2): 209–12.CrossRefGoogle Scholar
Bonet, L. (2003) 'Cultural tourism', in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 187–93.Google Scholar
Burke, A. (2003) ‘Music business’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 321–30.Google Scholar
Cameron, S. (2003) ‘Cinema’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 114–18.Google Scholar
Canoy, M., Ours, J. and Ploeg, F. (2006) ‘The economics of books’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 721–61.CrossRefGoogle Scholar
Caves, R. (2000) Creative Industries: Contracts between Art and Commerce, Cambridge, MA, Harvard University Press.Google Scholar
Caves, R. (2005) Switching Channels: Organization and Change in TV Broadcasting, Cambridge, MA, Harvard University Press.CrossRefGoogle Scholar
,Center for an Urban Future (2005) Creative New York, New York, Center for an Urban Future (available at www.nycfuture.org/images_pdfs/pdfs/CREATIVE_NEW_YORK.pdf).Google Scholar
Chevalier, T. (1999) Girl with a Pearl Earring, New York, Dutton Adult.Google Scholar
Chisholm, D. (2003) ‘Motion pictures’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 306–14.Google Scholar
Choi, S.-H. (2006) ‘Monopolization of the Korean film industry: a focus on vertical integration’, MA thesis, Erasmus University Rotterdam.
Coase, R. (1937) ‘The nature of the firm’, Economica, new series, 4(16): 386–405.CrossRefGoogle Scholar
Coase, R. (1960) ‘The problem of social cost’, Journal of Law and Economics, 3(1): 1–44.CrossRefGoogle Scholar
Coase, R. (1979) ‘Payola in radio and television broadcasting’, Journal of Law and Economics, 22(2): 269–328.CrossRefGoogle Scholar
Connolly, M., and Krueger, A. (2006) ‘Rockonomics: the economics of popular music’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 667–719.CrossRefGoogle Scholar
Cooke, P. (2008) ‘Culture, clusters, districts and quarters’, in Cooke, P., and Lazzeretti, L. (eds.) Creative Cities, Cultural Clusters and Local Economic Development, Cheltenham, Edward Elgar: 23–45.Google Scholar
,Council of Europe/ERICarts (2008) ‘Compendium of cultural policies and trends in Europe’, 9th edn, www.culturalpolicies.net.
Cowen, T. (1996) ‘Why I do not believe in the cost-disease’, Journal of Cultural Economics, 20(3): 207–14.CrossRefGoogle Scholar
Cowen, T. (1998) In Praise of Commercial Culture, Cambridge, MA, Harvard University Press.Google Scholar
Cowen, T. (2000) What Price Fame?, Cambridge, MA, Harvard University Press.Google Scholar
Cowen, T. (2002) Creative Destruction: How Globalization is Changing the World's Cultures, Princeton, NJ, Princeton University Press.Google Scholar
Cowen, T. (2005) Markets and Culture Voices: Liberty vs. Power in the Lives of the Mexican Amate Painters, Ann Arbor, University of Michigan Press.CrossRefGoogle Scholar
Cowen, T. (2006) Good and Plenty: The Creative Successes of American Arts Funding, Princeton, NJ, Princeton University Press.Google Scholar
Cowen, T. (2007) Discover Your Inner Economist: Use Incentives to Fall in Love, Survive Your Next Meeting, and Motivate Your Dentist, New York, Plume Books.Google Scholar
Cowen, T. (2008) ‘Why everything has changed: the recent revolution in cultural economics’, Journal of Cultural Economics, 32(4): 261–73.CrossRefGoogle Scholar
Cuccia, T. (2003) ‘Contingent valuation’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 119–31.Google Scholar
Dane, C., Feist, A. and Laing, D. (1996) The Value of Music, London, National Music Council.Google Scholar
,Danish Film Institute (2006) Film, 50, Copenhagen, Danish Film Institute (available at www.dfi.dk/tidsskriftetfilm/50/thinktank2.htm).
