Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-5g6vh Total loading time: 0 Render date: 2024-04-28T11:01:27.712Z Has data issue: false hasContentIssue false

Works cited

Published online by Cambridge University Press:  01 December 2016

Richard Fletcher
Affiliation:
Ohio State University
Johanna Hanink
Affiliation:
Brown University, Rhode Island
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Creative Lives in Classical Antiquity
Poets, Artists and Biography
, pp. 334 - 368
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abbate, C. (2001) In Search of Opera. Princeton, NJ
Abrams, M.H. (1953) The Mirror and the Lamp: Romantic Theory and the Critical Tradition. Oxford
Acosta-Hughes, B. (2002) Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition. Berkeley, CA
Adams, M.H. (1960) English Romantic Poets: Modern Essays in Criticism. Oxford
Ajootian, A. (1996) ‘Praxiteles’ in Palagia, O. and Pollitt, J. J. (eds.), Personal Styles in Greek Sculpture. Cambridge: 91–129
Ajootian, A. (2007) ‘Praxiteles and fourth century Athenian portraiture’ in Schultz, P. and Hoff, R. von den (eds.), Early Hellenistic Portraiture: Image, Style, Context. Cambridge: 13–33
Alföldy, G. (2005) ‘Inschriften und Biographie in der römischen Welt’ in Vössing, K. (ed.), Biographie und Prosopographie: internationales Kolloquium zum 65. Geburtstag von Anthony R. Birley. Stuttgart: 29–52
Allan, W. (2008) Euripides: ‘Helen’. Cambridge
Andersen, W. (2001) Freud, Leonardo da Vinci, and the Vulture's Tail: A Refreshing Look at Leonardo's Sexuality. New York
Anderson, G. (1993) The Second Sophistic: A Cultural Phenomenon in the Roman Empire. London
Anderson, G. (1997) ‘Alciphron's miniaturesANRW II 34.3: 2188–206 Google Scholar
André, J.-M. (1993) ‘Les Res Gestae d'Auguste ou les nuances de l’égotisme politique’ in Baslez, M.-F., Hoffmann, P. and Pernot, L. (eds.), L'invention de l'autobiographie d'Hésiode à Saint Augustin. Paris: 97–114
Andreae, B. (1990) Phyromachos Probleme. MDAI (R) Erg. 31. Berlin
Arendt, H. (1977) The Life of the Mind (2 vols.). New York
Armstrong, D. (2004) ‘All things to all men: Philodemus’ model of therapy and the audience of De morte’ in Fitzgerald, J. T., Obbink, D. D. and Holland, G. S. (eds.), Philodemus and the New Testament World. Leiden: 5–54
Armstrong, R.H. (2005) A Compulsion for Antiquity: Freud and the Ancient World. Ithaca, NY
Arnim, H. (1898) Leben und Werke des Dio von Prusa. Mit einer Einleitung: Sophistik, Rhetorik, Philosophie in ihrem Kampf um die Jungendbildung. Berlin
Arrighetti, G. (1987) Poeti, eruditi e biografi: momenti della riflessione dei greci sulla letteratura. Pisa
Arrighetti, G. (2007) ‘Anekdote und Biographie. Μάλιστα τὸ μικρὸν φυλάττειν’ in Erler, M. and Schorn, S. (eds.), Griechische Biographie in hellenistischer Zeit: Akten des internationalen Kongresses vom 26.-29. Juli 2006 in Würzburg. Berlin and New York: 79–100
Aspiotes, N. (2006) Prosopographia musica Graeca: Personenlexikon mit Daten zu 2350 (heidnischen) Musikern. Berlin
Avery, H.C. (1968) ‘My tongue swore, but my mind is unswornTAPA 99: 19–35 Google Scholar
Azatyan, V. (2009) ‘Cold-war twins: Mikhail Alpatov's A Universal History of Arts and Ernst Gombrich's The Story of Art Human Affairs 19.3: 289–96 Google Scholar
Bann, S. (1989) The True Vine: On Visual Representation and the Western Tradition. Cambridge
Barbanera, M. (2008) ‘Original und Kopie. Aufstieg und Niedergang eines intellektuellen Begriffspaares seit dem 18. Jahrhundert in der Klassischen Archäologie’ in Junker, K. and Stähli, A. (eds.), Original und Kopie: Formen und Konzepte der Nachahmungen in der antiken Kunst. Akten des Kolloquiums in Berlin, 17.-19. Februar 2005. Wiesbaden: 35–61
Barbanera, M. (2013) The Envy of Daedalus: Essay on the Artist as Murderer. Munich
Barfield, S., Feldman, M. and Tew, P. (eds.) (2011) Beckett and Death. London and New York
Barkan, L. (1999) Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture. New Haven, CT
Barker, A. (2012) ‘Did Aristoxenus write musical history?’ in Huffman, C. (ed.), Aristoxenus of Tarentum: Discussion. Rutgers Studies in Classical Humanities 17. New Brunswick, NJ: 1–28
Barnes, J. (1986) ‘Nietzsche and Diogenes LaertiusNietzsche-Studien 15: 16–40 Google Scholar
Barocchi, P. (1984) Studi vasariani. Turin
Barthes, R. (1977) ‘The Death of the Author’ in Heath, S. (ed. and trans.), Image-Music-Text. London: 142–7
Barthes, R. (1982) L'Obvie et l'obtus. Paris
Barthes, R. (2010) Mourning Diary. New York
Baslez, M.-F. (1993) ‘Écriture monumentale et traditions autobiographiques: l'apport des inscriptions grecques’ in Baslez, M.-F., Hoffmann, P. and Pernot, L. (eds.), L'invention de l'autobiographie d'Hésiode à Saint Augustin. Paris: 71–80
Bassino, P. (2013) ‘Homer: a guide to selected sources’ in Living Poets. Durham. http://livingpoets.dur.ac.uk/w/Homer:_A_Guide_to_Selected_Sources
Bayle, J. (1737) A General Dictionary Historical and Critical, vol. V, trans. of Bayle, J. (1697) Dictionnaire historique et critique (Rotterdam). London
Beagon, M. (1990) Roman Nature: The Thought of Pliny the Elder. Oxford
Beagon, M. (2013) ‘ Labores pro bono publico: The burdensome mission of Pliny's Natural History ’ in König, J. and Woolf, G. (eds.), Encyclopaedism from Antiquity to the Renaissance. Cambridge: 84–107
Beard, M. (1998) ‘Vita inscripta’ in Maul, S. (ed.), La biographie antique: huit exposés suivis de discussions. Geneva: 83–114
Becatti, G. (1972) ‘Plinio e Vasari’ in Studi di storia dell'arte in onore di Valerio Mariani. Naples: 173–82
Beck, H., Bol, P.C. and Bückling, M. (eds.) (1990) Polyklet: Der Bildhauer der griechischen Klassik. Ausstellung im Liebieghaus, Museum Alter Plastik, Frankfurt am Main. Mainz
Beekes, R. (2010) Etymological Dictionary of Greek. Leiden
Bennett, A. (2009) The Habit of Art. London
Bérard, C. (ed.) (1984) La cité des images: religion et société en Grèce antique. Paris = (1989) A City of Images: Iconography and Society in Ancient Greece. Lyons, D. (trans.). Princeton, NJ
Bergin, T.G. and Wilson, A.S. (trans.) (1977) Petrarch's Africa. New Haven, CT
Bernstock, J. (1991) Under the Spell of Orpheus: The Persistence of a Myth in Twentieth-Century Art. Carbondale, IL
Bert, M. (2012) ‘Figures de l'anecdote plinienne dans la literature artistique de la Renaissance. Le cas du Dialogo di pittura (1548) de Paolo Pino’ in Hénin, E., Lecercle, F. and Wajeman, L. (eds.) (2012) La théorie subreptice. Les anecdotes dans la théorie de l'art XVIè-XVIIIè siècles. Turnhout: 73–85
Bertelsen, C.D. (2013) Mushroom: A Global History. Chicago, IL
Bertholet, A. (1909) The Transmigration of Souls. London and New York
Bettini, M. (1999) The Portrait of the Lover. Gibbs, L. (trans.). Berkeley, CA
Bevan, J. (trans.) (1983) Salvatore Quasimodo: Complete Poems. London
Bevilacqua, M. (1976) La critica e Quasimodo. Bologna
Biles, Z. (2011) Aristophanes and the Poetics of Competition. Cambridge
Billheimer, A. (1938) ‘Amendments in Athenian decreesAJA 42: 456–85 Google Scholar
Billings, J., Budelmann, F. and Macintosh, F. (eds.) (2014) Choruses, Ancient and Modern. Oxford
Bing, P. (1988a) The Well-Read Muse: Present and Past in Callimachus and the Hellenistic Poets. Göttingen
Bing, P. (1988b) ‘Theocritus’ epigrams on the statues of ancient poetsA&A 34.2: 117–23 Google Scholar
Bing, P. (1993) ‘The Bios-tradition and poets’ Lives in Hellenistic poetry’ in Rosen, R. and Farrell, J. (eds.), Nomodeiktes: Festschrift for M. Ostwald. Ann Arbor, MI: 619–31
Biraschi, A.M., Desideri, P., Roda, S. and Zecchini, G. (eds.) (2003) L'uso dei documenti nella storiografia antica. Naples
Bloom, H. (1975) A Map of Misreading. New York
Bo, C. (1938) ‘La letteratura come vitaFrontespizio 10: 9–28; repr. in C. Bo, Letteratura come vita. S. Pautasso (ed.). Milan (1994) 5–16Google Scholar
Boardman, J. (2001) The History of Greek Vases. London
Bollansée, J. (1999) Hermippus of Smyrna and his Biographical Writings: A Reappraisal. Leuven
Bonds, M. (2014) Absolute Music: The History of an Idea. Oxford
Borgeaud, P. (1998) The Cult of Pan in Ancient Greece. Atlass, K. and Redfield, J. (trans.). Chicago, IL
Borghart, B. and de Temmerman, K. (eds.) (2010) Biography and Fictionality in the Greek Literary Tradition Phrasis special issue 51.1. Ghent
Boutière, J. and Schutz, A.-H. (1964) Biographies des troubadours. Paris
Bowie, E.L. (2012) ‘Epinicians and “patrons”’ in Agócs, P., Carey, C. and Rawles, R. (eds.), Reading the Victory Ode. Cambridge: 83–92
Bowlby, R. (2007) Freudian Mythologies: Greek Tragedy and Modern Identities. Oxford
Bowra, C.M. (1952) ‘Orpheus and EurydiceCQ ns 2: 113–26 Google Scholar
Bowra, C.M. (1964) Pindar. Oxford
Branham, R.B. (1989) Unruly Eloquence: Lucian and the Comedy of Traditions. Cambridge, MA
Branham, R.B. (1996) ‘Defacing the currency: Diogenes’ rhetoric and the invention of Cynicism’ in Bracht Branham, R. and Goulet-Cazé, M.-O. (eds.), The Cynics: The Cynic Movement in Antiquity and Its Legacy. Berkeley, CA: 81–104
Braswell, B. (1988) A Commentary on the Fourth Pythian Ode of Pindar. Berlin
Briand, M. (2001) ‘Quand Pindare nomme Homère. Théories du nom propre, étymologies, intertextualités et énonciation lyrique’ in Dubel, S. and Rabau, S. (eds.), Fiction d'auteur?: le discours biographique sur l'auteur de l'Antiquité à nos jours. Paris: 25–46
Brivitello, S. (1998) ‘Saffo sulla scenaAFLB 41: 179–205 Google Scholar
Brown, C.G. (2006) ‘Pindar on Archilochus and the gluttony of blame (Pyth. 2.52-6)JHS 126: 36–46 Google Scholar
Bruns, I. (1896) Das literarische Porträt der Griechen im fünften und vierten Jahrhundert vor Christi Geburt. Berlin
Bryson, N. (1984) Vision and Painting: The Logic of the Gaze. Basingstoke
Budelmann, F. (2009) ‘Anacreon and the Anacreontea ’ in Budelmann, F. (ed.), The Cambridge Companion to Greek Lyric. Cambridge: 227–39
Bühler, W. (1969) ‘Paul FriedländerGnomon 41.6: 619–23 Google Scholar
Burges Watson, S. (2013) ‘Aeschylus: a guide to selected sources’ in Living Poets. Durham. http://livingpoets.dur.ac.uk/w/Life_of_Aeschylus
Burgess, J.S. (2009) The Death and Afterlife of Achilles. Baltimore, MD
Burioni, M. (2010) ‘Vasari's rinascita: history, anthropology or art criticism?’ in Lee, A., Péporté, P. and Schnitker, H. (eds.), Renaissance? Perceptions of Continuity and Discontinuity in Europe c.1300–c.1550. Leiden: 115–27
Burnett, A.P. (2005) Pindar's Songs for Young Athletes of Aigina, Oxford
Butler, S. (2011) The Matter of the Page: Essays in Search of Ancient and Medieval Authors. Madison, WI
Butterfield, A. (2002) Poetry and Music in Medieval France. Cambridge
Byrne, S.G. (2010) ‘The Athenian damnatio memoriae of the Antigonids in 200 BC’ in Tamis, A.M., Mackie, C.J. and Byrne, S.G. (eds.), Philathenaios: Studies in Honour of Michael J. Osborne. Athens: 157–77
Cagnazzi, S. (1993) ‘Notizie sulla partecipazione di Euripide alla vita pubblica atenienseAthenaeum 81: 165–75 Google Scholar
Calabi Limentani, I. (1958) Studi sulla società romana. Il lavoro artistico. Milan
