Debussy liked to give the impression that he was a reluctant reviewer of concerts. Often, prior to giving his assessment of a particular performance, he writes of the beauty of the day on which the concert took place, unfavourably comparing his delight in nature with his unfortunate obligation to attend the concert. In an article written for La revue blanche in 1901, Debussy wrote of being in the countryside, far from artistic debates, the first performances of new works and everything else associated with the Parisian musical world. He wrote:

Debussy often said that he disliked analytical approaches to music (in common with many composers), and he was quite naturally irritated by uninformed discussion about music. Moreover, his love of nature was coupled with a misanthropic streak. I suspect that he preferred the open spaces and silence of the countryside (a silence broken only by the sounds of wind, water and other natural phenomena) to the company of his fellow human beings.

Later in this article Debussy stresses that he believes the Prix de Rome competition is ridiculous, implying that this competitive approach to composition is unnatural. Music, for him, should be a part of nature, or something sharing its characteristics; on many occasions he expressed his distaste for academic forms and harmonic formulae.