Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-mwx4w Total loading time: 0 Render date: 2024-06-18T17:31:49.507Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Introduction

Anthony Mandal
Affiliation:
Cardiff University
Get access

Summary

I am looking over Self Control again, & my opinion is confirmed of its’ being an excellently-meant, elegantly-written Work, without anything of Nature or Probability in it. I declare I do not know whether Laura's passage down the American River, is not the most natural, possible, every-day thing she ever does.

Jane Austen (1813)

Why should an epic or a tragedy be supposed to hold such an exalted place in composition, while a novel is almost a nickname for a book? Does not a novel admit of as noble sentiments – as lively description – as natural character – as perfect unity of action – and a moral as irresistible as either of them?

Mary Brunton (1814)

Mary Brunton's Self-Control (1811) is one of those novels. For people who read or study Romantic fiction in general, and Jane Austen's novels in particular, it is a familiar title – a recognizable touchstone which, we might recall, enjoyed some form of popularity around the time Austen herself was being published. At the same time, Self-Control is also a novel that has been long forgotten, despite initial critical success and republication throughout the nineteenth century. Self-Control is a text that, by and large, remains unread, even if it is spoken of, its author consigned to obscurity. And yet, when Self-Control appeared in the spring of 1811, six months before Austen's Sense and Sensibility, it was Brunton's first novel that was the sensation of the year, an overnight bestseller, and not Austen's. A religious tale written by a self-doubting Presbyterian, which attempts to inculcate moral lessons through the example of its prudent heroine, hardly sounds like the stuff that commercial success is made of. Nevertheless, Self-Control and its beleaguered protagonist, Laura Montreville, struck a chord with the reading public, resulting in the novel running to four editions within the first year of its appearance.

Type
Chapter
Information
Self-Control
by Mary Brunton
, pp. xiii - xliv
Publisher: Pickering & Chatto
First published in: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×