Calame, C. (2010) ‘Das poetische Ich: enuntiative und pragmatische Fiktion in der griechischen Lieddichtung am Beispiel von Pindar, Ol. 6RhM 153.2: 125–43 Google Scholar
Calame, C. (2011) ‘L'Ecriture de la voix enchanteresse d'Orphée’ in de Jáuregui, M.H. et al. (eds.), Tracing Orpheus: Studies of Orphic Fragments. Berlin and Boston, NJ: 7–11
Calder, W. and Rugullis, S. (1992) ‘Ulrich von Wilamowitz-Moellendorff on Wilhelm Dilthey: His letters to Georg Misch (1914–1928)ICS, 17.2: 337–45 Google Scholar
Capra, A. (2008) ‘Quasimodo e i lirici greciQuaderni del Vittorini 2: 11–39 Google Scholar
Carey, C. (1981) A Commentary on Five Odes of Pindar. New York
Carey, S. (2003) Pliny's Catalogue of Culture: Art and Empire in the Natural History. Oxford
Carpenter, R. (1960) Greek Sculpture: A Critical Review. Chicago, IL
Caspers, C.L. (2006) ‘The loves of the poets: allusions in Hermesianax fr. 7 Powell’ in Harder, M.A., Regtuit, R.F. and Wakker, G.C. (eds.), Beyond the Canon. Leuven: 21–42
Cassirer, E. (1925) Das mythische Denken. Berlin
Cavarero, A. (2003) A più voci: filosofia dell’ espressione vocale. Milan
Chaniotis, A. (1988) Historie und Historiker in den griechischen Inschriften: epigraphische Beiträge zur griechischen Historiographie. Wiesbaden
Chitwood, A. (2004) Death by Philosophy: The Biographical Tradition in the Life and Death of the Archaic Philosophers Empedocles, Heraclitus, and Democritus. Ann Arbor, MI
Christ, M. (1990) ‘Liturgy avoidance and antidosis in Classical AthensTAPA 120: 147–69 Google Scholar
Clark, W. (2006) Academic Charisma and the Origins of the Research University. Chicago, IL
Clarke, K. (2008) Making Time for the Past: Local History and the Polis. Oxford
Clay, D. (2004) Archilochos Heros: The Cult of Poets in the Greek Polis, Hellenic Studies 6. Washington, DC
Cohen, T. (1999) Jokes: Philosophical Thoughts on Laughing Matters. Chicago, IL
Compagnon, A. (2004) Literature, Theory, and Common Sense. Princeton, NJ
Compton, T. (2006) Victim of the Muses: Poet as Scapegoat, Warrior, and Hero in Greco-Roman and Indo-European Myth and History. Cambridge, MA and London
Conlin, D.A. (1997) The Artists of the Ara Pacis: The Process of Hellenization in Roman Relief Sculpture. Chapel Hill, NC
Constantakopoulou, C. (2007) The Dance of the Islands: Insularity, Networks, the Athenian Empire and the Aegean World. Oxford
Constantakopoulou, C. (2011) ‘Eparchides (437)’ in Worthington, I. (ed. in chief), Brill's New Jacoby. Brill Online
Cooley, A.E. (2009) Res Gestae Divi Augusti, Text, Translation, and Commentary. Cambridge
Cooper, C. (1995) ‘Hyperides and the trial of PhrynePhoenix 49.4: 303–18 Google Scholar
Corbin, J. (1918) ‘Euripides as feminist’ New York Times, February 24, 54
Corso, A. (1988–1991) Prassitele: fonti epigrafiche e letterarie: vita e opere (3 vols.). Rome
Corso, A. (2004–2010) The Art of Praxiteles (3 vols.). Rome
Critchley, S. (1997) Very Little ... Almost Nothing: Death, Philosophy, Literature. London
Critchley, S. (1999) Ethics, Politics, Subjectivity: Essays on Derrida, Levinas and Contemporary French Thought. London
Critchley, S. (2002) On Humour. London
Critchley, S. (2007) ‘To be or not to be is the question: on Beckett's Film Film-Philosophy 11.2: 108–21 Google Scholar
Critchley, S. (2008) The Book of Dead Philosophers. London
Critchley, S. (2010) How to Stop Living and Start Worrying: Conversations with Carl Cederström. London
Croiset, M. (1903) ‘Observations sur les Perses de Timothée de MiletREG 16: 323–48 Google Scholar
Crome, J. F. (1963) ‘Silio Italico studioso e cultore di VirgilioAtti e Mem. dell'Academia Virgiliana 34: 43–51 Google Scholar
Crowest, F. (1878) A Book of Musical Anecdotes, from Every Available Source. London
Culasso Gastaldi, E. (2003) ‘Eroi della città: Eufrone di Sicione e Licurgo di Atene’ in Barzanò, A., Bearzot, C., Landucci, F., Prandi, L. and Zecchini, G. (eds.), Modelli eroici dall'antichità alla cultura europea. Rome: 65–98
D'Alessio, G.B. (1994) ‘First-person problems in PindarBICS 39: 117–39 Google Scholar
D'Alessio, G.B. (2004) ‘Past future and present past: temporal deixis in Greek archaic lyricArethusa 37: 267–94 Google Scholar
D'Alessio, G.B. (2005) ‘Ordered from the Catalogue: Pindar, Bacchylides, and Hesiodic genealogical poetry’ in Hunter, R.L. (ed.), The Hesiodic Catalogue of Women: Constructions and Reconstructions. Cambridge: 217–38
Dalby, A. (1991) ‘The Curriculum Vitae of Duris of SamosCQ 41: 539–41 Google Scholar
Dati, C. (1667) Vite de’ pittori antichi. Ricciardo, F. (ed.). Florence
Daude, C. et al. (2013) Scholies à Pindare, vol. I, Vies de Pindare et Scholies à la Première Olympique. Besançon
Davies, J.K. (2003) ‘Greek archives: from record to monument’ in Brosius, M. (ed.), Ancient Archives and Archival Traditions: Concepts of Record-Keeping in the Ancient World. Oxford: 323–43
Davies, M. and Kathirithamby, J. (1986) Greek Insects. London
Davis, G. (2007) ‘“Homecomings without home”: representations of (post)colonial nostos (homecoming) in the lyric of Aimé Césaire and Derek Walcott’ in Graziosi, B. and Greenwood, E. (eds.), Homer in the Twentieth Century: Between World Literature and the Western Canon. Oxford: 191–209
Davis, W. (1995) ‘Freuds Leonardo und die Kultur der HomosexualitätTexte zur Kunst 5/17: 56–73 Google Scholar
Davison, C. and Waywell, G. (2009) Pheidias: The Sculptures and Ancient Sources. London
Dawson, D. (1999) ‘Figure, allegory’ in Fitzgerald, A.D. (ed.), Augustine through the Ages. Grand Rapids, MI and Cambridge: 366–8
Day, J.W. (2007) ‘Poems on stone: the inscribed antecedents of Hellenistic epigram’ in Bing, P. and Bruss, J.S. (eds.), Brill's Companion to Hellenistic Epigram. Leiden: 27–47
de Lacy, P. (1974) ‘Plato and the intellectual life of the second century A.D.’ in Bowersock, G. (ed.), Approaches to the Second Sophistic. University Park, PA: 4–10
de Mambro Santos, R. (2009) ‘The concentric critique: Schlosser's Kunstliteratur and the paradigm of style in Croce and VosslerJournal of Art Historiography 1: n. pag.Google Scholar
Dedman, R. (2012) ‘The importance of being Ernst: a reassessment of E.H. Gombrich's relationship with psychoanalysisJournal of Art Historiography 7: n. pag.Google Scholar
Delbeke, M., Levy, E.A. and Ostrow, S.F. (eds.) (2006) Bernini's Biographies: Critical Essays. University Park, PA
Derrida, J. (2003) The Work of Mourning. Chicago, IL
Despinis, G. (1971) Συμβολή στη μελέτη του έργου του Αγορακρίτου. Athens
Detienne, M. (1971) ‘Orphée au mielQUCC 12: 7–23 Google Scholar
Detienne, M. (2002) The Writing of Orpheus. Chicago, IL
Dickson, K. (2009) ‘Oneself as others: Aurelius and autobiography’, Arethusa 42.1: 99–125 Google Scholar
Dillery, J. (2005) ‘Greek sacred historyAJPh 126: 505–26 Google Scholar
Dillon, S. (2006) Ancient Greek Portrait Sculpture: Contexts, Subjects, Styles. Cambridge and New York
Dillon, S. (2010) The Female Portrait Statue in the Greek World. Cambridge and New York
Dilthey, W. (1910) Der Aufbau der geschichtlichen Welt in den Geisteswissenschaften. Berlin
Dilthey, W. (1966–) Gesammelte Schriften. Redeker, M. (ed.). Göttingen
Dionisotti, C. (1967) Geografia e storia della letteratura italiana. Turin
Dodds, E.R. (1951) The Greeks and the Irrational Sather Lectures 25. Berkeley, CA
Dolar, M. (2006) A Voice and Nothing More. Cambridge, MA
Domingo Gygax, M. (2009) ‘Proleptic honours in Greek euergetismChiron 39: 163–91 Google Scholar
Donohue, A.A. (2013) ‘History and the historian of classical artJournal of Art Historiography 9: n. pag.Google Scholar
Doody, A. (2009) ‘Pliny's Natural History: enkuklios paideia and the ancient encyclopaediaJournal of the History of Ideas 70: 1–21 Google Scholar
Doody, A. (2013) ‘Literature of the world: Seneca's Natural Questions and Pliny's Natural History’ in Buckley, E. and Dinter, M. (eds.), A Companion to the Neronian Age. Malden, MA: 288–301
Dorandi, T. (1991) Filodemo. Storia dei Filosofi: Platone e l'Academia. (PHerc. 1021 e 164). Leiden
Dorandi, T. (1999) Antigone de Caryste. Fragments. Paris
Dorandi, T. (2013) Diogenes Laertius: Lives of Eminent Philosophers. Cambridge
Douglas, M. (1968) ‘The social control of cognition: some factors in joke perceptionMan n.s. 3.3: 361–76 Google Scholar
Dover, K.J. (1971) Theocritus: Select Poems. London
Dueck, D. (2000) Strabo of Amasia. London
Dümmler, E. (ed.). (1898) Ermenrici Ellwangensis Epistola ad Grimaldum Abbatum in: Monumenta Germaniae Historica: Epistolarum tomi (5.1) Berlin: 544–79
Dunbar, N. (1995) Aristophanes: Birds. Oxford
Düring, I. (1951) Chion of Heraclea: A Novel in Letters. Göteborg
Easterling, P. E. (1994) ‘Euripides outside of Athens: A speculative noteICS 19: 73–80 Google Scholar
Elsner, J. (1990) ‘Significant details: systems, certainties and the art historian as detectiveAntiquity 64: 950–2 Google Scholar
Elsner, J. (1995) Art and the Roman Viewer: The Transformation of Art from the Pagan World to Christianity. Cambridge
Elsner, J. (2006) ‘From empirical evidence to the big picture: some reflections on Riegl's concept of Kunstwollen Critical Inquiry 32: 741–66 Google Scholar
Elsner, J. (2007) Roman Eyes: Visuality and Subjectivity in Art and Text. Princeton, NJ
Engels, J. (1993) ‘Die Ὑπομνήματα-Schriften und die Anfänge der politischen Biographie und Autobiographie in der griechischen Literatur’, ZPE 96: 19–36 Google Scholar
Ercoles, M. (2010) ‘Note a Tim. PMG 791, 221–228Eikasmos 21: 111–32 Google Scholar
Erler, M. and Schorn, S. (2007) Die griechische Biographie in hellenistischer Zeit. Berlin
Errington, R.M. (2005) ‘Biographie in hellenistischen Inschriften’ in Vössing, K. (ed.), Biographie und Prosopographie: internationales Kolloquium zum 65. Geburtstag von Anthony R. Birley. Stuttgart: 13–28
Fairweather, J.A. (1974) ‘Fiction in the biographies of ancient writersAncSoc 5: 231–75 Google Scholar
Fairweather, J.A. (1984) ‘Traditional narrative, inference and truth in the Lives of the Greek poetsLiverpool Lat. Seminar 4: 315–69 Google Scholar
Fantuzzi, M. and Hunter, R.L. (2004) Tradition and Innovation in Hellenistic Poetry. Cambridge
Faraguna, M. (2003) ‘I documenti nelle ‘Vite dei X Oratori’ dei Moralia–plutarchei’ in Biraschi, A.M., Desideri, P., Roda, S. and Zecchini, G. (eds.), L'uso dei documenti nella storiografia antica. Naples: 479–503
Farrell, J. (2002) ‘Greek lives and Roman careers in the classical Vita tradition’ in Cheney, P. and Armas, F.A. de (eds.), European Literary Careers: The Author from Antiquity to the Renaissance. Toronto: 24–46
Feeney, D. (1983) ‘The taciturnity of AeneasCQ 33: 204–19 Google Scholar
Felson, N. (1999) ‘Vicarious transport: fictive deixis in Pindar's Pythian Four HSCPh 99: 1–31 Google Scholar
Fernandez, L.G. (1959) Nombres de insectos en griego antiguo. Madrid
Fischer, J.A. and Davies, S. (2009) ‘Music and song’ in Davies, S., Higgins, K., Hopkins, R., Stecker, R. and Cooper, D. (eds.), A Companion to Aesthetics, Oxford and Malden, MA.
