Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- Part I Imagined voices
- Part II Historical voices
- Chapter 3 The emerging soloist and the primacy of text
- Chapter 4 The age of the virtuoso
- Chapter 5 The nineteenth-century revolution
- Part III Recorded voices
- Chapter 7 Classical singing in the twentieth century: recording and retrenchment
- Chapter 8 Post-classical: beyond the mainstream
- Chapter 9 The emancipation of the popular voice
- Chapter 10 Sung and unsung: singers and songs of the non-English-speaking world
- Sources and references
- Bibliography
- Index
- References
Sources and references
Published online by Cambridge University Press: 05 June 2012
Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- Part I Imagined voices
- Part II Historical voices
- Chapter 3 The emerging soloist and the primacy of text
- Chapter 4 The age of the virtuoso
- Chapter 5 The nineteenth-century revolution
- Part III Recorded voices
- Chapter 7 Classical singing in the twentieth century: recording and retrenchment
- Chapter 8 Post-classical: beyond the mainstream
- Chapter 9 The emancipation of the popular voice
- Chapter 10 Sung and unsung: singers and songs of the non-English-speaking world
- Sources and references
- Bibliography
- Index
- References
Summary
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- Information
- A History of Singing , pp. 295 - 320Publisher: Cambridge University PressPrint publication year: 2012
References
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Raccolta di Esercizi per il canto all’uso del vocalizzo Recueil d’exercises pour la vocalisation musicaleParis 1811Google Scholar
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Wagner in Rehearsal 1875–1876: the Diaries of Richard FrickeStuyvesant, NYPendragon Press 1998Google Scholar
‘Bel canto ja Richard Wagnerin laulajaihanne’ [Bel canto and Richard Wagner’s ideal singer]Musiikki 22 1992Google Scholar
Wagner Rehearsing the ‘Ring’: an Eye-Witness Account of the Stage Rehearsals of the First Bayreuth FestivalCambridge University Press 1983Google Scholar
We Need a Hero! Heldentenors from Wagner’s Time to the PresentNew YorkWeiala Press 1989Google Scholar
Raccolta di Esercizi per il canto all’uso del vocalizzo Recueil d’exercises pour la vocalisation musicaleParis 1811Google Scholar
Méthode des Méthodes de chant basée sur les principes des Ecoles les plus célèbres d’Italie et de la FranceParis and Brussels 1870Google Scholar
Wagner in Rehearsal 1875–1876: the Diaries of Richard FrickeStuyvesant, NYPendragon Press 1998Google Scholar
‘Bel canto ja Richard Wagnerin laulajaihanne’ [Bel canto and Richard Wagner’s ideal singer]Musiikki 22 1992Google Scholar
Wagner Rehearsing the ‘Ring’: an Eye-Witness Account of the Stage Rehearsals of the First Bayreuth FestivalCambridge University Press 1983Google Scholar
We Need a Hero! Heldentenors from Wagner’s Time to the PresentNew YorkWeiala Press 1989Google Scholar