,Danish Film Institute (2008) Facts and Figures 2008, Copenhagen, Danish Film Institute.Google Scholar
,Department for Culture, Media and Sport (the United Kingdom's ministry for culture) (1998) Creative Industries Mapping Document, London, DCMS.Google Scholar
,Department for Culture, Media and Sport (the United Kingdom's ministry for culture) (2007a) The Creative Economy Programme: A Summary of Projects Commissioned in 2006/7, London, DCMS.Google Scholar
,Department for Culture, Media and Sport (the United Kingdom's ministry for culture) (2007b) Creative Industries Economic Estimates, statistical bulletin, London, DCMS (available at www.culture.gov.uk/images/research/CreativeIndustriesEconomicEstimates2007.pdf).Google Scholar
,DCMS/Arts Council of England (1999) Funding Agreement between the Department for Culture, Media and Sport (DCMS) and the Arts Council, London, Department for Culture, Media and Sport (the United Kingdom's ministry for culture).Google Scholar
Marchi, N., and Greene, J. (2005) ‘Adam Smith and the private provision of the arts’, History of Political Economy, 37(3): 431–54.CrossRefGoogle Scholar
Vany, A. (2006) ‘The movies’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 615–60.CrossRefGoogle Scholar
Doyle, G. (2002) Media Ownership: The Economics and Politics of Convergence and Concentration in the UK and European Media, London, Sage.CrossRefGoogle Scholar
Einhorn, M. (2003) ‘Digitalisation’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 214–23.Google Scholar
Einhorn, M. (2004) Media, Technology and Copyright: Integrating Law and Economics, Northampton, MA, Edward Elgar.CrossRefGoogle Scholar
,ERM Economics (2003) European Capital of Culture 2008: Socio-economic Impact Assessment of Liverpool's Bid, Manchester, ERM Economics (available at http://image.guardian.co.uk/sys-files/Society/documents/2003/06/10/finalreport.pdf).Google Scholar
,European Audiovisual Observatory (2006) Broadcasters' Obligations to Invest in Cinematographic Production, Strasbourg, European Audiovisual Observatory.Google Scholar
Eurostat, (2007) Cultural Statistics: 2007 Edition, Luxembourg, European Communities (available at http://epp.eurostat.ec.europa.eu/cache/ITY_OFFPUB/KS-77–07-296/EN/KS-77-07-296–EN.PDF).Google Scholar
Farchy, J. (2003) ‘Internet: culture’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 276–80.Google Scholar
Fauth, R., Horner, L. and Bevan, S. (2006) Willingness to Pay for the BBC during the Next Charter Period, London, Work Foundation.Google Scholar
Felton, M. (1994) ‘Evidence of the existence of the cost disease’, Journal of Cultural Economics, 18(4): 301–12.CrossRefGoogle Scholar
Filer, R. (1986) ‘The starving artist: myth or reality? Earnings of an artist in the United States, Journal of Political Economy, 94(1): 56–75.CrossRefGoogle Scholar
Filer, R. (1990) ‘The arts and academe: the effect of education on earnings of artists’, Journal of Cultural Economics, 14(1): 15–38.CrossRefGoogle Scholar
Finn, A., McFadyen, S. and Hoskins, C. (2003) ‘Valuing the Canadian Broadcasting Corporation’, Journal of Cultural Economics, 27(3–4): 177–92.CrossRefGoogle Scholar
Florida, R. (2002) The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life, New York, Basic Books.Google Scholar
Frey, B. (1986) ‘The Salzburg Festival from the economic point of view’, Journal of Cultural Economics 10(1): 27–44.CrossRefGoogle Scholar
Frey, B. (2000) Arts and Economics: Analysis and Cultural Policy, Berlin, Springer Verlag.CrossRefGoogle Scholar
Frey, B. (2003a) ‘Festivals’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 232–6.Google Scholar
Frey, B. (2003b) ‘Public support’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 389–98.Google Scholar
Frey, B., and Meier, S. (2001) Museums between Private and Public: The Case of the Beyeler Museum in Basle, Working Paper no. 116, Institute for Empirical Research in Economics, University of Zurich.Google Scholar
Frey, B., andMeier, S. (2006) ‘The economics of museums’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 1071–47.Google Scholar
Frey, B., and Pommerehne, W. (1989) Muses and Markets: Explorations in the Economics of the Arts, Oxford, Basil Blackwell.Google Scholar
Frith, S., and Marshall, L. (eds.) (2004) Music and Copyright, 2nd edn., Edinburgh, University of Edinburgh Press.
,Frontier Economics (2007) Creative Industry Performance: A Statistical Analysis for the DCMS, London, Frontier Economics (available at www.culture.gov.uk/images/research/statistical_Analysis_of_the_creative_Industries_Frontier_Economics_2007.pdf).Google Scholar
Galbraith, J. (1958) The Affluent Society, Harmondsworth, Penguin Books.Google Scholar
Gander, J., and Rieple, A. (2004) ‘How relevant is transaction cost economics to inter-firm relationships in the music industry?’, Journal of Cultural Economics, 28(1): 57–79.CrossRefGoogle Scholar
Gazel, R. and Schwer, K. (1997) ‘Beyond rock and roll: the economic impact of the Grateful Dead on a local economy’, Journal of Cultural Economics 21(1): 41–55.CrossRefGoogle Scholar
Ginsburgh, V. (2003) ‘Art markets’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 40–56.