Fischer, T. (1994) The Thought Gang. London
Fletcher, R. (2012) ‘Epicurus’ Mistresses: pleasure, authority and gender in the reception of the Kuriai Doxai in the Second Sophistic’ in Holmes, B. and Shearin, W. (eds.), Dynamic Reading: Studies in the Reception of Epicureanism. Oxford: 52–88
Ford, A. L. (1997) ‘The inland ship: problems in the performance and reception of Homeric epic’ in Bakker, E.J. and Kahane, A. (eds.), Written Voices, Spoken Signs. Cambridge: 138–66
Ford, A. L. (1999) ‘Epic and the earliest Greek allegorists’ in Beissinger, M., Tylus, J. and Wofford, S. (eds.), Epics and the Contemporary World. Berkeley, CA: 33–53
Ford, A. L. (2002) The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece. Princeton, NJ
Ford, A. L. (2006) ‘Herodotus and the poets’ in Strassler, R.B. (ed.), The Landmark Herodotus. New York and Toronto: 816–18
Fossey, J.M. (1994) ‘Boiotian decrees of proxenia’ in Fossey, J.M. (ed.), Boeotia Antiqua IV. Proceedings of the 7th International Congress on Boiotian Antiquities. Boiotian (and Other) Epigraphy. Amsterdam: 35–59
Foucault, M. (1979) ‘What is an author?’ in Harari, J. (ed.), Textual Strategies. Ithaca, NY: 141–60
Foucault, M. (2005) The Hermeneutics of the Subject, Lectures at the Collège de France 1981–1982. Gros, F. (ed.), Burchell, G. (trans.). Basingstoke
Foucault, M. (2010) The Government of Self and Others, Lectures at the Collège de France 1982–1983. Gros, F. (ed.), Burchell, G. (trans.). Basingstoke
Foucault, M. (2011) The Courage of Truth: The Government of Self and Others II, Lectures at the Collège de France 1983–1984. Gros, F. (ed.), Burchell, G. (trans.). Basingstoke
Fowler, D.P. (1990) ‘Deviant focalization in Vergil's Aeneid PCPS 216: 42–59 Google Scholar
Fowler, D.P. (1997) ‘The Virgil commentary of Servius’ in Martindale, C. (ed.), The Cambridge Companion to Virgil. Cambridge: 73–8
Fowler, D.P. (2000) ‘Epic in the middle of the wood: mise en abyme in the Nisus and Euryalus episode’ in Sharrock, A. and Morales, H. (eds.), Intratextuality: Greek and Roman Textual Relations. Oxford: 89–113
Fraenkel, E. (1957) ‘ Urbem quam statuo vestra est ’ in Kleine Beiträge zur klassischen Philologie II. Rome: 139–41
Franklin, J. (2012) ‘The Lesbian singers: towards a reconstruction of Hellanicus’ Karneian Victors’ in Castaldo, D., Giannachi, F., and Meriani, A. (eds.), Poesia, musica e agoni nella Grecia antica. Galatina: 720–64
Fraser, P.M. (1957) ‘Review of Pouilloux 1954AJA 61: 98–103 Google Scholar
Frazer, J.G. (1898). Pausanias's Description of Greece, London
Freud, S. (1953–1974) The Standard Edition of the Complete Psychological Works of Sigmund Freud. Strachey, J. et al. (ed. and trans.). London
Freud, S. (1961a) ‘HumourSE 21: 160–6 Google Scholar
Freud, S. (1961b) Leonardo da Vinci and a Memory of His Childhood. Strachey, J. (ed.), Tyson, A. (trans.). New York
Friedländer, P. (1958) Plato: An Introduction. Meyerhoff, H. (trans.). Princeton, NJ
Friedländer, P. (1964) Platon, Berlin
Fullerton, M.D. (2003) ‘ Der Stil der Nachahmer: a brief historiography of stylistic retrospection’ in Donohue, A.A. and Fullerton, M.D. (eds.), Ancient Art and its Historiography. Cambridge: 102–6
Furtwängler, A. (1893) Meisterwerke der griechischen Plastik. Kunstgeschichtliche Untersuchungen. Leipzig
Gagné, R. (2006) ‘What is the pride of Halicarnassus?’ ClAnt 25: 1–33 Google Scholar
Gagné, R. (2013) ‘Dancing letters: the Alphabetic Tragedy of Kallias’ in Gagné, R. and Hopman, M.G. (eds.), Choral Mediations in Greek Tragedy. Cambridge 297–316
Gaiser, K. (1988) Philodems Academica: die Berichte über Platon und die Alte Akademie in zwei herkulanensischen Papyri. Supplementum Platonicum: die Texte der indirekten Platon-Überlieferung, 1. Stuttgart
Gaut, B. (1998) ‘Just joking: the ethics and aesthetics of humourPhilosophy and Literature 22.1: 55–68 Google Scholar
Gauthier, P. (1985) Les cités grecques et leurs bienfaiteurs. Athens
Gay, P. (1985) Freud for Historians. Oxford
Gazda, E. (ed.) (2002) The Ancient Art of Emulation: Studies in Artistic Originality and Tradition from the Present to Classical Antiquity. Ann Arbor, MI
Gentili, B. et al. (2013). Le Olimpiche. Rome
Gentili, B. and Bernardini, P. (1995) Le Pitiche. Rome
Gentili, B. and Catenacci, C. (2010) I poeti del canone lirico nella Grecia antica. Milan
Getz-Gentle, P. (2001) Personal Styles in Early Cycladic Sculpture. Madison, WI
Giannantoni, G. (1958) I Cirenaici: raccolta delle fonti antiche. Florence
Giannantoni, G. (1990) Socratis et Socraticorum Reliquiae (4 vols.). Naples
Gibert, J. (2009) ‘Euripides’ Antiope and the quiet life’ in Cousland, J.R.C. and Hume, J.R. (eds.), The Play of Texts and Fragments, Essays in Honour of M. Cropp. Leiden and Boston, NJ: 23–34
Gigante, M. (1986) ‘Biografia e dossografia in Diogene LaerzioElenchos 7: 7–102 Google Scholar
Gildersleeve, B.L. (1885) Pindar: The Olympian and Pythian Odes. New York
Gößwein, H.-U. (1975) Die Briefe des Euripides. Meisenheim am Glan
Goehr, L. (1992) The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford
Goehr, L. (1998) The Quest for the Voice: On Music, Politics, and the Limits of Philosophy, the 1997 Ernest Bloch Lectures. Oxford and New York
Goldhill, S. (2009) ‘The anecdote: exploring the boundaries between oral and literate performance in the second sophistic’ in Johnson, W.A. and Parker, H.N. (eds.), Ancient Literacy: The Culture of Literacy in Greece and Rome. Oxford: 96–113
Goldhill, S. (2011) Victorian Culture and Classical Antiquity: Art, Opera, Fiction and the Proclamation of Modernity. Princeton, NJ
Gombrich, E. (1982) ‘Otto Kurz, 1908–1975, a memoir’ in Kurz, O., Selected Studies, vol. II, The Decorative Arts of Europe and the Islamic East. London: i–iii
Gombrich, E. (1984) Tributes: Interpreters of our Cultural Tradition. Ithaca, NY
Gomperz, T. (1905 [orig. 1902]) Greek Thinkers: A History of Ancient Thought, vol. 2. Berry, G. (trans.). New York
Gordon, P. (1996) Epicurus in Lycia: The Second-century World of Diogenes of Oenoanda. Ann Arbor, MI
Gordon, R. (1979) ‘The real and the imaginary: production and religion in the Greco-Roman worldArt History 2: 5–34 Google Scholar
Gordon Wasson, R. (1986) ‘Lightningbolt and mushrooms’ in Gordon Wasson, R. et al. (eds.), Persephone's Quest: Ethneogens and the Origins of Religion. New Haven, CT: 83–94
Gordon Wasson, R., Hofmann, A. and Ruck, C.A.P. (2008 [1978]) The Road to Eleusis: Unveiling the Secret of the Mysteries, . Berkeley, CA
Gossage, A.J. (1951) ‘The family of Prosthenes at AthensRhM 94: 213–21 Google Scholar
Gow, A.S.F. (1950) Theocritus. Cambridge
Gow, A.S.F. (1952) Theocritus, Cambridge
Graf, F. (1974) Eleusis und die orphische Dichtung Athens in vorhellenistischer Zeit. Berlin
Grau, S. (2010) ‘How to kill a philosopher: the narrating of ancient Greek philosophers’ deaths in relation to their way of livingAncient Philosophy 30: 347–81 Google Scholar
Graziosi, B. (2002) Inventing Homer: The Early Reception of Epic. Cambridge.
Graziosi, B. (2006) ‘L'autore e l'opera nella tradizione biografica greca’ in Rascalla, F. (ed.), L'autore e l'opera nella Grecia antica. Pisa: 155–74
Graziosi, B. (2009) ‘Horace, Suetonius, and the Lives of the Greek poets’ in Houghton, L. and Wyke, M. (eds.), Perceptions of Horace: A Roman Poet and His Readers. Cambridge: 140–60
Graziosi, B. (2015) ‘On seeing the poet: Arabic, Italian and Byzantine portraits of HomerScandinavian Journal of Byzantine and Modern Greek Studies 1: 25–47 Google Scholar
Grey, T. (2014) ‘Absolute music’ in Downes, S. (ed.), Aesthetics of Music: Musicological Perspectives. New York and London: 42–61
Grimm, R.E. (1962) ‘Pindar and the beastCP 57.1: 1–9 Google Scholar
Guarducci, M. (1929) ‘Poeti vaganti e conferenzieri nell'età ellenisticaMemorie dell'Accademia dei Lincei 6.2: 629–65 Google Scholar
Güthenke, C. (2015) “Enthusiasm dwells only in specialization’: classical philology and disciplinarity in nineteenth-century Germany’ in Elman, B. and Pollock, S. (eds.), World Philology. Cambridge, MA: 264–84
Haake, M. (2004) ‘Documentary evidence, literary forgery, or manipulation of historical documents? Diogenes Laertius and an Athenian honorary decree for Zeno of CitiumCQ ns 54: 470–83 Google Scholar
Hackforth, R. (1913) The Authorship of the Platonic Epistles. Manchester
Hadot, P. (1995) Philosophy as a Way of Life: Spiritual Exercises from Socrates to Foucault. Davidson, Arnold (ed.), Chase, Michael (trans.). Oxford
Hadot, P. (2002) What is Ancient Philosophy? Chase, Michael (trans.). Cambridge, MA
Hägg, T. (2012) The Art of Biography in Antiquity. Cambridge
Haines, J. (2010) Medieval Song in Romance Languages. Cambridge
Haldane, J.A. (1968) ‘Pindar and Pan, frs. 95–100 SnellPhoenix 22: 18–31 Google Scholar
Halliwell, S. (1986) Aristotle's Poetics. London.
