Book contents
- Frontmatter
- Contents
- Editor's Preface
- Introduction: Broch, Our Contemporary
- I. Hermann Broch: The Critic
- II. Hermann Broch: The Novelist and Dramatist
- Inscriptions of Power: Broch's Narratives of History in Die Schlafwandler
- The German Colonial Aftermath: Broch's 1903. Esch oder die Anarchie
- Neither Sane nor Insane: Ernst Kretschmer's Influence on Broch's Early Novels
- Non-Contemporaneity of the Contemporaneous: Broch's Novel Die Verzauberung
- “Great Theater” and “Soap Bubbles”: Broch the Dramatist
- A Farewell to Art: Poetic Reflection in Broch's Der Tod des Vergil
- Poetry as Perjury: The End of Art in Broch's Der Tod des Vergil and Celan's Atemwende
- “Beyond Words”: The Translation of Broch's Der Tod des Vergil by Jean Starr Untermeyer
- Between Guilt and Fall: Broch's Die Schuldlosen
- Broch Reception in Japan: Shin'ichiro Nakamura and Die Schuldlosen
- Notes on the Contributors
- Index of Broch's Works
- Index of Names
Broch Reception in Japan: Shin'ichiro Nakamura and Die Schuldlosen
from II. Hermann Broch: The Novelist and Dramatist
Published online by Cambridge University Press: 05 February 2013
- Frontmatter
- Contents
- Editor's Preface
- Introduction: Broch, Our Contemporary
- I. Hermann Broch: The Critic
- II. Hermann Broch: The Novelist and Dramatist
- Inscriptions of Power: Broch's Narratives of History in Die Schlafwandler
- The German Colonial Aftermath: Broch's 1903. Esch oder die Anarchie
- Neither Sane nor Insane: Ernst Kretschmer's Influence on Broch's Early Novels
- Non-Contemporaneity of the Contemporaneous: Broch's Novel Die Verzauberung
- “Great Theater” and “Soap Bubbles”: Broch the Dramatist
- A Farewell to Art: Poetic Reflection in Broch's Der Tod des Vergil
- Poetry as Perjury: The End of Art in Broch's Der Tod des Vergil and Celan's Atemwende
- “Beyond Words”: The Translation of Broch's Der Tod des Vergil by Jean Starr Untermeyer
- Between Guilt and Fall: Broch's Die Schuldlosen
- Broch Reception in Japan: Shin'ichiro Nakamura and Die Schuldlosen
- Notes on the Contributors
- Index of Broch's Works
- Index of Names
Summary
FIRST I WOULD LIKE TO SPEAK of my memories of H. F. Broch de Rothermann. I came to New Haven thanks to his invisible support, like Andreas in Verlorener Sohn (KW5,50–83) or Die Heimkehr (KW6,162–96), who reached the house of Baroness W. led by an invisible current across “Bahnhofsplatz” and the “Gartenanlage mit dem Sförmigen Fußweg und Kiosk” (KW5,50/54). I first wrote to Broch de Rothermann in New York twenty years ago, since I needed his permission to use the Broch manuscripts in the Beinecke Library, at Yale University. His answer came soon, informing me that photocopies of the Ur-Schlafwandler would be very expensive. In 1984 I met him and his wife in the Imperial Hotel in Tokyo. We talked with each other at length. Broch de Rothermann told me stories about his father and suggested that I meet Paul Michael Lützeler. This meeting stimulated me to further Broch studies. After that, Broch de Rothermann sent me many letters from New York, always cordial and friendly. Our second meeting was in 1986 at the Broch symposium in Stuttgart. He sat beside me in the meeting hall and listened to the lectures.
In 1990 I had traveled to Theresienstadt near Prague to visit the place where Broch's mother died. The former concentration camp is a memorial park today. In Prague I briefly visited the Jewish museum near the Moldau, where I found an exhibition of pictures painted by Jewish children with names, dates of birth and death.
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- Information
- Hermann Broch, Visionary in ExileThe 2001 Yale Symposium, pp. 245 - 252Publisher: Boydell & BrewerPrint publication year: 2003