Ginsburgh, V. (2005) ‘The economic consequences of droit de suite in the European Union’, Economic Analysis and Policy, 35(1–2): 61–71 [reprinted in Towse, R. (ed.) (2007) Recent Developments in Cultural Economics, Cheltenham, Edward Elgar: 384–93].Google Scholar
Goldstone, L. (2003) ‘Cultural statistics’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 177–82.Google Scholar
Goodwin, C. (2006) ‘Art and culture in the history of economic thought’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 25–66.CrossRefGoogle Scholar
Grampp, W. (1989) Pricing the Priceless: Art, Artists and Economics, New York, Basic Books.Google Scholar
Grampp, W. (1996) ‘A colloquy about art museums: economics engages museology’, in Ginsburgh, V. and Menger, P.-M. (eds.), Economics of the Arts: Selected Essays, Amsterdam, Elsevier: 221–54 [reprinted in R. Towse (ed.) (2007) Recent Developments in Cultural Economics, Cheltenham, Edward Elgar: 119–31].Google Scholar
Gray, M. (1992) ‘Art costs and subsidies: the case of Norwegian performing arts’, in Towse, R. and Khakee, A. (eds.) Cultural Economics, Heidelberg, Springer: 267–73 [reprinted in R. Towse (ed.) (1997) Cultural Economics: The Arts, the Heritage and the Media Industries, Cheltenham, Edward Elgar, vol. II: 337–43].CrossRefGoogle Scholar
Greco, A. (2000) ‘Market concentration levels in the U.S. consumer book industry: 1995–1996’, Journal of Cultural Economics, 24(4): 321–36.CrossRefGoogle Scholar
Greffe, X. (2002) Arts and Artists from an Economic Perspective, Paris, UNESCO and Economica.Google Scholar
Hansmann, H. (1981) ‘Nonprofit enterprise in the performing arts’, Bell Journal of Economics, 12(2): 341–61 [reprinted in R. Towse (ed.) (1997) Cultural Economics: The Arts, the Heritage and the Media Industries, Cheltenham, Edward Elgar, vol. II: 393–413].CrossRefGoogle Scholar
Hargreaves Heap, S. (2005) ‘Television in a digital age: what role for public broadcasting?’, Economic Policy, 20: 112–57.CrossRefGoogle Scholar
Hart, O. (1989) ‘An economist‘s perspective on the theory of the firm’, Columbia Law Review, 89(7): 1757–74.CrossRefGoogle Scholar
Heikkinen, M. (1995) ‘Evaluating the effects of direct support on the economic situation of artists’, Journal of Cultural Economics, 19(3): 261–72.CrossRefGoogle Scholar
Heilbrun, J. (2001) ‘Empirical evidence of a decline in repertory among American opera companies 1991/2–1997/8’, Journal of Cultural Economics, 25(1): 63–72.CrossRefGoogle Scholar
Heilbrun, J. (2003) ‘Baumol's cost disease’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 91–101.Google Scholar
Heinrich, J., and Kopper, G. (2006) Media Economics in Europe, Berlin, Vistas Verlag.Google Scholar
Higgs, P., Cunningham, S. and Bakhshi, H. (2008) Beyond the Creative Industries: Mapping the Creative Economy in the United Kingdom, London, National Endowment for Science, Technology and the Arts.Google Scholar
Hjorth-Andersen, C. (2003) ‘Publishing’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 399–407.Google Scholar
Hoefert de Turégano, T. (2006) Public Support for the International Promotion of European Films, Strasbourg, European Audiovisual Observatory.Google Scholar
Holt, G., and Elliott, D. (2003) ‘Measuring outcomes: applying cost–benefit analysis to middle-sized and smaller public libraries’, Library Trends, 51(3): 424–40Google Scholar
Holt, G., Elliott, D. and Moore, A. (1999) ‘Placing a value of public library services’, Public Libraries, 38(2): 98–108.
Hotelling, H. (1929) ‘Stability in competition’, Economic Journal, 39: 41–57.CrossRefGoogle Scholar
Hutter, M. (2003) ‘Information goods’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 263–8.Google Scholar
Iapadre, L. (2004) ‘Comment’, Journal of Cultural Economics, 28(4): 267–73.CrossRefGoogle Scholar
,International Federation of Arts Councils and Culture Agencies (2005) Statistical Indicators for Arts Policy, IFACCA, Sydney (available at www.ifacca.org/files/statisticalindicatorsforartspolicy.pdf).Google Scholar
,International Federation of Phonographic Industries (2007) Digital Music Report 2007, London, IFPI.Google Scholar
,International Federation of Phonographic Industries (2008) Digital Music Report 2008, London, IFPI.Google Scholar
Johnson, P. (2003) ‘Museums’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 315–20.Google Scholar
Joy, A., and Skinner, M. (2005) A Statistical Survey of Regularly Funded Arts Organisations 2002/03, London, Arts Council of England.Google Scholar
,KEA European Affairs (2006) The Economy of Culture in Europe: A Strategy for a Creative Europe, Brussels, KEA European Affairs (available at www.keanet.eu/Ecoculture/Study%20new.pdf).Google Scholar
King, K., and Blaug, M. (1973) ‘Does the Arts Council know what it is doing? An inquiry into public patronage of arts’, Encounter, 12(3): 6–16 [reprinted in Blaug, M. (ed.) (1976) The Economics of the Arts, Boulder, CO, Westview Press: 101–25].Google Scholar
Klaes, M. (2008) ‘Transaction costs, history of’, in Durlauf, S. and Blume, L. (eds.) The New Palgrave Dictionary of Economics, 2nd edn, vol. VIII, London, Palgrave Macmillan: 363–6.Google Scholar
Kolmodin, A. (2008) ‘Creative industries: a growth sector?’, Growth Policy Outlook, 6 (Sep) (available at www.itps.se/Archive/Documents/Swedish/Publikationer/Tillv%C3%A4xtpolitisk%20utblick/TpU_nr6_2008_eng_webb.pdf).Google Scholar
Kovac, M., and Kovac Sebart, M. (2006) ‘Reading and book usage in the European Union’, Publishing Research Quarterly, 22(2): 55–63.CrossRefGoogle Scholar
Krebs, S., and Pommerehne, W. (1995) ‘Politico-economic interactions of German performing arts institutions’, Journal of Cultural Economics, 19(1): 17–32.CrossRefGoogle Scholar
Kretschmer, M., and Hardwick, P. (2007) Authors' Earnings from Copyright and Non-copyright Sources: A Survey of 25,000 British and German Writers, Bournemouth, Centre for Intellectual Property Policy and Management (available at www.cippm.org.uk/publications/alcs/ACLS%20Full%20report.pdf).Google Scholar
Küng, L., Picard, R. and Towse, R. (eds.) (2008) The Internet and the Mass Media, London, Sage.