Halliwell, S. (1990) ‘Traditional Greek conceptions of character’ in Pelling, C.B.R. (ed.), Characterization and Individuality in Greek Literature. Oxford: 32–59
Halliwell, S. (2002) Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton, NJ
Halliwell, S. (2008) Greek Laughter: A Study of Cultural Psychology from Homer to Early Christianity. Cambridge
Halliwell, S. (2012) ‘ Amousia: living without the Muses’ in Rosen, R. and Sluiter, I. (eds.), Aesthetic Value in Antiquity. Leiden: 15–45
Hallof, K., Kansteiner, S., Lehmann, L., Seidensticker, B. and Stemmer, K. (eds.) (2014) Der Neue Overbeck. Die antiken Schriftquellen zu den bildenden Künsten der Griechen. Berlin
Hanink, J. (2008) ‘Literary politics and the Euripidean Vita CCJ 54: 115–35 Google Scholar
Hanink, J. (2009) ‘On the hunt for the cave of Euripides’ Queens’ College Record (publication of the Queens’ College, Cambridge Alumni Office) 47–8
Hanink, J. (2010a) ‘The Life of the author in the letters of “Euripides”’ GRBS 50: 537–64 Google Scholar
Hanink, J. (2010b) ‘The classical tragedians, from Athenian idols to wandering poets’ in Gildenhard, I. and Revermann, M. (eds.), Beyond the Fifth Century: Interactions with Greek Tragedy from the Fourth Century BCE to the Middle Ages. Berlin: 39–67
Hanink, J. (2014) Lycurgan Athens and the Making of Classical Tragedy. Cambridge
Hankinson, R.J. (2002) The Sceptics. London
Hardie, A. (2004) ‘Muses and mysteries’ in Murray, P. and Wilson, P. (eds.), Music and the Muses: The Culture of Mousikē in the Classical City. Cambridge: 11–37
Hardie, P. (1993) The Epic Successors of Virgil. Cambridge
Hardie, P. and Moore, H. (eds.) (2010) Classical Literary Careers and their Reception. Cambridge
Hardiman, C. (2012) ‘“Popular” aesthetics and personal art appreciation in the Hellenistic Age’ in Suiter, I. and Rosen, R.M. (eds.), Aesthetic Value in Classical Antiquity. Mnemosyne Supplement Monographs on Greek and Latin Language and Literature 350. Leiden and Boston: 265–84
Harloe, K. (2013) Winckelmann and the Invention of Antiquity: Aesthetics and History in the Age of Altertumswissenschaft. Oxford
Harmon, A.M. (1921) Lucian Loeb Classical Library vol. III. New York and London
Harrison, T. (2008) Fram. London
Hasaki, E. (2012) ‘Workshops and technology’ in Smith, T.J. and Plantzos, D. (eds.), A Companion to Greek Art. Malden, MA: 255–72
Haskell, F. and Penny, N. (1981) Taste and the Antique: The Lure of Classical Sculpture, 1400–1900. New Haven, CT
Havelock, C. (1995) The Aphrodite of Knidos and Her Successors: A Historical Review of the Female Nude in Greek Art. Ann Arbor, MI
Hedrick, C. W. (1999) ‘Democracy and the Athenian epigraphical habitHesperia 68: 387–439 Google Scholar
Heinze, R. (1993) Virgil's Epic Technique. (German 1928). Bristol
Hénin, E. (2012) ‘L'invention des anecdotes dans la théorie de l'art: de la variation au détournement’ in Hénin, E., Lecercle, F. and Wajeman, L. (eds.), La théorie subreptice. Les anecdotes dans la théorie de l'art XVIè-XVIIIè siècles. Turnhout: 19–36
Hénin, E., Lecercle, F. and Wajeman, L. (eds.) (2012) La théorie subreptice. Les anecdotes dans la théorie de l'art XVIè-XVIIIè siècles. Turnhout
Henry, A.S. (1983) Honours and Privileges in Athenian Decrees: The Principal Formulae of Athenian Honorary Decrees. New York
Henry, A.S. (1996) ‘The hortatory intention in Athenian state decreesZPE 112: 105–19 Google Scholar
Henry, M.M. (1995) Prisoner of History: Aspasia of Miletus and Her Biographical Tradition. Oxford and New York
Herec, G. (1987) Life: A User's Manual. Bellos, D. (trans.). London
Herington, J. (1985) Poetry into Drama: Early Tragedy and the Greek Poetic Tradition. Berkeley, CA
Hicks, R.D. (1925) Diogenes Laertius: Lives of Eminent Philosophers (2 vols.). Cambridge, MA
Higgins, K. (1991) The Music of our Lives. Lanham, MD
Highet, G. (1972) The Speeches in Vergil's Aeneid. Princeton, NJ
Hinds, S. (2004) ‘Petrarch, Cicero, Virgil: virtual community in Familiares 224, 4Materiali e Discussioni 52: 157–75 Google Scholar
Hobsbawm, E. and Ranger, T. (eds.) (1992) The Invention of Tradition. Cambridge
Hodkinson, O. (2007) ‘Some advantages of the letter’ in Morello, R. and Morrison, A.D. (eds.), Ancient Letters: Classical and Late Antique Epistolography. Oxford: 283–300
Hopkins, D. (2010) Conversing with Antiquity: English Poets and the Classics from Shakespeare to Pope. Oxford
Hordern, J. (2000) A Companion to the Study of Virgil. Leiden
Hordern, J. (2002) The Fragments of Timotheus of Miletus. Oxford
Horsfall, N. (1991) ‘Virgil and the poetry of explanationsG&R 38: 203–11 Google Scholar
Huffman, C. (ed.) (2012) Aristoxenus of Tarentum: Discussion Rutgers Studies in Classical Humanities 17. New Brunswick, NJ
von Humboldt, W. (1968 [1790]) ‘Über das Studium des Alterthums, und des Griechischen insbesondre’ in Leitzmann, A. (ed.), Gesammelte Schriften, vol. I. Berlin: 255–81
Hunter, R.L. (1999) Theocritus: A Selection. Cambridge
Hunter, R.L. (2002) ‘The sense of an author: Theocritus and [Theocritus]’ in Gibson, R.K. and Kraus, C.S. (eds.), The Classical Commentary: Histories, Practices, Theory. Leiden: 89–108
Hunter, R. (2009) Critical Moments in Classical Literature: Studies in the Ancient View of Literature and Its Uses. Cambridge
Hunter, R. (2012) Plato and the Traditions of Ancient Literature: The Silent Stream. Cambridge
Hunter, R.L. and Rutherford, I. (2009) ‘Introduction’ in Hunter, R.L. and Rutherford, I. (eds.), Wandering Poets in Ancient Greek Culture: Travel, Locality and Pan-Hellenism. Oxford: 1–22
Hurwit, J.M. (1997) ‘The death of the sculptor?’ AJA 101.3: 587–91 Google Scholar
Huxley, G.L. (1974) ‘Aristotle's interest in biographyGRBS 15: 203–13 Google Scholar
Irigoin, J. (1952) Histoire du Texte de Pindare. Paris
Irwin, E. (1998) ‘Biography, fiction, and the Archilochean ainos JHS 118: 177–83 Google Scholar
Irwin, E. (2006) ‘The biographies of the poets: the case of Solon’ in McGing, B.C. and Mossman, J. (eds.), The Limits of Ancient Biography. Lampeter, PA: 13–30
Isager, J. (1991) Pliny on Art and Society: The Elder Pliny's Chapters on the History of Art. London
Isager, S. and Hansen, M.H. (1975) Aspects of Athenian Society in the Fourth Century B.C. Odense
Jacoby, F. (1904) Das Marmor Parium. Berlin
Jacoby, F. (1923–) Die Fragmente der Griechischen Historiker. Leiden
Janssen, T.H. (1984) Timotheus: Persae. Amsterdam
Jefferson, A. (2007) Biography and the Question of Literature in France. Oxford
Jerphagnon, L. (1981) ‘Les mille et une morts des philosophes antiques. Essai de typologieRevue Belge de Philosophie et d'histoire 69: 17–28 Google Scholar
Jones, J.W.J. (1961) ‘Allegorical interpretations in ServiusCJ 56: 217–26 Google Scholar
Jones, K. (2009) ‘Presence’ in Burger-Utzer, B. and Grissemann, S. (eds.), Frank Films: The Film and Video Work of Robert Frank. Göttingen: 93–9
Junius, I., Aldrich, K., Fehl, P.P. and Fehl, R. (1991) The Literature of Classical Art (2 vols.). Berkeley, CA
Junker, K. and Stähli, A. (eds.) (2008) Original und Kopie: Formen und Konzepte der Nachahmungen in der antiken Kunst. Akten des Kolloquiums in Berlin, 17.-19. Februar 2005. Wiesbaden
Kallab, W. (1908) Vasaristudien. Mit einem Lebensbilde des Verfassers. von Schlosser, Julius (ed.). Vienna
Kaltsas, N. and Despinis, G. (eds.) (2007) Πραξιτέλης. Athens
Kambylis, A. (1965) Die Dichterweihe und ihre Symbolik. Untersuchungen zu Hesiodos, Kallimachos, Properz und Ennius. Heidelberg
Kannicht, R. (2004) Tragicorum Graecorum Fragmenta, vol. 5, Euripides (in two parts). Göttingen
Kansteiner, S., Lehmann, L., Seidensticker, B. and Stemmer, K. (eds.) (2007) Text und Skulptur. Berühmte Bildhauer der Antike in Wort und Bild. Berlin and New York
Karachalios, F.-S. (2006) ‘Aristophanes’ lost Thesmophoriazusae revisited: on the date and plotLICS 5.2: 1–23 Google Scholar
Kebric, R.B. (1977) In the Shadow of Macedon: Duris of Samos. Wiesbaden
Kennedy, G.A. (trans.) (2003) Progymnasmata: Greek Textbooks of Prose Composition and Rhetoric. Atlanta, GA
Kenney, E.J. (1977) (ed.) Lucretius: De Rerum Natura Book 3. Cambridge
Kern, O. (1922) Orphicorum Fragmenta. Berlin
Kivilo, M. (2010) Early Greek Poets’ Lives: The Shaping of the Tradition. Leiden
Koehnken, A. (1975) ‘Gods and descendants of Aiakos in Pindar's eighth Isthmian OdeBICS 22: 25–36 Google Scholar
Köhler, L. (1928) Die Briefe des Sokrates und der Sokratiker. Leipzig
Koller, H. (1963) Musik und Dichtung im alten Griechenland. Bern
Koning, H.H. (2010) Hesiod: The Other Poet. Leiden
Konstan, D. and Mitsis, P. (1990) ‘Chion of Heraclea: a philosophical novel in lettersApeiron 23.4: 257–79 Google Scholar
Kontoleon, N.M. (1952) ‘Νέαι ἐπιγραφαὶ περὶ τοῦ Ἀρχιλόχου ἐκ Πάρου’ AEph: 32–95
Korenjak, M. (2003) ‘ Tityri sub persona: Der antike Biographismus und die bukolische TraditionA&A 49: 58–79 Google Scholar
Kosmopoulou, A. (2002) The Iconography of Sculptured Statue Bases in the Archaic and Classical Periods. Madison, WI
Koutsoflakis, G. (ed.) (2010) Η αρχαιολογική σκαπάνη στην Ικαρία. Athens
Kralli, I. (1999) ‘Athens and her leading citizens in the early Hellenistic period (338-261 B.C.): the evidence of the decrees awarding the highest honoursArchaiognosia 10: 133–61 Google Scholar
Kralli, I. (2000) ‘Athens and the Hellenistic Kings (338–261 B.C.): the language of the decreesCQ ns 50: 113–32 Google Scholar
Kris, E. (1935) ‘Zur Psychologie älterer Biographik: dargestellt an der des bildenden Künstlers’, Imago. Zeitschrift für psychoanalytische Psychologie, ihre Grenzgebiete und Anwendungen 21.3: 320–44 Google Scholar
Kris, E. (1952) Psychoanalytic Explorations in Art. New York
Kris, E. and Kurz, O. (1934) Die Legende vom Künstler; ein geschichtlicher Versuch. Vienna
Kris, E. and Kurz, O. (1979) Legend, Myth, and Magic in the Image of the Artist: A Historical Experiment. Laing, A. (trans.), revised by Newman, L.M., with a preface by Gombrich, E. H.. New Haven, CT and London
Krispi, M.V. and Wilhelm, A. (1897) ‘Ein neues Bruchstück der parischen MarmorchronikMDAI(A) 22: 183–217 Google Scholar
Kristensen, T.M. and Poulsen, B. (eds.) (2012) Ateliers and Artisans in Roman Art and Archaeology . JRS suppl. 92. Portsmouth, RI
Kristeller, P. (1951) ‘The modern system of the arts: a study in the history of aesthetics, Part IJournal of the History of Ideas 12.4: 496–527 (1952) ‘The modern system of the arts: a study in the history of aesthetics, Part II’ Journal of the History of Ideas 13.1: 17–46Google Scholar
Kristeller, P. (1990) ‘The modern system of the arts’ in Renaissance Thought and the Arts: Collected Essays, Princeton, NJ: 163–227. [First published (1951–52)] Journal of the History of Ideas 12.496–527 and 13.17-46
Kromer, G. (1975) ‘Homer and Odysseus in “Nemean” 7.20-27CW 68.7: 437–8 Google Scholar
Kruckis, H.M. (1994) ‘Biographie als literaturwissenschaftliche Darstellungsform im 19. Jahrhundert’ in Fohrmann, J. and Vosskamp, W. (eds.), Wissenschaftsgeschichte der Germanistik im 19. Jahrhundert. Stuttgart: 550–75
Krüger, S. (2011) Das Unbehagen in der Karikatur. Kunst, Propaganda und persuasive Kommunikation im Theoriewerk Ernst Kris. Munich
Kuhrt, A. (2007) The Persian Empire: A Corpus of Sources from the Achaemenid Period. Abingdon
Kurke, L. (1990) ‘Pindar's sixth Pythian and the tradition of advice poetryTAPhA 120: 85–107 Google Scholar
Kurke, L. (1991) The Traffic in Praise: Pindar and the Poetics of Social Economy. Ithaca, NY
Kurke, L. (2000) ‘The strangeness of “song culture”: archaic Greek poetry’ in Taplin, O. (ed.), Literature in the Greek and Roman Worlds. Oxford: 58–87
