During the last century and a half many of the most distinguished Shakespearian critics, from Hazlitt to J. Dover Wilson, have disputed over the character of Shakespeare’s Henry V. When such a debate has continued so long, without showing any sign of reaching a conclusion, it seems reasonable to assume that the division of opinion among critics may reflect a division in Shakespeare’s own mind, and that his emotions may have rebelled against his conscious intentions in writing the play. One criterion by which we can attempt to ascertain the feelings with which he wrote is through his image-clusters, which afford a clue to the emotional associations which certain words possessed for him. In Henry V one image-cluster plays an especially significant part, that associated with death.

Some two dozen images were linked in Shakespeare's mind with the idea of death, and can be roughly divided into seven groups: bones, leanness, pallor, rottenness, and ghost; hollowness, grave, vault or cave, earth, and womb; mouth or teeth, and eating; eyes and weeping; war, cannon, blood, and fire; sea, rocks, and wind or storm; and lion or tiger and roaring. The train of thought linking many of these ideas is obvious enough.