Landes, W. (2003) ‘Copyright’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 132–42.Google Scholar
Landes, W., and Posner, R. (1989) ‘An economic analysis of copyright law’, Journal of Legal Studies, 18(2): 325–66.CrossRefGoogle Scholar
Landes, W. and Posner, R. (2002) Indefinitely Renewable Copyright, Olin Working Paper no. 154, University of Chicago Law School (available at www.law.uchicago.edu/Lawecon/index.html).Google Scholar
Lévy-Garboua, L., and Montmarquette, C. (1996) ‘A microeconomic study of theater demand,’ Journal of Cultural Economics, 20(1): 25–50.CrossRefGoogle Scholar
Liebowitz, S. (2003) Will MP3 Downloads Annihilate the Record Industry? The Evidence so Far, working paper, School of Management, University of Texas at Dollas.
Luksetich, W. (2003) ‘Orchestras’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 349–55.Google Scholar
Luksetich, W., and Partridge, M. (1997) ‘Demand functions for museum services’, Applied Economics, 29(12): 1553–9.CrossRefGoogle Scholar
Maddison, D., and Foster, T. (2003) ‘Valuing costs in the British Museum’, Oxford Economic Papers, 55(1): 173–90.CrossRefGoogle Scholar
Matsumoto, S. (2002) ‘Performers in the digital era: empirical evidence from Japan’, in Towse, R. (ed.) Copyright in the Cultural Industries, Cheltenham, Edward Elgar: 196–209.Google Scholar
Maule, C. (2003) ‘Television’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 458–64.Google Scholar
Mazza, I. (2003) ‘Public choice’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 379–88.Google Scholar
,MEDIA Salles (2006) European Cinema Yearbook 2006, Milan, Media Salles (available at www.mediasalles.it/yearbook06_fin.pdf).Google Scholar
Menger, P.-M., and Gurgand, M. (1996) ‘Work and compensated unemployment in the performing arts: exogenous and endogenous uncertainty in artistic labour markets’, in Ginsburgh, V. and Menger, P.-M. (eds.) Economics of the Arts: Selected Essays, Amsterdam, North Holland: 347–81.Google Scholar
,Monopolies and Mergers Commission (1996) Performing Rights, Cm 3147, London, HMSO.Google Scholar
Montias, J. M. (1982) Artists and Artisans in Delft: A Socio-economic Study of the Seventeenth Century, Princeton, NJ, Princeton University Press.Google Scholar
Montias, J-M. (1989) Vermeer and His Milieu: A Web of Social History, Princeton, NJ, Princeton University Press.Google Scholar
,Motion Picture Association of America (2006) Entertainment Industry Market Statistics, 2006, Washington, DC, MPAA (available at www.mpaa.org/USEntertainmentIndustryMarketStats.pdf).Google Scholar
,Motion Picture Association of America (2007) Entertainment Industry Market Statistics 2007, Washington, DC, MPAA (available at www.mpaa.org/USEntertainmentIndustryMarketStats.pdf).Google Scholar
Musgrave, R. (1959) The Theory of Public Finance: A Study in Public Economy, New York, McGraw-Hill.Google Scholar
Musgrave, R. (1987) ‘Merit goods’, in Eatwell, J., Milgate, M. and Newman, P. (eds.) The New Palgrave: A Dictionary of Economics, London, Macmillan: 452–3.Google Scholar
Musgrave, R., and Musgrave, P. B. (1973) Public Finance in Theory and Practice, New York, McGraw-Hill.Google Scholar
,National Endowment for the Arts (the arts council of the United States) (1995) Effects of Arts Education on Participation in the Arts, Report no. 36, Washington, DC, NEA (available at www.nea.gov/pub/Researcharts/Summary 36.html).Google Scholar
,National Endowment for the Arts (NEA) (2003) 2002 Survey of Public Participation in the Arts, Note no. 81, Washington, DC, National Endowment for the Arts (the arts council of the United States) (available at www.nea.gov/research/notes/81.pdf).Google Scholar
,National Endowment for the Arts (NEA) (2006) Consumer Spending on Performing Arts, Note no. 91, Washington, DC, National Endowment for the Arts (the arts council of the United States) (available at www.nea.gov/research/notes/91.pdf).Google Scholar
,National Endowment for the Arts (NEA) (2007a) How the United States Funds the Arts, 2nd edn, Washington, DC, National Endowment for the Arts (the arts council of the United States).Google Scholar
,National Endowment for the Arts (NEA) (2007b) To Read or Not to Read: A Question of National Consequence, Report no. 47, Washington, DC, National Endowment for the Arts (the arts council of the United States) (available at www.nea.gov/research/ToRead_ExecSum.pdf).Google Scholar
,National Endowment for the Arts (NEA) (2008) Artists in the Workforce: 1990–2005, Report no. 48, Washington, DC, National Endowment for the Arts (the arts council of the United States).Google Scholar
Netzer, D. (1978) The Subsidized Muse: Public Support for the Arts in the United States, Cambridge, Cambridge University Press.Google Scholar
Netzer, D. (2003) ‘Non-profit organisations’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 331–41.Google Scholar