Kurtz, D.C. and Boardman, J. (1986) Booners: Greek Vases in the J. Paul Getty Museum. Malibu
Laird, A. (1999) Powers of Expression, Expressions of Power. Oxford
Laird, A. (2007) ‘The Virgin of Guadalupe and the birth of Latin epic: Bernardo Ceinos de Riofrío's Centonicum Virgilianum Monimentum ’ in Andrews, J. and Coroleu, A. (eds.), Mexico 1680: Cultural and Intellectual Life in the Barroco Indias. Bristol: 199–220
Laird, A. (2009) ‘Virgil: reception and the myth of biographyCentopagine 3: 1–9 Google Scholar
Laird, A. (2010) ‘The reinvention of Virgil's wheel: the poet and his work from Dante to Petrarch’ in Hardie, P. and Moore, H. (eds.), Classical Literary Careers and their Reception. Cambridge: 138–59
(forthcoming) The Lives of the Roman Poets: Criticism and the Myth of Biography. London
Lambert, S.D. (2012) ‘Inscribing the past in fourth-century Athens’ in Marincola, J., Llewellyn-Jones, L. and Maciver, C.A. (eds.), Greek Notions of the Past in the Archaic and Classical Eras: History without Historians Edinburgh Leventis Studies 6. Edinburgh: 253–75
Lamont, R.C. (1987) ‘To speak the words of “the tribe”: the wordlessness of Samuel Beckett's metaphysical clowns’ in Burkman, K.H. (ed.), Myth and Ritual in the Plays of Samuel Beckett. London and Toronto: 56–70
Lamont, R.C. (2002) ‘Fast-forward: Lucky's Pnigos ’ in Moorjani, A. and Veit, C. (eds.), Samuel Beckett: Endlessness in the Year 2000/Fin sans fin en l'an 2000. Amsterdam and New York: 132–9
Landfester, M. (1979) ‘Ulrich von Wilamowitz-Moellendorff und die hermeneutische Tradition des 19. Jahrhunderts’ in Flashar, H., Gründer, K. and Horstmann, A. (eds.), Philologie und Hermeneutik im 19. Jahrhundert: Zur Geschichte und Methodologie der Geisteswissenschaften. Göttingen: 156–80
Landucci Gattinoni, F. (1997) Duride di Samo. Rome
Laqueur, R. (1927) Epigraphische Untersuchungen zu den griechischen Volksbeschlüssen. Leipzig and Berlin
Lasserre, F. (1995) ‘Le genealogie di musicisti mitici’ in Restani, D. (ed.), Musica e mito nella Grecia antica. Bologna: 89–96
Lattimore, R. (1942) Themes in Greek and Latin Epitaphs. Urbana, IL
Lattimore, R. (1962) Themes in Greek and Latin Epitaphs (re-issue). Urbana, IL
Le Bonniec, H. and Gallet de Santerre, H. (1953) Pline l'Ancien: Histoire Naturelle, Livre 34. Paris
Le Rider, J. (2002) Freud, de l'Acropole au Sinaï: Le retour à l'Antique des Modernes viennois. Paris
Lebrecht, N. (1985) Book of Musical Anecdotes. New York
Lecercle, F. (2012) ‘Avant-propos’ in Hénin, E., Lecercle, F. and Wajeman, L. (eds.), La théorie subreptice. Les anecdotes dans la théorie de l'art XVIè-XVIIIè siècles. Turnhout: 9–17
Leech-Wilkinson, D. (2002) The Modern Invention of Medieval Music: Scholarship, Ideology, Performance. Cambridge
Lefkowitz, M.R. (1963) ‘ΤΩ ΚΑΙ ΕΓΩ: The first person in PindarHSCPh 67: 177–253 Google Scholar
Lefkowitz, M.R. (1975) ‘The influential fictions in the scholia to Pindar's Pythian 8CP 70.3: 173–85 Google Scholar
Lefkowitz, M.R. (1978) ‘The poet as hero: fifth-century autobiography and subsequent biographical fictionCQ 28.2: 459–69 Google Scholar
Lefkowitz, M.R. (1980) ‘Autobiographical fiction in PindarHSCPh 84: 29–49 Google Scholar
Lefkowitz, M.R. (1981) The Lives of the Greek Poets. Baltimore, MD and London
Lefkowitz, M.R. (1997) Not Out of Africa, New York
Lefkowitz, M.R. (2009a) ‘Historiography and myth’ in Tucker, A. (ed.), A Companion to the Philosophy of History and Historiography. Oxford: 353–61
Lefkowitz, M.R. (2009b) ‘Biographical mythology’ in Dill, U. and Walde, C. (eds.), Antike Mythen: Medien, Transformationen, und Konstruktionen (Studien in Honorem Fritz Graf). Berlin: 516–31
Lefkowitz, M.R. (2012) The Lives of the Greek Poets, London
Legrand, P.-E. (1960) Hérodote: Histoires. Paris
Lehnus, L. (1979) L'inno a Pan di Pindaro (Testi e Documenti per lo Studio dell'Antichità). Milan
Leo, F. (1901) Die griechisch-römische Biographie in ihrer litterarischen Form. Leipzig
Leo, F. (1913) Geschichte des römischen Literatur. Berlin
Leo, F. (1990 [1901]) Die griechisch-römisch Biographie nach ihrer litterarischen Form. Leipzig
Leonard, M. (2008) ‘History and theory: Moses and Monotheism and the historiography of the repressed’ in Hardwick, L. and Stray, C. (eds.), A Companion to Classical Reception. Oxford: 207–18
Leonard, M. (2009) ‘Reception’ in Boys-Stones, G.R., Graziosi, B. and Vasunia, P. (eds.), The Oxford Handbook of Hellenic Studies. Oxford: 835–45
Leonard, M. (2012) Socrates and the Jews: Hellenism and Hebraism from Moses Mendelssohn to Sigmund Freud. Chicago, IL
Lessing, H.-U. (1993) ‘Dilthey als Historiker. Das “Leben Schleiermachers” als Paradigma’ in Hammerstein, N. (ed.), Deutsche Geschichtswissenschaft um 1900. Stuttgart: 113–30
LeVen, P.A. (2013) ‘Reading the octopus: authorship, intertexts and a Hellenistic anecdote (Machon, fr. 9 Gow)AJP 126.1 (2013): 23–35 Google Scholar
LeVen, P.A. (2014) The Many-Headed Muse: Tradition and Innovation in Late Classical Lyric Poetry. Cambridge
(forthcoming) The Music of Nature in Greek and Roman Myths. Cambridge
Levi, P. (1971) Pausanias: Guide to Greece. Harmondsworth and Baltimore, MD
Levy, E. (2013) ‘Ernst Kris, The Legend of the Artist (1934), and Mein Kampf Oxford Art Journal 36.2: 207–29 Google Scholar
Leydi, R. (1991) L'altra musica – Etnomusicologia, come abbiamo incontrato e creduto di conoscere le musiche delle tradizioni popolari ed etniche. Florence
Liddel, P.P. (2007) Civic Obligation and Individual Liberty in Ancient Athens. Oxford
Liddel, P.P. (2008) ‘Scholarship and morality: Plutarch's use of inscriptions’ in Nikolaidis, A.G. (ed.), The Unity of Plutarch's Work: ‘Moralia’ Themes in the ‘Lives’, Features of the ‘Lives’ in the ‘Moralia’. Berlin: 125–37
Liddel, P.P. and Low, P.A. (eds.) (2013) Inscriptions and their Uses in Greek and Latin Literature. Cambridge
Linforth, I.M. (1941). The Arts of Orpheus. Berkeley, CA and Los Angeles, CA
Lissarrague, F. (1987) Un flot d'images: une esthétique du banquet grec. Paris = The Aesthetics of the Greek Banquet. Szegedy-Maszak, Andrew (trans.) (1990) Princeton, NJ
Lloyd-Jones, H. (2002) ‘Curses and divine anger in early Greek epic: the Pisander scholionCQ 52.1: 1–14 Google Scholar
Loewy, E. (1885) Inschriften griechischer Bildhauer. Leipzig
Loraux, N. (2002) The Mourning Voice: An Essay in Greek Tragedy. Ithaca, NY
Luraghi, N. (2010) ‘The demos as narrator: public honours and the construction of future and past’ in Foxhall, L., Gehrke, H.-J. and Luraghi, N. (eds.), Intentional History: Spinning Time in Ancient Greece. Stuttgart: 247–63
Mackie, H. S. (2003) Graceful Errors: Pindar and the Performance of Praise. Ann Arbor, MI
Maehler, H. (1982) Die Lieder des Bakchylides. Leiden
Magnelli, E. (1999). Alexandri Aetoli Testimonia et Fragmenta. Florence
Makkreel, R.A. (1993) Dilthey: Philosopher of the Human Studies. Princeton, NJ
Malcolm, X and Haley, A. (1992 [1964]) The Autobiography of Malcolm X. New York
Malherbe, A.J. (1977) The Cynic Epistles: A Study Edition. Atlanta, GA
Mallory, J.P. and Adams, D.Q. (1997). Encyclopedia of Indo-European Culture. London
Mann, W.R. (1996) ‘The life of AristippusAGPh 78: 97–119 Google Scholar
Männlein-Robert, I. (2007a) ‘Epigrams on art: voice and voicelessness in ecphrastic epigram’ in Bing, P. and Bruss, J.S. (eds.), Brill's Companion to Hellenistic Epigram. Leiden: 251–71
Männlein-Robert, I. (2007b) ‘Hellenistische Selbstepitaphien: zwischen Autobiographie und Poetik’ in Erler, M. and Schorn, S. (eds.), Die griechische Biographie in hellenistischer Zeit: Akten des internationalen Kongresses vom 26.-29. Juli 2006 in Würzburg. Berlin: 363–84
Männlein-Robert, I. (2007c) Stimme, Schrift und Bild: Zum Verhältnis der Künste in der hellenistischen Dichtung. Heidelberg
Mansfeld, J. (1994) Prolegomena. Questions to be Settled Before the Study of an Author, or a Text. Leiden
Mansfield, E. (2007) Too Beautiful to Picture: Zeuxis, Myth and Mimesis. Minneapolis, MN
Marcadé, J. (1953–1957) Recueil des signatures de sculpteurs grecs. Paris
Marchesi, S. (2009) ‘Petrarch's philological epic’ in Kirkham, V. and Maggi, A. (eds.), Petrarch: A Critical Guide to the Complete Works. Chicago, IL: 128–30
Marcus, L. (1994) Auto/Biographical Discourses: Theory, Criticism, Practice. Manchester
Marelli, C. (2006) ‘L'autore come personaggio: l'Euripide di Aristofane’ in Roscalla, F. (ed.), L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Pisa: 133–53
Markson, D. (2001) This Is Not a Novel. Berkeley, CA
Marshall, P.K. (1997) Servius and Commentary on Virgil. Asheville, NC
Martin, R.P. (1983) Healing, Sacrifice and Battle: Amechania and Related Concepts in Early Greek Poetry. Innsbruck
Martin, R.P. (2001) ‘Rhapsodizing OrpheusKernos 14: 23–33 Google Scholar
Martindale, C. (2006) ‘Thinking through reception’ in Martindale, C. and Thomas, R.F. (eds.), Classics and the Uses of Reception. Oxford: 1–13
Martindale, C. (2013) ‘A new humanism? Receptivity, pedagogy, the transhistoricalClassical Receptions Journal 5.2: 169–83 Google Scholar
Marvin, M. (2008) The Language of the Muses: The Dialogue between Roman and Greek Sculpture. Los Angeles, CA
Matthaiou, A. and Papadopoulos, G. (2003) Επιγραφές Ικαρίας. Athens
Mazzotta, G. (2012) ‘Petrarch's epistolary epic: Letters on Familiar Matters (Rerum familiarum libri)’ in Brockliss, W., Chaudhuri, P., Lushkov, A. Haimson and Wasdin, K. (eds.), Reception and the Classics Yale Classical Studies 36. Cambridge and New York: 97–107
McClure, L.K. (2003) Courtesans at Table: Gender and Greek Literary Culture in Athenaeus. New York
McGill, S. (2005) Virgil Recomposed: The Mythological and Secular Centos in Antiquity. Oxford
McGing, B. and Mossman, J. (2006) The Limits of Ancient Biography. Swansea
McHam, S.B. (2013) Pliny and the Artistic Culture of the Italian Renaissance: The Legacy of the ‘Natural History ’. New Haven, CT
Mejer, J. (1978) Diogenes Laertius and his Hellenistic Background. Wiesbaden
Mezzanzanica, M. (1999–2000) ‘Die Lebenskategorien, das Problem der Individualität und die Logik des historischen Geschehens in der Geschichte der Autobiographie von Georg MischDilthey-Jahrbuch für Philosophie und Geschichte der Geisteswissenschaften 12: 107–19 Google Scholar
Michelsen, P. (2002) ‘Der Künstler als Held und Charakter: über die biographische Darstellungsweise in den “Vite” des Giorgio VasariArchiv für Kulturgeschichte 84: 293–312 Google Scholar
Miller, A.M. (1981) ‘Pindar, Archilochus and Hieron in P. 2.52-56Transactions of the American Philological Association 111: 135–43 Google Scholar
Minchin, E. (2001) Homer and the Resources of Memory. Oxford
Mineur, W.H. (1984) Callimachus: Hymn to Delos. Leiden
Misch, G. (1907) Geschichte der Autobiographie. Erster Band: Das Altertum. Leipzig
Misch, G. (1949) Geschichte der Autobiographie. Erster Band: Das Altertum, Frankfurt am Main
Misch, G. (1950) A History of Autobiography in Antiquity, vol. I. Dickes, E.W. (trans.). Cambridge, MA
Mitsis, P. (2012) ‘When death is there, we are not: Epicurus on pleasure and death’ in Bradley, B., Feldman, F. and Johansson, J. (eds.), The Oxford Handbook of Philosophy of Death. Oxford: 200–17
Momigliano, A.D. (1971) The Development of Greek Biography: Four Lectures. Cambridge, MA
Momigliano, A.D. (1985) ‘Macrina: una Santa aristocratico vista dal fratello’ in Arrigoni, G. (ed.), Le Donne in Grecia. Rome and Bari: 331–9
Momigliano, A.D. (1993) The Development of Greek Biography: Four Lectures, expanded edn. Cambridge, MA
Mondin, L. (2007) ‘Ipotesi sopra il falso proemio dell’Eneide Centopagine 1: 64–78 Google Scholar
