Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-5g6vh Total loading time: 0 Render date: 2024-04-30T01:55:02.030Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

21 - Callin’ All: Lost La's 1986–1987

Get access

Summary

IN THE EARLY PART of 2001, Paul and I were determined to bring to fruition an idea which had been germinating in our heads for a while. Because we'd both been involved in the Liverpool scene for a long time, it dawned on us that there was a load of great locally recorded stuff out there which merited either re-release or the chance to see the light of day at last.

I suppose the whole Nuggets compilation mentality and the fact I'd loved Roger Eagle's Jukebox at Eric's compilation made us all the more determined to release a collection of great under-rated local recordings. It turned out to be a real labour of love because the more we looked, the more we found and it soon became apparent that we'd have to do more than just one collection in our Unearthed series. I approached the ever knowledgeable Bernie Connor to help with the sleeve notes again for the CD booklet (he submitted a great essay called ‘Once Upon a Time in the West’ as an introduction) and he also pointed us towards more great tracks, like lost psychedelic rock classic ‘Run of the Dove’ by The Last Chant.

Compiling the tracks proved remarkably easy. Almost all the artists involved were either friends or associates, but then Liverpool was intimate that way – Big enough to be a city, yet still small enough to be a village.

There were few exceptions and even anyone we didn't know well enough to approach personally came into the equation through friends of friends.

In the end, Unearthed: Liverpool Cult Classics Volume 1 was released in March 2001, housed in a sleeve featuring an old tin globe I had. I liked the fact it gave the record an aspect of global importance, which of course Liverpool has.

The compilation featured wonderful, often out-of-print or hard-to-find tracks (spanning the late ’70s to the early ’90s) by The Wild Swans, The Stairs, Space, It's Immaterial, Benny Profane, The Tambourines and Barbel, among others. Paul and I were really proud of it and even more gratified when the reviews were almost universally positive.

The Big Issue in the North set the ball rolling almost straight away, commenting that ‘It's not just ‘70s bands, this worthy compilation spans Liverpool's music scene up to the early ’90s. Roll on Volume 2!’

Type
Chapter
Information
The Rhythm and the Tide
Liverpool, The La's and Ever After
, pp. 199 - 207
Publisher: Liverpool University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×