Netzer, D. (2006) ‘Cultural policy: an American view’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 1223–51.CrossRefGoogle Scholar
Oates, M., and Baumol, W. (1972), ‘On the economics of the theatre in Renaissance London’, Swedish Journal of Economics, 74(1): 136–80 [reprinted in R. Towse (ed.) (1997) Cultural Economics: The Arts, the Heritage and the Media Industries, Cheltenham, Edward Elgar, vol. II: 3–27].CrossRefGoogle Scholar
O'Brien, J., and Feist, A. (1995) Employment in the Arts and Cultural Industries: An Analysis of the 1991 Census, London, Arts Council of England.Google Scholar
,OCenW (2006) Cultural Policy in the Netherlands, Amsterdam, Boekman Studies.Google Scholar
O'Hagan, J. (1992) ‘The Wexford Festival: a case for public funding?’, in Towse, R. and Khakee, A. (eds.) Cultural Economics, Heidelberg, Springer: 61–6.Google Scholar
O'Hagan, J. (1995) ‘National museums: to charge or not to charge?’, Journal of Cultural Economics, 19(1): 33–47.CrossRefGoogle Scholar
O'Hagan, J. (2003) ‘Tax concessions’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 451–7.Google Scholar
O'Hagan, J., and Neligan, A. (2005) ‘State subsidies and repertoire conventionality in the non-profit English theatre sector’, Journal of Cultural Economics, 29(1): 35–57.CrossRefGoogle Scholar
Oksanen, V. and Välimäki, M. (2005) ‘Copyright levies as an alternative compensation method for recording artists and technological development’, Review of Economic Research on Copyright Issues, 2(2): 25–39.Google Scholar
Papandrea, F. (1999) ‘Willingness to pay for domestic television programming’, Journal of Cultural Economics, 23(3): 147–64.CrossRefGoogle Scholar
Paulus, O. (2003), ‘Measuring museum performance: a study of museums in France and the United States’, International Journal of Arts Management, 6(1): 50–63 [reprinted in R. Towse (ed.) (2007) Recent Developments in Cultural Economics, Cheltenham, Edward Elgar: 269–82].Google Scholar
Peacock, A. (1969) ‘Welfare economics and public subsidies to the arts’, Manchester School of Economic and Social Studies, 4(December): 323–35 [reprinted in R. Towse (1997a) Cultural Economics: The Arts, the Heritage and the Media Industries, Cheltenham, Edward Elgar, vol. II: 501–13].Google Scholar
Peacock, A. (1986a) Report of the Committee on Financing the BBC, Cmnd 9824, London, Stationery Office Books.Google Scholar
Peacock, A. (1986b) Making Sense of Broadcasting Finance, Robbins Lecture Pamphlet, University of Stirling [reprinted in R. Towse (ed.) (1997) Cultural Economics: The Arts, the Heritage and the Media Industries, Cheltenham, Edward Elgar, vol. II: 427–34].Google Scholar
Peacock, A. (1993) Paying the Piper: Culture, Music, and Money, Edinburgh: Edinburgh University Press.Google Scholar
Peacock, A. (2004) ‘The credibility of economists’ advice to governments', in Ginsburgh, V. (ed.) Economics of Art and Culture: Invited Papers at the 12th International Conference of the Association of Cultural Economics, Amsterdam Elsevier: 165–78 [reprinted in R. Towse (ed.) (2007) Recent Developments in Cultural Economics, Cheltenham, Edward Elgar: 60–73].Google Scholar
Peacock, A., and Rizzo, I. (2008) The Heritage Game: Economics, Policy and Practice, Oxford, Oxford University Press.CrossRefGoogle Scholar
Peacock, A., Shoesmith, E. and Millner, G. (1983) ‘Measuring the extent of cost inflation’, ‘The study's main results’ and ‘Conclusions and recommendations’, in Peacock, A. (ed.) Inflation and the Performed Arts, London, Arts Council of Great Britain: 7–48 [reprinted in R. Towse (ed.) (1997) Cultural Economics: The Arts, the Heritage and the Media Industries, Cheltenham, Edward Elgar, vol. II: 319–60].Google Scholar
Pierce, J. (2000) ‘Programmatic risk-taking by American opera companies’, Journal of Cultural Economics, 24(1): 45–63.CrossRefGoogle Scholar
Pignataro, G. (2003) ‘Performance indicators’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 366–72.Google Scholar
Plant, A. (1934) ‘The economic aspects of copyright in books’, Economica (new series), 1(2): 167–95.CrossRefGoogle Scholar
,Publishers Association (2006) UK Book Publishing Industry Statistics Yearbook 2006, London, Publishers Association.Google Scholar
,Rightscom (2004) Publishing Market Watch Sectoral Report 2: Book Publishing, Brussels, European Commission (available at www.rightscom.com/Portals/0/European%20Book%20Publishing%20Report.pdf).Google Scholar
Rizzo, I. (2003) ‘Regulation’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 408–415.Google Scholar
Rizzo, I., and Throsby, D. (2006) ‘Cultural heritage: economic analysis and public policy’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 983–1016.CrossRefGoogle Scholar
