Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-x4r87 Total loading time: 0 Render date: 2024-04-30T01:16:04.726Z Has data issue: false hasContentIssue false

12 - A Catastrophic Universe: Lessing, Posthumanism and Deep History

Published online by Cambridge University Press:  26 May 2017

Tom Sperlinger
Affiliation:
University of Bristol
Clare Hanson
Affiliation:
University of Southampton
Kevin Brazil
Affiliation:
University of Southampton
David Sergeant
Affiliation:
University of Plymouth
Get access

Summary

If he wasn't human, what was he? A human animal, she concluded, and then joked with herself, Well, aren't we all? (Ben, in the World, 42)

Human evolution is a major concern of Lessing's fiction from The Four-Gated City (1969) to The Cleft (2007) and this interest is one of the primary motives for her turn to speculative fiction, a genre which allows her to range imaginatively across evolutionary time. Focusing on her later fiction, this chapter argues that in her Canopus in Argos sequence and in fables such as The Fifth Child (1988) Lessing engages presciently with the kind of ‘deep history’ advocated by Dipesh Chakrabarty in his influential discussion of history in the age of the Anthropocene. As the chapters by Adam Guy and David Sergeant earlier in this volume have shown, questions of scale were important to Lessing's career from the beginning, and Chakrabarty's contention that the evidence for anthropogenic climate change requires us to reconfigure the meaning of human history signals another important way in which Lessing engages with this idea. According to Chakrabarty, it demands a change of scale in our thinking, which must now operate at a planetary level, and it unsettles the temporality of historical thought, which must now encompass geological time and the possibility of our own extinction. In addition, because humans have now become a geological force, ‘the time honoured distinction between natural and human histories’ has been destroyed. In consequence, he suggests, there is a need to conceptualise ‘the human’ at the level of the species rather than the individual, despite the fact that the concept of the species invokes a collectivity ‘that escapes our capacity to experience the world’ (222). Although he does not make this point explicitly, Chakrabarty's analysis of the implications of climate change for our understanding of human subjectivity converges with key tenets of posthumanist thought as it has developed over the last two decades. Posthumanism has been seen as a response to climate change and to rapid advances in bio- and info-technologies, developments which seem to point in contradictory directions, either to the ‘end of man’ or to man's self-transcendence.

Type
Chapter
Information
Publisher: Edinburgh University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×