Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-wzw2p Total loading time: 0 Render date: 2024-06-04T09:44:05.850Z Has data issue: false hasContentIssue false

‘The Reading Public’, Cornhill Magazine (December 1901)

from 2 - REALISM, ROMANCE AND THE READING PUBLIC

Published online by Cambridge University Press:  25 October 2017

Get access

Summary

The Reading Public was an entity for which Coleridge entertained the greatest aversion and contempt. Perhaps his motive was that, whatever the public read, it certainly did not read the works of S. T. Coleridge, neither did it rapidly exhaust the editions of his friend Wordsworth.

However, the public would not read Coleridge, so Coleridge despised his ‘reading public.’ The truth is that poetry was not really what the public of 1804–1820 wanted, though by purchasing largely of Scott and Byron it gave a false impression that poetry was its delight. The public, unconsciously, thirsted for novels and no novels were given unto it. Therefore it fell back on the tales in verse of Scott and Byron, just because they were tales, though rhymed. Wordsworth, Keats, Reynolds and Coleridge gave no story; none knows who married Christabel, if anybody, or what the other mysterious lady had to make in the matter; and there is no love interest in ‘The White Doe of Rylstone.’ So all these were neglected, while the rhymed novels of Scott and Byron ‘sold like hot cakes,’ to use an impressive phrase of Mr. Kipling's applied (see advertisements) to the romances of Mr. Guy Boothby.

When once the Waverley novels began, in 1814, the public showed its real taste by at once ceasing to buy poetry. Even in 1842 Tennyson ‘made a sensation’ in the trade by selling–500 copies of his poems!

One of the firm of Longmans, testifying before a Parliamentary Committee about 1834 declared that from 1814 onward people left off forming libraries and buying erudite books. All was now novels and popular manuals of cheap science and twopenny history, as at present. The reading public in short, had only purchased poetry and history because between Mrs. Radcliffe and Scott there was an entire dearth of readable prose fiction. Thus the reading public was virtuous for want of temptation, and, even when virtuous, would not read Keats, Wordsworth and Coleridge. Now S.T.C. knew that he was ‘a wonderful man’ as Wordsworth said, and that the reading public was entirely indifferent to his merit.

Type
Chapter
Information
The Edinburgh Critical Edition of the Selected Writings of Andrew Lang
Literary Criticism, History, Biography
, pp. 122 - 132
Publisher: Edinburgh University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×