Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-2pzkn Total loading time: 0 Render date: 2024-05-18T12:07:51.120Z Has data issue: false hasContentIssue false

Chapter 2 - Spacing Out to Speak Up: Resistance, protest and the emergence of street theatre

Published online by Cambridge University Press:  05 April 2018

Monica Mottin
Affiliation:
Ruskin College, Oxford
Get access

Summary

Universes of worlds as well as worlds themselves may be built in many different ways.

(Goodman, 1978,5)

Listen to other people's opinions about the king but never tell yours.

(Identity withdrawn, Kathmandu, 4 February 2005)

On the first of February 2005, around 10.15 a.m., I stopped by a shop on the way back to Gurukul after a Nepali language class. The king was speaking on the radio: prajatantra, ‘democracy’, was a word he uttered repeatedly. Customers and shopkeepers were listening in silence. I did my shopping quickly and left. In the Gurukul courtyard, Sunil was listening attentively to the radio sitting on a chair under the thatched wooden gazebo. The atmosphere was thick with tension, different from the cheerfulness that had filled the air a couple of hours earlier. Some of the artists were sitting near Sunil. ‘It is finished’ – said one of them with despair – ‘our fight for democracy in 1990 was useless.’

In fact, at 10 a.m., King Gyanendra used the government-run media, Radio Nepal and Nepal TV, to declare a state of emergency under the Constitution of the Kingdom of Nepal 1990, Article 23(7) on the grounds that ‘a serious crisis had arisen threatening the kingdom's integrity and security’. He suspended the right of freedom of expression, assembly and movement, press and publication rights, rights against preventive detention, the right to information, the right to property, the right to privacy, the right to constitutional remedy, and formed a council of ministers under his own chairmanship. During his 40 minute proclamation to the nation, Gyanendra severely criticized the political parties for their inability to solve the Maoist conflict and hold elections. Legitimizing his actions through the history of the Shah dynasty and referring to the age-long bond between the king and the Nepali people, he promised to restore multi-party democracy within three years.

Soon after the king's speech, land and mobile phone lines – both local and international – as well as the internet service were cut. The valley remained in total isolation for seven days. Tribhuvan International Airport was closed and the security forces blocked the main roads leading out of the valley.

Type
Chapter
Information
Rehearsing for Life
Theatre for Social Change in Nepal
, pp. 32 - 65
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×