Morales, H. (1996) ‘The torturer's apprentice: Parrhasius and the limits of art’ in Elsner, J. (ed.), Art and Text in Roman Culture. Cambridge: 182–209
Morales, H. (2011) ‘Fantasising Phryne: the psychology and ethics of ekphrasis CCJ 57.1: 71–104 Google Scholar
Morat, D. (2008) ‘Verstehen als Gefühlsmethode. Zu Wilhelm Diltheys hermeneutischer Grundlegung der Geisteswissenschaften’ in Jensen, U. and Morat, D. (eds.), Rationalisierungen des Gefühls: Zum Verhältnis von Wissenschaft und Emotionen 1880-1930. Munich: 101–18
Moreno, P. (ed.) (1995) Lisippo: L'arte e la fortuna. Milan
Morgan, K.A. (2000) Myth and Philosophy from the Presocratics to Plato. Cambridge
Morgan, K.A. (2008) ‘Generic ethics and the problem of badness’ in Sluiter, I. and Rosen, R.M. (eds.), Kakos: Badness and Anti-Value in Classical Antiquity. Leiden: 29–58
Morgan, K.A. (2015) Pindar and the Construction of Syracusan Monarchy in the Fifth Century B.C. Oxford
Morgan, L. (1999). Patterns of Redemption in Virgil's Georgics. Cambridge
Morris, S. (1992) Daidalos and the Origins of Greek Art. Princeton, NJ
Most, G. W. (1985) The Measures of Praise: Structure and Function in Pindar's Second Pythian and Seventh Nemean Odes. Göttingen
Most, G. W. (1996) ‘Reflecting Sappho’ in Greene, E. (ed.), Re-Reading Sappho: Reception and Transmission. Berkeley, CA, Los Angeles, CA and London: 11–35
Moxey, K. (1994) The Practice of Theory: Poststructuralism, Cultural Politics and Art History. Ithaca NY
Muller-Dufeu, M. (2002) La sculpture grecque: sources littéraires et épigraphiques. Paris
Muller-Dufeu, M. (2011) Créer du vivant: sculpteurs et artistes dans L'antiquité grecque. Villeneuve d'Ascq
Murphy, T. (2004) Pliny the Elder's Natural History: The Empire in the Encyclopaedia. Oxford
Murray, O. (2008) ‘The Odyssey as performance poetry’ in Revermann, M. and Wilson, P. (eds.), Performance, Iconography, Reception: Studies in Honour of Oliver Taplin. Oxford: 161–76
Murray, P. (1981) ‘Poetic inspiration in early GreeceJHS 101: 87–100 Google Scholar
Murray, P. (1996) Plato on Poetry. Cambridge
Murray, P. (2006) ‘Poetic inspiration in early Greece’ in Laird, A. (ed.), Oxford Readings in Classical Studies: Ancient Literary Criticism. Oxford: 37–61
Murray, P. and Wilson, P. (2004) ‘Introduction’ in Murray, P. and Wilson, P. (eds.), Music and the Muses: The Culture of Mousikē in the Classical City. Cambridge: 1–8
Naas, V. (2002) Le projet encyclopédique de Pline l'Ancien. Rome
Naas, V. (2008) ‘Pline l'Ancien a-t-il cru à ses mythes?’ Pallas 78: 133–51 Google Scholar
Naas, V. (2011) ‘L’Histoire naturelle de Pline l'Ancien, texte fondateur de l'encyclopédisme?’ in Groult, M. (ed.), Les encyclopédies. Construction et circulation du savoir de l'Antiquité à Wikipédia. Paris: 25–45
Naas, V. (2012a) ‘La jeune fille de Corinthe: de l'anecdote à l'invention de l'art’ in Alexandre, S., Philippe, N. and Ribeyrol, C. (eds.), Inventer la peinture grecque antique. Paris: 71–93
Naas, V. (2012b) ‘Anecdotes et théorie de l'art chez Pline l'Ancien’ in Hénin, E., Lecercle, F. and Wajeman, L. (eds.) La théorie subreptice. Les anecdotes dans la théorie de l'art XVIè-XVIIIè siècles. Turnhout: 39–52
Naas, V. (2013) ‘ Indicare, non indagare: encyclopédisme contre histoire naturelle chez Pline l'Ancien?’ in Zucker, Z. (ed.), Encyclopédire: forms de l'ambition encyclopédique dans l'Antiquité et au Moyen-Âge. Turnhout: 145–66
Nagy, G. (1979) The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Baltimore, MD
Nagy, G. (1996) Poetry as Performance. Cambridge
Natorp, P. (1895) ‘AristipposRE 2.1: 902–6 Google Scholar
Neer, R. (1997) ‘Beazley and the language of connoisseurshipHephaistos 15: 7–30 Google Scholar
Neer, R. (2002) Style and Politics in Athenian Vase-Painting: The Craft of Democracy ca. 530–460 B.C. Cambridge
Neer, R. (2010) The Emergence of the Classical Style in Greek Sculpture. Chicago, IL
Nehamas, A. (1987) ‘Writer, text, work, author’ in Cascardi, A.J. (ed.), Literature and the Question of Philosophy. Baltimore, MD: 265–91
Nehamas, A. (1998) The Art of Living: Socratic Reflections from Plato to Foucault. Berkeley, CA
Newby, E. (1987) A Portrait of the Artist: The Legends of Orpheus and their Use in Medieval and Renaissance Aesthetics. New York
Niebuhr, B.G. (1828) Roman History, vol. Hare, I. J.C. and Thirwall, C. (trans.). Cambridge
Nisbet, R.G.M. and Hubbard, M. (1978) A Commentary on Horace Odes Book II. Oxford
Nisetich, F.J. (1989) Pindar and Homer. Baltimore, MD
Norden, E. (1934) ‘Orpheus und Eurydice. Ein nachträgliches Gedenkblatt für Vergil’ SPAW 626–83
Norton, E. (2008) ‘Wilamowitz at WarIJCT 15.1: 74–97 Google Scholar
Nünlist, R. (1998) Poetologische Bildersprache in der frühgriechischen Dichtung. Stuttgart
Obens, G. (1912) Qua aetate Socratis et Socraticorum epistulae, quae dicuntur, scriptae sint. Münster
Oehler, K. (1979) ‘Dilthey und die Klassische Philologie’ in Flashar, H., Gründer, K. and Horstmann, A. (eds.), Philologie und Hermeneutik im 19. Jahrhundert: Zur Geschichte und Methodologie der Geisteswissenschaften. Göttingen: 181–98
Ohnesorg, A. (1982) ‘Der dorische Prostylos des Archilocheion auf ParosAA 97: 271–90 Google Scholar
Olson, S.D. (2010–2011). Athenaeus: The Learned Banqueters, Loeb Classical Library vols. VI and VII. Cambridge, MA
Onians, R.B. (1954) The Origins of European Thought. Cambridge
Oppo, A. (2008) Philosophical Aesthetics and Samuel Beckett. Bern
Orrells, D. (2011) Classical Culture and Modern Masculinity. Oxford
Osborne, R G. (1994) ‘Looking on—Greek style. Does the sculpted girl speak to women too?’ in Morris, I. (ed.), Classical Greece: Ancient Histories and Modern Archaeologies. Cambridge: 81–96
Osborne, R G. (1999) ‘Inscribing performance’ in Goldhill, S.D. and Osborne, R.G. (eds.), Performance Culture and Athenian Democracy. Cambridge: 341–58
Osborne, R G. (2010) ‘The art of signing in ancient Greece’ in Platt, V. and Squire, M. (eds.), The Art of Art History in Greco-Roman Antiquity = Arethusa 43.2: 231–51 Google Scholar
O'Sullivan, N. (1992) Alcidamas, Aristophanes, and the Beginnings of Greek Stylistic Theory. Stuttgart
Otis, B. (1964) Virgil: A Study in Civilized Poetry. Oxford
Overbeck, J. (1959 [1868]). Die antiken Schriftquellen zur Geschichte der bildenden Künste bei den Griechen. Hildesheim [Leipzig]
Page, D.L. (1981) Further Greek Epigrams. Cambridge
Palagia, O. (2010) ‘Pheidias epoiesen: attribution as a value judgement’ in Macfarlane, F.C. and Morgan, C. (eds.), Exploring Ancient Sculpture: Essays in Honour of Geoffrey Waywell BICS Suppl. 104. London: 97–107
Palagia, O. and Pollitt, J. (eds.) (1996) Personal Styles in Greek Sculpture. Cambridge
Papalas, A.J. (1992) Ancient Icaria. Wauconda, IL
Papet, E. (2007) ‘Phryné au XIXe siècle: la plus jolie femme de Paris?’ in Pasquier, A. and Martinez, J.-L. (eds.), Praxitèle. Paris: 362–93
Parke, H.W. (1958) ‘The newly discovered Delphic responses from ParosCQ ns 8: 90–4 Google Scholar
Parry, A. (1972) ‘Language and characterization in HomerHSCPh 76: 1–22 Google Scholar
Parvulescu, A. (1997) ‘“Knee” and “Generation/People” in Indo-European: Lat. poples “Knee” vs. populus “People” and ParallelsIndogermanische Forschungen 102: 74–83 Google Scholar
Pasquier, A. (2007) ‘Praxitèle aujourd'hui? La question des originaux’ in Pasquier, A. and Martinez, J.-L. (eds.), Praxitèle. Paris: 82–127
Pasquier, A. and Martinez, J.-L. (eds.) (2007) Praxitèle. Paris
Pater, W. (1873) Studies in the History of the Renaissance, London
Patten, G. (2009) Pindar's Metaphors: A Study in Rhetoric and Meaning. Heidelberg
Pédech, P. (1989) Trois historiens méconnus. Théopompe, Duris, Phylarque. Paris
Peek, W. (1954) ‘Neues von Archilochos’, Philologus 99: 4–50 Google Scholar
Peek, W. (1985) ‘Ein neues Bruchstück vom Archilochos-Monument des SosthenesZPE 59: 13–22 Google Scholar
Peirano, I. (2012) The Rhetoric of the Roman Fake: Latin Pseudepigrapha in Context. Cambridge
Pekacz, J. (2006) Musical Biography: Towards New Paradigms. Aldershot and Burlington
Pelliccia, H. (2009) ‘Simonides, Pindar and Bacchylides’ in Budelmann, F. (ed.), The Cambridge Companion to Greek Lyric. Cambridge: 240–62
Peñalosa, J.A. (1987) Flor y canto de la poesía guadalupana, siglo XVII. Mexico City
Peponi, A.-E. (2012) Frontiers of Pleasure: Models of Aesthetic Response in Archaic and Classical Greek Thought. New York
Perec, G. (1987) Life: A User's Manual. Bellos, D. (trans.). Boston, NJ
Perini, G. (1990) ‘Biographical anecdotes and historical truth: an example from Malvasia's Life of Guide Reni Studi Secenteschi 31: 149–61 Google Scholar
Pernot, L. (2011) ‘Phidias à la barre’ in La rhétorique des arts. Actes du colloque tenu au Collège de France sous la présidence de Marc Fumaroli, de l'Académie française. Paris: 11–43
Perry, B.E. (1998) ‘Secundus: the silent philosopher’ in Hansen, William (ed.), Anthology of Ancient Greek Popular Literature. Bloomington, IN: 64–75
Perry, E. (2005) The Aesthetics of Emulation in the Visual Arts of Ancient Rome. Cambridge
Pertusi, A. (1964) Leonzio Pilato fra Petrarca e Boccaccio. Venice
Pfeiffer, R. (1968) History of Classical Scholarship, vol. 1, From the Beginnings to the End of the Hellenistic Age. Oxford
Pioda, S. (2007) ‘Praxitèle. A la poursuite du maître des sculpteursArcheologiaParis 444: 12–19 Google Scholar
Pitcher, L.V. (2005) ‘Narrative technique in the Lives of the Ten Orators CQ ns 55: 217–34 Google Scholar
Platt, V. (2006) ‘Honour takes wing: unstable images and anxious orators in the Greek tradition’ in Leader-Newby, R. and Newby, Z. (eds.), Art and Inscriptions in the Ancient World. Cambridge: 247–71
Platt, V. (2011) Facing the Gods: Epiphany and Representation in Graeco-Roman Art, Literature and Religion. Cambridge
Platt, V. (2014) ‘Agamemnon's grief: on the limits of expression in Roman rhetoric and painting’ in Elsner, J. and Meyer, M. (eds.), Art and Rhetoric in Roman Culture. Cambridge: 211–31
(forthcoming) Beyond Ekphrasis: Making Objects Matter in Classical Antiquity
Platt, V. and Squire, M. (eds.) (2010) The Art of Art History in Greco-Roman Antiquity = Arethusa 43.2
Podro, M. (1984) ‘Against formalism: Schlosser on Stilgeschichte’ in Ettlinger, L.D., Krenn, S. and Pippal, M. (eds.), Wien und die Entwicklung der Kunsthistorischen Methode XXV Internationaler Kongress für Kunstgeschichte. Vienna: 37–43
Pollitt, J.J. (1974) The Ancient View of Greek Art: Criticism, History and Terminology. New Haven, CT
Pollitt, J.J. (1990) The Art of Ancient Greece: Sources and Documents, Cambridge
Pollitt, J.J. (1996) ‘Introduction: masters and masterworks in the study of classical sculpture’ in Palagia, O. and Pollitt, J. (eds.) Personal Styles in Greek Sculpture. Cambridge: 1–15
Pollock, G. (1980) ‘Artists, mythologies and media genius, madness and art historyScreen 21: 57–96 Google Scholar
Pollock, G. (1989) ‘Agency and the avant-garde: studies in authorship and history by way of van GoghBlock 15: 4–15 Google Scholar
Pommier, É. (ed.) (1995) Histoire de l'histoire de l'art de l'antiquité au xviiie siècle. Paris
Pommier, É. (ed.) (1996) ‘Winckelmann: Des vies d'artistes à l'histoire de l'art’ in Waschek, M. (ed.), Les ‘vies’ d'artistes: Actes du colloque internationale organisé par le service culturel du musée du Louvre, 1-2 octobre 1993. Paris: 205–30
Pontani, F. (2009) ‘Demosthenes, parody, and the Frogs Mnemosyne 62: 401–16 Google Scholar
Popkin, J. (2005) History, Historians and Autobiography. Chicago, IL
