Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-9pm4c Total loading time: 0 Render date: 2024-04-29T07:24:00.337Z Has data issue: false hasContentIssue false

4 - Brothers in Arms: Masculinity and the Vietnam War Movie

Published online by Cambridge University Press:  05 August 2016

Get access

Summary

Following the New Hollywood era, in which alternative depictions of masculinity began to pervade the screen, came a body of films that explored America's involvement in the Vietnam War. During the conflict itself, Hollywood produced only one film that dealt directly with Vietnam, The Green Berets (1968). The film starred John Wayne leading a team of Special Forces troops in a fight against the Vietcong. It was not well-received by critics and modern cinema audiences saw Wayne's portrayal of the ultra-patriotic Colonel Mike Kirby as wholly outmoded, and, according to David Savran, as ‘embarrassingly out of place’. The film's pro-war agenda did not sit well with the American public, many of whom were strongly opposed to US involvement in the Vietnam conflict.

The general perception of Hollywood at this time is that studios were reluctant to make films about Vietnam because the war was so publicly contentious. Furthermore, the industry itself was still in economic crisis and attempting to appeal to younger viewers, many of whom were largely opposed to America's involvement in the war. Drawing on Tom Englehardt to explain the impact of the Vietnam War on the American public, Steve Neale notes that the ‘defeat and withdrawal from Vietnam in the early 1970s challenged the tenets of America's “victory culture” [and] ensured that its participation in the war remained deeply controversial’. It was, therefore, a complex task to find effective ways in which to portray this conflict. The first solution was found in the mode of allegory. At this time, a number of successful films made attempts at portraying the underlying anxieties about the conflict through allegorical depiction and indirect association. For example, The Wild Bunch (1969) portrayed an unwinnable struggle between a group of ageing outlaws and a band of bounty hunters, Deliverance (1972) depicted a struggle between four Southerners on a river excursion and a group of in-bred folk living in the wilderness, and Taxi Driver (1976) featured the unstable, maladjusted war veteran Travis Bickle (Robert De Niro) struggling to re-adjust into civilian society.

Type
Chapter
Information
Talkies, Road Movies and Chick Flicks
Gender, Genre and Film Sound in American Cinema
, pp. 99 - 124
Publisher: Edinburgh University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×