Fragment

The greatest work by Correggio, which is the height of three men, is likewise a seated Madonna with several saints and a bishop in a sumptuous vestment, and is painted on canvas, just like a another Madonna of the same size with an Evangelist and a Saint Francis at her side, with a nun next to each of them. They are in his earliest style, which is in the style of Andrea Mantegna. But Richardson made a poor observation when he compared the style of the first of these two last-mentioned works with the Saint George.

One can perceive with pleasure and amazement the leap he made from his early to his most mature style.

Apart from these great works there is a portrait of a Medici by Correggio, but not in his best style. It is also from Modena.

Among the most noteworthy works by Titian is a woman, not holding a portrait, but with a fan according to the fashion of the times, in the form of a piece of cloth on a standard. She is said to be the painter's lover, Violanta. It is regarded as one of the most beautiful portraits by his brush. It is only a pity that it is too high up. The woman is dressed in white satin.

The Three Graces are in his earliest style, for Titian altered his style more than once. That is to say that it has hard contours.