Rizzo, I., and Towse, R. (2002) Economics of Heritage: A Study in the Political Economy of Culture in Sicily, Cheltenham, Edward Elgar.Google Scholar
Robbins, L. (1971) ‘Unsettled questions in the political economy of the arts’, Three Banks Review, 91(September): 3–19 [reprinted in R. Towse (ed.) (1997) Cultural Economics: The Arts, the Heritage and the Media Industries, Cheltenham, Edward Elgar, vol. II: 347–63].Google Scholar
Rochelandet, F. (2003) ‘Internet: economics’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 281–6.Google Scholar
Rose, M. (1993) Authors and Owners: The Invention of Copyright, Cambridge, MA, Harvard University Press.Google Scholar
Rosen, S. (1981) ‘The Economics of Superstars’, American Economic Review, 71(5): 845–58.Google Scholar
Rosselli, J. (1989) ‘From princely states to the open market: singers of Italian opera and their patrons 1600–1850’, Cambridge Opera Journal, 1(1): 1–32 [reprinted in R. Towse (ed.) (1997) Cultural Economics: The Arts, the Heritage and the Media Industries, Cheltenham, Edward Elgar, vol. II: 37–68].CrossRefGoogle Scholar
Rushton, M. (2003) ‘Artists’ rights', in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 76–80.Google Scholar
Sagot-Duvauroux, D. (2003) ‘Art prices’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 57–63.Google Scholar
Santagata, W. (2006) ‘Cultural districts and their role in developed and developing countries’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 1101–19.CrossRefGoogle Scholar
Scherer, F. M. (2001) ‘An early application of the average total cost concept’, Journal of Economic Literature, 39(3): 897–901.CrossRefGoogle Scholar
Scherer, F. (2006) ‘The evolution of music markets’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 124–43.Google Scholar
Schimmelpfennig, J. (1997) ‘Demand for ballet: a non-parametric analysis of the Royal Ballet summer season’, Journal of Cultural Economics, 21(2): 119–27.CrossRefGoogle Scholar
Schimmelpfennig, J. (2003) ‘Ballet’, in Towse, R. (ed.) A Handbook of Cultural Economies, Cheltenham, Edward Elgar: 85–90.Google Scholar
Schulze, G. (2003a) ‘International trade’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 269–75.Google Scholar
Schulze, G. (2003b) ‘Superstars’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 431–6.Google Scholar
Schulze, G., and Rose, A. (1998) ‘Public orchestra funding in Germany – an empirical investigation’, Journal of Cultural Economics, 22(4): 227–47.CrossRefGoogle Scholar
Schumpeter, J. (1912) Theory of Economic Development: An Inquiry into Profits, Capital, Credit, Interest and the Business Cycle, Leipzig, Duncker and Humblot.Google Scholar
Schumpeter, J. (1942) Capitalism, Socialism and Democracy, New York, Harper & Brothers.Google Scholar
Schuster, M. (2001) Policy and Planning with a Purpose or The Art of Making Choices in Arts Funding, working paper, Cultural Policy Center, University of Chicago (available at http://culturalpolicy.uchicago.edu/workingpapers/Schuster10.pdf).
Schuster, M. (2006) ‘Tax incentives in cultural policy’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 1253–94.CrossRefGoogle Scholar
Scitovsky, T. (1976) The Joyless Economy: An Inquiry into Human Satisfaction and Consumer Dissatisfaction, Oxford, Oxford University Press.Google Scholar
,SCP (2008) Facts and Figures of the Netherlands; Social and Cultural Trends 1995–2006, The Hague, SCP.Google Scholar
,Screen Australia (2008) National Survey of Film and TV Drama Production 2007/8, Woolloomooloo, Screen Australia.Google Scholar
Seaman, B. (2003) ‘Economic impact of the arts’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 224–31.Google Scholar
Seaman, B. (2004), ‘Competition and the non-profit arts: the lost industrial organisation agenda’, Journal of Cultural Economics, 28(3): 167–93.CrossRefGoogle Scholar
Seaman, B. (2006) ‘Empirical studies of demand for the performing arts’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 416–72.Google Scholar
Sedgwick, J. (2000) Popular Filmgoing in 1930s Britain: A Choice of Pleasures, Exeter, University of Exeter Press.Google Scholar
Selwood, S., and Davies, M. (2005) ‘Capital costs: lottery funding in Britain and the consequences for museums’, Curator, 48(4): 439–67.CrossRefGoogle Scholar
Shapiro, C., and Varian, H. (1999) Information Rules: A Strategic Guide to the Network Economy, Boston, Harvard Business School Press.Google Scholar
Shavell, S., and Ypserle, T. (2001) ‘Rewards versus intellectual property rights’, Journal of Law and Economics, 44(2): 525–47.CrossRefGoogle Scholar
Shoesmith, E. (1984) ‘Long-term trends in performing arts expenditures’, Journal of Cultural Economics, 8(2): 51–71.CrossRefGoogle Scholar
Shubik, M. (2003) ‘Dealers in art’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 194–200.Google Scholar