Porter, J.I. (1996) ‘The philosophy of Aristo of Chios’ in Branham, R.B. and Goulet-Cazé, M.-O. (eds.), The Cynics: The Cynic Movement in Antiquity and Its Legacy. Berkeley, CA
Porter, J.I. (2002) Nietzsche and the Philology of the Future. Stanford, CA
Porter, J.I. (2006) ‘Feeling classical: classicisim and ancient literary criticism’ in Porter, J.I. (ed.), Classical Pasts: The Classical Traditions of Greece and Rome. Princeton, NJ: 301–52
Porter, J.I. (2009) ‘Is art modern? Kristeller's “modern system of the arts” reconsideredBritish Journal of Aesthetics 49: 1–29 Google Scholar
Porter, J.I. (2010) ‘Why art has never been autonomous’ in Platt, V. and Squire, M. (eds.), The Art of Art History in Greco-Roman Antiquity = Arethusa 43.2: 165–80 Google Scholar
Pouilloux, J. (1954) Études thasiennes. 3, 1: Recherches sur l'histoire et les cultes de Thasos. De la fondation de la cité à 196 avant J.-C. Paris
Power, T. (2010) The Culture of Kitharôidia. Washington, DC
Power, T. (2012) ‘Aristoxenus and the Neoclassicists’ in Huffman, C. (eds.), Aristoxenus of Tarentum: Discussion Rutgers Studies in Classical Humanities 17. New Brunswick, NJ: 129–54
Preisshofen, F. (1974) ‘Phidias-Daedalus auf dem Schild der Athena Parthenos? Ampelius 8, 10JDAI 89: 50–69 Google Scholar
Privitera, G.A. (1982) Le Istmiche. Milan
Propp, V.I. (1958) The Morphology of the Folktale. Scott, L. (trans.). Bloomington, IN. Originally published in 1928 as Morfologija skazki. St Petersburg/Leningrad
Quain, E.A. (1945) ‘The medieval accessus ad auctoresTraditio 3: 215–64 Google Scholar
Quasimodo, S. (1930) Acque e terre. Florence
Quasimodo, S. (1956) Il falso e vero verde. Milan
Quasimodo, S. (1958) La terra impareggiabile. Milan
Quasimodo, S. (1959) Petrarca e il sentimento della solitudine, Milan
Quasimodo, S. (1960) Il poeta e il politico e altri saggi. Milan
Rankin, H.D. (1975) ‘Archilochus in Pindar Pythian 2Emerita 43: 249–55 Google Scholar
Raubitschek, A.W. (1941) ‘PhryneRE 20.1: 893–907 Google Scholar
Reichenberger, A. (2003) Riegls “Kunstwollen”: Versuch einer Neubetrachtung. Sankt Augustin
Restani, D. (1994) ‘Orfeo senza EuridiceMusica e Storia 2: 191–206 Google Scholar
Rhinelander, L.H. (1974) ‘Exiled Russian scholars in Prague: the Kondakov Seminar and InstituteCanadian Slavonic Papers / Revue Canadienne des Slavistes 16.3: 331–52 Google Scholar
Rhodes, P. J. (1985) The Athenian Boule, . Oxford
Richardson, L. (2000) A Catalog of Identifiable Figure Painters of Ancient Pompeii, Herculaneum, and Stabiae. Baltimore, MD
Richardson, N. (2010) Three Homeric Hymns: To Apollo, Hermes, and Aprhodite. Cambridge
Richter, G.M.A. (1984) The Portraits of the Greeks, revised and abridged by Smith, R.R.R.. Ithaca, NY
Ricks, C. (1996) Beckett's Dying Words. Oxford
Ricoeur, P. (1990) Oneself as Another. Blamey, K. (trans.). Chicago, IL
Ridgway, B.S. (1981) Fifth Century Styles in Greek Sculpture. Princeton, NJ
Ridgway, B.S. (1997) Fourth-Century Styles in Greek Sculpture. Madison, WI
Ridgway, B.S. (1998) ‘An issue of methodology: Anakreon, Perikles, XanthipposAJA 102: 717–38 Google Scholar
Ridgway, B.S. (2004) Second Chance: Greek Sculptural Studies Revisited. London
Ridley, R.T. (2004) The Emperor's Retrospect: Augustus’ Res Gestae in Epigraphy, Historiography and Commentary. Leiden
Ridley, R.T. (2011) ‘Augustus: the Emperor writes his own account’ in Marasco, G. (ed.), Political Autobiographies and Memoirs in Antiquity. Leiden and Boston, NJ: 217–314
Riegl, A. (1893) Stilfragen: Grundlegungen zu einer Geschichte der Ornamentik. Berlin
Riegl, A. (1901) Die spätrömische Kunstindustrie nach den Funden in Österreich-Ungarn. Vienna
Riginos, A.S. (1976) Platonica: The Anecdotes Concerning the Life and Writings of Plato Columbia Studies in the Classical Tradition 3. Leiden
Riofrío, B.C. de (1680) Centonicum Virgilianum Monumentum. Mexico City
Robertson, C.M. (1991) ‘Adopting an approach’ in Rasmussen, T. and Spivey, N. (eds.), Looking at Greek Vases.. Cambridge: 1–12
Rocconi, E. (2012) ‘Aristoxenus and musical ethos’ in Huffman, C. (ed.), Aristoxenus of Tarentum: Discussion Rutgers Studies in Classical Humanities 17. New Brunswick, NJ: 65–90
Roesch, P. (1989) ‘L'aulos et les aulètes en Béotie’ in Beister, H. and Buckler, J. (eds.), Boiotika: Vorträge vom 5. Internationalen Böotien-Kolloquium zu Ehren von Professor Dr. Siegfried Lauffer. Munich
Romm, J. (1990) ‘Wax, stone, and Promethean clay: Lucian as plastic artistCA 9: 74–98 Google Scholar
Roselli, D. (2005) ‘Vegetable-hawking mom and fortunate son: Euripides, tragic style, and receptionPhoenix 59: 1–49 Google Scholar
Rosen, K. (1987) ‘Ehrendekrete, Biographie und Geschichtsschreibung. Zum Wandel der griechischen Polis im frühen HellenismusChiron 17: 277–92 Google Scholar
Rosen, R. (1988) Old Comedy and the Iambographic Tradition. Atlanta, GA
Rosenmeyer, P. (1992) The Poetics of Imitation: Anacreon and the Anacreontic Tradition. Cambridge
Rosenmeyer, P. (2001) ‘(In)versions of Pygmalion: the statue talks back’ in Lardinois, A. and McClure, L. (eds.), Making Silence Speak: Women's Voices in Ancient Greek Literature and Society. Princeton, NJ: 240–60
Rosenmeyer, T.G. (2006) ‘Ancient literary genres: a mirage?’ in Laird, A. (ed.), Oxford Readings in Ancient Literary Criticism. Oxford: 421–39
Rossi, L. (2001) The Epigrams Ascribed to Theocritus: A Method of Approach. Groningen
Rotstein, A. (2014) ‘The Parian Marble and the Mnesiepes inscriptionZPE 190: 3–9 Google Scholar
Rouet, P. (2001) Approaches to the Study of Attic Vases: Beazley and Pottier. Oxford
Rouveret, A. (1995) ‘Artistes, collectioneurs et antiquaires: l'histoire de l'art dans l'encyclopédie plinienne’ in Pommier, É. (ed.), Histoire de l'histoire de l'art de l'antiquité au xviiie siècle. Paris: 51–64
Rouveret, A. (1996) ‘De l'artisan à l'artiste: quelques topoi des biographies antiques’ in Waschek, M. (ed.), Les ‘Vies’ d'artistes . Actes du colloque international organisé par le Service culturel du musée du Louvre les 1er et 2 Octobre 1993. Paris: 25–40
Rowe, C.J. (1993) Plato: Phaedo. Cambridge
Rubin, P. (1990) ‘What men saw: Vasari's Life of Leonardo da Vinci and the image of the Renaissance artistArt History 13.1: 33–45 Google Scholar
Rubin, P. (1995) Giorgio Vasari: Art and History. New Haven, CT
Ruck, C.A.P. (1986) ‘The wild and the cultivated: wine in Euripides’ Bacchae ’ in Gordon Wasson, R. et al., Persephone's Quest: Ethneogens and the Origins of Religion. New Haven, CT: 179–223
Rudnytsky, P. (1987) Freud and Oedipus. New York
Russell, D.A. and Winterbottom, M. (1972) Ancient Literary Criticism. Oxford
Rutherford, I. (2007) ‘Theoria and theatre at Samothrace: the Dardanos by Dymas of Iasos’ in Wilson, P. (ed.), The Greek Theatre and Festivals: Documentary Studies. Oxford: 279–93
Rutherford, R.B. (1995) The Art of Plato. London
Salomon, N. (1997) ‘Making a world of difference: gender, asymmetry and the Greek nude’ in Koloski-Ostrow, A.L. and Lyons, C.L. (eds.), Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology. London: 197–219
Sancisi-Weerdenburg, H. (1999) ‘The Persian Kings and history’ in Krauss, C.S. (ed.),The Limits of Historiography: Genre and Narrative in Ancient Historical Texts Mnemosyne Supplement 191. Leiden: 91–112
Sansone, D. (1996) ‘Plato and EuripidesICS 21.2: 35–67 Google Scholar
Scheinberg, S. (1979) ‘The bee maidens of the Homeric Hymn to Hermes HSCPh 83: 1–28 Google Scholar
Schorn, S. (2004) Satyros aus Kallatis. Basel
Schweitzer, B. (1932) ‘Xenocrates von AthenSchriften der Königsberger Gelehrten Gesellschaft, Geisteswissenschaftliche Klasse 9: 1–52 Google Scholar
Segal, C. (1967) ‘Pindar's Seventh NemeanTransactions of the American Philological Association 98: 431–80 Google Scholar
Segal, C. (1989) Orpheus, the Myth of the Poet. Baltimore, MD
Segal, C. (1990) Lucretius on Anxiety and Death in De Rerum Natura. Princeton, NJ
Sellars, J. (2003a) The Art of Living: The Stoics on the Nature and Function of Philosophy. Aldershot
Sellars, J. (2003b) ‘Simon the Shoe-Maker and the problem of SocratesCP 98: 207–16 Google Scholar
Sellers, E. (1896) The Elder Pliny's Chapters on the History of Greek Art Blake, K. J. (trans.), with commentary and introduction by Sellers, E.. London
Settis, S. (1995) ‘La conception de l'histoire de l'art chez les Grecs et son influence sur les theoriciens Italiens du Quattrocento’ in Pommier, É. (ed.), Histoire de l'histoire de l'art de l'antiquité au xviiie siècle. Paris: 145–60
Sevieri, R. (2011) I Persiani. Milan
Shear, J.L. (2012) ‘The politics of the past: remembering revolution at Athens’ in Marincola, J., Llewellyn-Jones, L. and Maciver, C.A. (eds.), Greek Notions of the Past in the Archaic and Classical Eras: History without Historians Edinburgh Leventis Studies 6. Edinburgh: 276–300
Shear, T.L. Jr. (1978) Kallias of Sphettos and the revolt of Athens in 286 B.C. Hesperia Supplement 17. Princeton, NJ
Shiner, L. (2001) The Invention of Art: A Cultural History. Chicago, IL
Siebert, G. (1978) ‘Signatures d'artistes, d'artisans, et de fabricants dans l'antiquité classiqueKtema 3: 111–31 Google Scholar
Simoons, F.J. (1998) Plants of Life, Plants of Death. Madison, WI
Sinclair, J.D. (trans.) (1939) Dante: The Divine Comedy, vol. I. Oxford
Slater, W.J. (1971) ‘Pindar's HouseGRBS 12: 141–52 Google Scholar
Slater, W.J. (1978) ‘Artemon and Anacreon: no text without contextPhoenix 32: 185–94 Google Scholar
Slonimsky, N. (1948) Slonimsky's Book of Musical Anecdotes. New York
Sluiter, I. and Rosen, R.M. (eds.) (2012) Aesthetic Value in Classical Antiquity Mnemosyne Supplement Monographs on Greek and Latin Language and Literature 350. Leiden and Boston, NJ
Small, C. (1998) Musicking: The Meanings of Performing and Listening. Hanover, NH and London
Sommerstein, A.H. (2010) ‘Aeschylus’ epitaph’ in The Tangled Ways of Zeus, and Other Studies in and around Greek Tragedy. Oxford: 195–201
Sotiriou, M. (1998) Pindarus Homericus: Homer-Rezeption in Pindars Epinikien. Göttingen
Souilhé, J. (1977) Platon: Lettres, Paris
Sourvinou-Inwood, C. (1991) ‘ Reading’ Greek Culture. Oxford
Soussloff, C.M. (1990) ‘ Lives of poets and painters in the RenaissanceWord and Image 6: 154–62 Google Scholar
Soussloff, C.M. (1997) The Absolute Artist: The Historiography of a Concept. Minneapolis, MN
Squire, M. (2009) Image and Text in Graeco-Roman Antiquity. Cambridge
Squire, M. (2010) ‘Introduction: the art of art history in Greco-Roman antiquity’ in Platt, V. and Squire, M. (eds.), The Art of Art History in Greco-Roman Antiquity = Arethusa 43.2: 133–63 Google Scholar
Squire, M. (2013) ‘ Ars in their “I”s: authority and authorship in Graeco-Roman visual culture’ in Marmodoro, A. and Hill, J. (eds.),The Author's Voice in Classical and Late Antiquity. Oxford: 357–413
Squire, M. (2015a) ‘Roman art and the artist’ in Borg, B. (ed.), The Blackwell Companion to Roman Art. Malden, MA: 172–94
Squire, M. (2015b) ‘Conceptualizing the visual arts’ in Murray, P. and Destrée, P. (eds.), The Blackwell Companion to Ancient Aesthetics. Malden, MA: 307–25
Stack, J. (2000) ‘Artists into heroes: the commemoration of artists in the art of Giorgio Vasari’ in Rogers, M. (ed.), Fashioning Identities in Renaissance Art. Aldershot: 163–75
Stähli, A. (2008) ‘Die Kopie. Überlegungen zu einem methodischen Leitkonzept der Plastikforschung’, in Junker, K. and Stähli, A. (eds.), Original und Kopie: Formen und Konzepte der Nachahmungen in der antiken Kunst. Akten des Kolloquiums in Berlin, 17.-19. Februar 2005. Wiesbaden: 15–34
Stamatopoulou, Z. (2008) ‘Βοιωτὸς ἀνὴρ τάδε φώνησεν: the reception of Hesiod in epinician poetry’. Unpublished PhD thesis, University of Virginia