Siwek, S. (2007) The True Cost of Piracy to the US Economy, Lewisville, TX, Institute for Policy Innovation.Google Scholar
Sloman, J. (2006) Economics, 6th edn, Harlow, Pearson Education/FT Prentice Hall.Google Scholar
Smith, A. (1776/1976) An Inquiry into the Nature and Causes of the Wealth of Nations, eds. Campbell, R. H., Skinner, A. S. and Todd, W. B., 2 vols., Oxford, Clarendon Press.CrossRefGoogle Scholar
Smith, T. (2003) Raising the Barre: The Geographical, Financial, and Economic Trends of Non-profit Dance Companies, Report no. 44, Washington, DC, NEA.Google Scholar
Smith, T. (2007) ‘The impact of government funding on private contributions to nonprofit performing arts organizations’, Annals of Public and Cooperative Economics, 78(1): 137–60.CrossRefGoogle Scholar
Stigler, G., and Becker, G. (1977) ‘De gustibus non est disputandum’, American Economic Review, 67(2): 76–90.Google Scholar
Strobl, E., and Tucker, C. (2000) ‘The dynamics of chart success in the U.K. pre-recorded popular music industry’, Journal of Cultural Economics, 24(2): 113–34.CrossRefGoogle Scholar
,Swedish Arts Council (2003) Cultural Barometer 2002 (Kulturbarometern 2002), Stockholm, Swedish Arts Council.Google Scholar
Taalas, M. (1997) ‘Generalised cost functions for producers of performing arts – allocative inefficiencies and scale economies in theatres’, Journal of Cultural Economics, 21(4): 335–53.CrossRefGoogle Scholar
Taalas, (2003) ‘Costs of Production’, in Towse, R. (eds.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 151–60.
Tanner, D. (2007) ‘Innovation and teamwork: a modest ticketing project yields accurate attendance figures’, www.aamus.org/pubs/accurateattendance.cfm.
Tate, (2005) Tate Modern: The First Five Years, London, Tate.Google Scholar
Throsby, D. (1990) ‘Perception of quality in demand for the theatre’, Journal of Cultural Economics, 14(1): 65–82.CrossRefGoogle Scholar
Throsby, D. (1994) ‘A work-preference model of artist behaviour’, in Peacock, A. and Rizzo, I. (eds.) Cultural Economics and Cultural Policies, Boston, Springer: 69–80 [reprinted in R. Towse (ed.) (2007) Recent Developments in Cultural Economics, Cheltenham, Edward Elgar: 397–408].CrossRefGoogle Scholar
Throsby, D. (1996a) ‘Disaggregated earnings functions for artists’, in Ginsburgh, V. and Menger, P.-M. (eds.) Economics of the Arts: Selected Essays, Amsterdam, North Holland: 331–46.Google Scholar
Throsby, D. (1996b) ‘Economic circumstances of the performing artist: Baumol and Bowen 30 years on’, Journal of Cultural Economics, 20(3): 225–40.CrossRefGoogle Scholar
Throsby, D. (2001) Economics and Culture, Cambridge, Cambridge University Press.Google Scholar
Throsby, D. (2002) The Music Industry in the New Millennium: Global and Local Perspectives (paper prepared for the Global Alliance for Cultural Diversity, UNESCO), Macquarie University, Sydney.Google Scholar
Throsby, D., and Hollister, V. (2003) Don't Give Up Your Day Job Yet: An Economic Study of Professional Artists in Australia, Sydney, Australia Council.Google Scholar
Throsby, D., and Withers, G. (1979) The Economics of the Performing Arts, New York, St Martin's Press.Google Scholar
Towse, R. (1993) Singers in the Marketplace: The Economics of the Singing Profession, Oxford, Clarendon Press.Google Scholar
Towse, R. (1996) ‘Economics of training artists’, in Ginsburgh, V. and Menger, P. (eds.) Economics of the Arts: Essays, Amsterdam, North Holland: 303–29.Google Scholar
Towse, R. (ed.). (1997) Cultural Economics: The Arts, the Heritage and the Media Industries, 2 vols., Cheltenham, Edward Elgar.
Towse, R. (2001a) ‘Quis custodiet? Or managing the management: the case of the Royal Opera House, Covent Garden’, International Journal of Arts Management, 3(3): 38–50 [reprinted in R. Towse (ed.) (2007) Recent Developments in Cultural Economics, Cheltenham, Edward Elgar: 219–31].Google Scholar
Towse, R. (2001b) Creativity, Incentive and Reward: An Economic Analysis of Copyright and Culture in the Information Age, Cheltenham, Edward Elgar.CrossRefGoogle Scholar
Towse, R. (ed.) (2003a) A Handbook of Cultural Economics, Cheltenham, Edward Elgar.CrossRef
Towse, R. (2003b) ‘Cultural industries’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 170–6.CrossRefGoogle Scholar
Towse, R. (2003c) ‘Opera’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 342–8.CrossRefGoogle Scholar
Towse, R. (2005) ‘Alan Peacock and cultural economics’, Economic Journal, 115(June): F262–F276.CrossRefGoogle Scholar
Towse, R. (2006a) ‘Copyright and artists: a view from cultural economics’, Journal of Economic Surveys, 20(4): 567–85.CrossRefGoogle Scholar
Towse, R. (2006b) ‘Human capital and artists’ labour markets', in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 867–94.Google Scholar
Towse, R. (ed.) (2007) Recent Developments in Cultural Economics, Cheltenham, Edward Elgar.