Steiner, D.T. (2001a) Images in Mind: Statues in Archaic and Classical Greek Thought and Literature. Princeton, NJ
Steiner, D.T. (2001b) ‘Slander's bite: Nemean 7.102-5 and the language of invectiveJHS 121: 154–8 Google Scholar
Steiner, D.T. (2002) ‘Indecorous dining, indecorous speech: Pindar's First Olympian and the poetics of consumptionArethusa 35: 297–314 Google Scholar
Steiner, D.T. (2011) ‘Pindar's bestiary: the “Coda” of Pythian 2Phoenix 65.3/4: 238–67 Google Scholar
Stewart, A. (1977) Scopas of Paros. Park Ridge, NJ
Stewart, A. (1979) Attika: Studies in Athenian Sculpture of the Hellenistic Age. London
Stewart, A. (1990) Greek Sculpture. An Exploration (2 vols.). New Haven, CT
Stewart, A. (1997) Art, Desire and the Body in Ancient Greece. Cambridge
Stewart, A. (2005) ‘Posidippus and the truth in sculpture’ in Gutzwiller, K. (ed.), The New Posidippus. A Hellenistic Poetry Book. Oxford: 183–205
Stewart, A. (2007) ‘PraxitelesAJA 111.3: 565–9 Google Scholar
Stock, B. (1996) Augustine the Reader: Meditation, Self-Knowledge and the Ethics of Interpretation. Cambridge, MA
Stoppard, T. (1997) The Invention of Love, London
Storr, A. (1988) Solitude: A Return to the Self. New York
Strocka, V.M. (ed.) (2005) Meisterwerke: Internationales Symposion anlässlich des 150. Geburtstages von Adolf Furtwängler. Munich
Struck, P. (2004) Birth of the Symbol: Ancient Readers at the Limits of their Texts. Princeton, NJ
Sutton, D. (1987) ‘The Theatrical Families of AthensAJP 108: 9–26 Google Scholar
Swift, S. (2009) Hannah Arendt. London
Sykutris, J. (1931) ‘Sokratikerbriefe’ RE Suppl. 5.981–87
Sykutris, J. (1933) Die Briefe des Sokrates und der Sokratiker. Paderborn
Tammaro, V. (2006) ‘Poeti tragici come personaggi comici in Aristofane’ in Medda, E., Mirto, M.S. and Pattoni, M.P. (eds.), Kωμωιδοτραγωιδία: Intersezioni del tragico e del comico nel teatro del V secolo a.C.. Pisa: 249–62
Tanner, J. (1999) ‘Culture, social structure and the status of visual artists in classical GreecePCPS 45: 136–75 Google Scholar
Tanner, J. (2006) The Invention of Art History in Ancient Greece: Religion, Society and Artistic Rationalisation. Cambridge
Tanner, J. (2010) ‘Aesthetics and art history writing in comparative historical perspective’ in Platt, V. and Squire, M. (eds.), The Art of Art History in Greco-Roman Antiquity = Arethusa 43.2: 267–88 Google Scholar
Tarán, L. (1981) Speusippus of Athens. Leiden
Tarán, S.L. (1979) The Art of Variation in the Hellenistic Epigram. Leiden
Tarditi, G. (1956) ‘La nuova epigrafe Archilochea e la tradizione biografica del poetaPP 11: 122–39 Google Scholar
Tarrant, H. (1993) Thrasyllan Platonism. Ithaca, NY
Taylor, A.L. (2013) Epic Lives and Monasticism in the Middle Ages: 800-1050. Cambridge
Taylor, C. (1989) The Sources of the Self: The Making of the Modern Identity. Cambridge
Thomas, R. (1989) Oral Tradition and Written Record in Classical Athens. New York
Thomas, R.F. (2011) Horace Odes Book IV and Carmen Saeculare. Cambridge
Thompson, D.W. 1895. Greek Birds. Oxford
Tietze, H. (1913) Die Methode der Kunstgeschichte. Leipzig
Tod, M.N. (1957) ‘Sidelights on Greek philosophersJHS 77: 132–41 Google Scholar
Toynbee, J. (1951) Some Notes on Artists in the Roman World. Brussels
Tracy, S.V. (2008) ‘The statue bases of Praxiteles found in AthensZPE 167: 27–32 Google Scholar
Trapp, M. (2006), ‘Biography in letters; biography and letters’ in McGing, B. and Mossman, J. (eds.), The Limits of Ancient Biography. Cardiff: 335–50
Trimann, M. (2008) ‘Julius von Schlosser (1866-1938)’ in Pfisterer, U. (ed.), Klassiker der Kunstgeschichte. Von Winckelmann bis Warburg. Munich: 194–213
Tsangas, M.N. (2005) Η νήσος Ικαρία εις τους αρχαίους Έλληνες και Λατίνους συγγραφείς. Athens
Tsouna-McKirahan, V. (1994) ‘The Socratic origins of the Cynics and Cyrenaics’ in VanderWaerdt, P.A. (ed.), The Socratic Movement. Ithaca, NY: 367–91
Urlichs, H.L. (1887) Über griechische Kunstschriftsteller. Würzburg
Usener, H. (1884) ‘Die Organisation der Wissenschaftlichen ArbeitPreussische Jahrbücher 53: 1–25 Google Scholar
Vahtikari, V. (2014) Tragedy Performances outside Athens in the Late Fifth and the Fourth Centuries BC. Helsinki
Vander Veer, J.B. and Farley, D.L. (1935) ‘Mushroom poisoning (mycetismus): report of four casesJournal of the American Medical Association 55.5: 773–91 Google Scholar
Vasari, G. (1966–1987 [1550 (revised edn. 1568)]) Le vite de’ più eccellenti pittori, scultori e architettori. Bettarini, R. and Barocchi, P. (eds.). Florence
Veligianni-Terzi, C. (1997) Wertbegriffe in den Attischen Ehrendekreten der Klassischen Zeit. Stuttgart
Vick, B. (2002) ‘Greek origins and organic metaphors: ideals of cultural autonomy in neohumanist Germany from Winckelmann to CurtiusJournal of the History of Ideas 63.3: 483–500 Google Scholar
Vlastos, G. (1987) ‘Socratic ironyCQ ns 37.1: 79–96 Google Scholar
Vollkommer, R. and Vollkommer-Glökler, D. (eds.) (2001–2004) Künstlerlexikon der Antike (2 vols.). Munich and Leipzig
von Schlosser, J. (1912) Lorenzo Ghibertis Denkwürdigkeiten (I Commentarii). Berlin
von Schlosser, J. (1924) Die Kunstliteratur. Ein Handbuch zur Quellenkunde der neueren Kunstgeschichte . Vienna = La letteratura artistica: Manuale delle fonti della storia dell'arte moderna. Rossi, Filippo (trans.). (1988) Florence
von Schlosser, J. (1929) Künstlerprobleme der Frührenaissance (3 vols.). Vienna and Leipzig
von Schlosser, J. (2010 [1924]) ‘Julius von Schlosser on Vasari: a translation from Die Kunstliteratur (1924)Johns, K. (trans.) Journal of Art Historiography 2 Google Scholar
Waddell, H. (1932) The Wandering Scholars. London
Walbank, M.B. (1978) Athenian Proxenies of the Fifth Century B.C. Toronto
Wallace-Hadrill, A. (1990) ‘Pliny the Elder and man's unnatural historyG&R 37: 80–96 Google Scholar
Wallach, B.P. (1976) Lucretius and the Diatribe against the Fear of Death: De Rerum Natura III, 830–1094. Leiden
Wallis, W. (2014) ‘Anacreon: a guide to selected sources’ in Living Poets. Durham. http://livingpoets.dur.ac.uk/w/Anacreon:_A_Guide_to_Selected_Sources.
Walther, H. (1959) Initia carminum ac versuum Medii Aevi posterioris Latinorum. Göttingen
Warden, J. (ed.) (1982) Orpheus, the Metamorphoses of a Myth. Toronto
Wardle, D. (2008) Cicero on Divination, Book 1. Oxford
Warren, J. (2004) Facing Death: Epicurus and his Critics. Oxford
Warren, J. (2007) ‘Diogenes Laertius, Biographer of Philosophy’ in König, J. and Whitmarsh, T. (eds.), Ordering Knowledge in the Roman Empire. Cambridge: 133–49
Waschek, M. (ed.) (1996) Les ‘vies’ d'artistes: Actes du colloque internationale organisé par le service culturel du musée du Louvre, 1–2 octobre 1993. Paris
Waszink, J.H. (1973) Biene und Honig als Symbol des Dichters und der Dichtung in der griechisch-römischen Antike (Rheinisch-Westfälische Akademie der Wissenschaften Vortrag G 196). Düsseldorf
Wehrli, F. (1967–1969) Die Schule des Aristoteles, Basel
West, M.L. (1966) Hesiod, Theogony. Oxford
West, M.L. (1973) Textual Criticism and Editorial Technique Applicable to Greek and Latin Texts. Stuttgart
West, M.L. (2003) Homeric Hymns, Homeric Apocrypha, Lives of Homer Loeb Classical Library. Cambridge, MA
Wheatley, H.B. (1879) What is an Index? A Few Notes on Indexes and Indexers. London
Whitehead, D. (1993) ‘Cardinal virtues: the language of public approbation in democratic AthensC&M 44: 37–75 Google Scholar
Whitehead, D. (1998) ‘Andragathia and arete’ in Mitchell, L.G. and Rubinstein, L. (eds.), Greek History and Epigraphy: Essays in Honour of P. J. Rhodes. Swansea: 47–58
Whitley, J. (1997) ‘Beazley as TheoristAntiquity 71: 40–70 Google Scholar
Whitmarsh, T. (2001) Greek Literature under the Roman Empire: The Politics of Imitation. Oxford and New York
Whitmarsh, T. (2005) The Second Sophistic. Oxford
Wieland, T. (2012) Peptides of Poisonous Amanita Mushrooms. Heidelberg
Wilamowitz-Moellendorff, U. (1898) Einleitung in die attische Tragödie (Euripides Herakles erklärt, Bd. 1). Berlin
Wilamowitz-Moellendorff, U. (1900) Die Textgeschichte der griechischen Lyriker. Berlin
Wilamowitz-Moellendorff, U. (1903) Timotheos: Die Perser. Aus einem Papyrus von Abusir im Auftrage der deutschen Orientgesellschaft. Leipzig
Wilamowitz-Moellendorff, U. (1907) ‘Die Autobiographie im AltertumInternationale Wochenschrift für Wissenschaft, Kunst und Technik 1: 1105–14; reprinted in U. Von Wilamowitz-Moellendorff, Kleine Schriften VI (1972). Berlin: 120–7Google Scholar
Wilamowitz-Moellendorff, U. (1919) Platon. Berlin
Wilamowitz-Moellendorff, U. (1948 [1918]) Platon: sein Leben und seine Werke, Snell, B. (ed.). Berlin
Wilamowitz-Moellendorff, U. (1962) Platon: Beilagen und Textkritik. Stark, R. (ed.). Berlin
Wilamowitz-Moellendorff, U. (1965 [1881]) Antigonos von Karystos, Berlin and Zurich
Wilamowitz-Moellendorff, U. (1972) Kleine Schriften VI. Berlin
Wildberg, C. (2002) ‘The rise and fall of the Socratic notion of pietyProceedings of the Boston Area Colloquium in Ancient Philosophy 18: 1–28 Google Scholar
Wilson, P.J. (1996) ‘Tragic rhetoric: the use of tragedy and the tragic in the fourth century’ in Silk, M.S. (ed.), Tragedy and the Tragic: Greek Theatre and Beyond. Oxford: 310–31
Wilson Knight, G. (1975) Jackson Knight: A Biography. Oxford
Wilson-Okamura, D.S. (2010) Virgil in the Renaissance. Cambridge
Winckelmann, J.J. (1764) Geschichte der Kunst des Alterthums. Dresden
Winn, J.A. (1981) Unsuspected Eloquence: A History of the Relations between Poetry and Music. New Haven, CT
Wiseman, T.P. (1992) Talking to Virgil. Exeter
Wölfflin, H. (1915) Kunstgeschichtliche Grundbegriffe: Das Problem der Stilentwickelung in der neueren Kunst. Munich
Wright, M. (2012) The Comedian as Critic: Greek Old Comedy and Poetics. London
Wroe, A. (2011) Orpheus: The Song of Life. London
Yatromanolakis, D. (2007) Sappho in the Making: The Early Reception. Washington, DC
Young, D.C. (1983) ‘Pindar Pythians 2 and 3: inscriptional ποτέ and the poetic epistleHSCPh 87: 31–48 Google Scholar
Zajko, V. (2006) ‘Hector and Andromache: identification and appropriation’ in Martindale, C. and Thomas, R. (eds.), Classics and the Uses of Reception. Oxford: 80–91
Zajko, V. and O'Gorman, E. (eds.) (2013) Classical Myth and Psychoanalysis. Oxford
Zanker, P. (1995) The Mask of Socrates: The Image of the Intellectual in Antiquity. Shapiro, A. (trans.). Berkeley, CA and Los Angeles, CA
Ziolkowski, J. and Putnam, M. (eds.) (2008) The Virgilian Tradition: The First Fifteen Hundred Years. New Haven, CT and London
Zumthor, P. (1987) La lettre et la voix. Paris.

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Works cited
  • Edited by Richard Fletcher, Ohio State University, Johanna Hanink, Brown University, Rhode Island
  • Book: Creative Lives in Classical Antiquity
  • Online publication: 01 December 2016
  • Chapter DOI: https://doi.org/10.1017/9781316670651.015
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Works cited
  • Edited by Richard Fletcher, Ohio State University, Johanna Hanink, Brown University, Rhode Island
  • Book: Creative Lives in Classical Antiquity
  • Online publication: 01 December 2016
  • Chapter DOI: https://doi.org/10.1017/9781316670651.015
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Works cited
  • Edited by Richard Fletcher, Ohio State University, Johanna Hanink, Brown University, Rhode Island
  • Book: Creative Lives in Classical Antiquity
  • Online publication: 01 December 2016
  • Chapter DOI: https://doi.org/10.1017/9781316670651.015
Available formats
×