Towse, R. (2008) ‘Why has cultural economics ignored copyright?’, Journal of Cultural Economics: 32(4): 243.CrossRefGoogle Scholar
Tschmuck, P. (2006) Creativity and Innovation in the Music Industry. Dordrecht, Springer.Google Scholar
,UN Conference on Trade and Development (2008) Creative Economy Report 2008: The Challenge of Assessing the Creative Economy: Towards Informed Policy-making, Geneva, UNCTAD.Google Scholar
,UN Educational, Scientific, and Cultural Organization (2000a) Culture, Trade and Globalization: Questions and Answers, Paris, UNESCO (available at http://unesdoc.unesco.org/images/0012/001213/121360E.pdf).Google Scholar
,UN Educational, Scientific, and Cultural Organization (2000b) International Flows of Selected Cultural Goods 1980–98, Paris, UNESCO.Google Scholar
,UNESCO Institute for Statistics (2005) International Flows of Selected Cultural Goods and Services, 1994–2003: Defining and Capturing the Flows of Global Cultural Trade, Montreal, UNESCO Institute for Statistics.Google Scholar
Urrutiaguer, D. (2002) ‘Quality judgements and demand for french public theatre’, Journal of Cultural Economics, 22(3): 185–202.CrossRefGoogle Scholar
Ploeg, F. (2004a) Culture as Confrontation: Principles on Cultural Policy 2001–2004, Zoetermeer, OcenW (available at www.minocw.nl/english_oud/internat/english/).Google Scholar
Ploeg, F. (2004b) ‘Comment’, Journal of Cultural Economics, 28(4): 257–61.Google Scholar
Ploeg, F. (2006) ‘The making of cultural policy: a European perspective’, in Ginsburgh, V. and Throsby, D. (eds.) Handbook of the Economics of Art and Culture, Amsterdam, North Holland: 1183–221.CrossRefGoogle Scholar
Wurff, R. (2005) ‘Competition, concentration and diversity in European television markets’, Journal of Cultural Economics, 29(4): 249–75.CrossRefGoogle Scholar
Puffeln, F. (1996) ‘Abuses of conventional impact studies in the arts’, Cultural Policy, 2(2): 241–54.CrossRefGoogle Scholar
Varian, H. (2005) ‘Copying and copyright’, Journal of Economic Perspectives, 19(2): 121–38.CrossRefGoogle Scholar
Vaughan, D. (1980) ‘Does a festival pay?’, in Hendon, W., Shanahan, J. and MacDonald, A. (eds.) Economic Policy for the Arts, Cambridge, MA, Abt Books: 319–31.Google Scholar
Velthuis, O. (2003) ‘Visual arts’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 470–83.Google Scholar
Vogel, H. (2001) Entertainment Industry Economics: A Guide for Financial Analysis, 5th edn, Cambridge, Cambridge University Press.CrossRefGoogle Scholar
Vogel, H. (2004) Entertainment Industry Economics: A Guide for Financial Analysis, 6th edn, Cambridge, Cambridge University Press.Google Scholar
Wijnberg, N. (2003) ‘Awards’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 81–4.Google Scholar
Willis, K., and Snowball, J. (2009) ‘Investigating how the attributes of live theatre productions influence consumption choices using conjoint analysis: the example of the National Arts Festival, South Africa,’Journal of Cultural Economics, 33(3): 167–83.CrossRefGoogle Scholar
,World Intellectual Property Organization (2000) Basic Notions of Copyright and Related Rights, Geneva, WIPO (available at www.wipo.int/copyright/en/activities/pdf/basic_notions.pdf).Google Scholar
,World Intellectual Property Organization (2003) Guide on Surveying the Economic Contribution of the Copyright-based Industries, Geneva, WIPO.Google Scholar
Withers, G. (1985) ‘Artists’ subsidy for the arts', Australian Economic Papers, 25(December): 290–5; reprinted in R. Towse (ed.) (1997) Cultural Economics: The Arts, the Heritage and the Media Industries, Cheltenham, Edward Elgar: 269–74.
Withers, Glenn (2003) ‘Broadcasting’, in Towse, R. (ed.) A Handbook of Cultural Economics, Cheltenham, Edward Elgar: 102–13.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • References
  • Ruth Towse, Bournemouth University
  • Book: A Textbook of Cultural Economics
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511992131.028
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • References
  • Ruth Towse, Bournemouth University
  • Book: A Textbook of Cultural Economics
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511992131.028
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • References
  • Ruth Towse, Bournemouth University
  • Book: A Textbook of Cultural Economics
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511992131.028
Available formats
×