Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Permissions
- Introduction: ‘Slow Tide on Tide of History’: Poetry by Women in Ireland, 1870–1970
- A Note on the Texts
- Elizabeth Varian (1821–1851–1896)
- Emily Hickey (1845–1881–1924)
- Katharine Tynan (1858–1885–1931)
- Dora Sigerson Shorter (1866–1893–1918)
- Eva Gore-Booth (1870–1898–1926)
- Emily Lawless (1845–1902–1913)
- Susan L. Mitchell (1866–1906–1926)
- Alice Milligan (1866–1908–1953)
- Winifred M. Letts (1881–1913–1972)
- Eileen Shanahan (1901–[1921]–1979)
- Mary Devenport O'Neill (1879–1929–1967)
- Blanaid Salkeld (1880–1933–1959)
- Sheila Wingfield (1906–1938–1992)
- Freda Laughton (1907–1945–?)
- Rhoda Coghill 1903–1948–2000
- Burren, Co. Clare
- In The City
- Incantation In a Green Winter
- Spring Doggerel
- To His Ghost, Seen After Delirium
- A Blind Man Remembers Light Things
- The Mirror
- Dead
- Runaway
- When Yachts Are Racing At Dunmore
- Flight
- Epitaph For a Musician
- Appendix 1: Irish Women Poets 1870–1970
- Appendix 2: Chronology
- Select Bibliography
- Index of Titles and First Lines
Incantation In a Green Winter
from Rhoda Coghill 1903–1948–2000
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Permissions
- Introduction: ‘Slow Tide on Tide of History’: Poetry by Women in Ireland, 1870–1970
- A Note on the Texts
- Elizabeth Varian (1821–1851–1896)
- Emily Hickey (1845–1881–1924)
- Katharine Tynan (1858–1885–1931)
- Dora Sigerson Shorter (1866–1893–1918)
- Eva Gore-Booth (1870–1898–1926)
- Emily Lawless (1845–1902–1913)
- Susan L. Mitchell (1866–1906–1926)
- Alice Milligan (1866–1908–1953)
- Winifred M. Letts (1881–1913–1972)
- Eileen Shanahan (1901–[1921]–1979)
- Mary Devenport O'Neill (1879–1929–1967)
- Blanaid Salkeld (1880–1933–1959)
- Sheila Wingfield (1906–1938–1992)
- Freda Laughton (1907–1945–?)
- Rhoda Coghill 1903–1948–2000
- Burren, Co. Clare
- In The City
- Incantation In a Green Winter
- Spring Doggerel
- To His Ghost, Seen After Delirium
- A Blind Man Remembers Light Things
- The Mirror
- Dead
- Runaway
- When Yachts Are Racing At Dunmore
- Flight
- Epitaph For a Musician
- Appendix 1: Irish Women Poets 1870–1970
- Appendix 2: Chronology
- Select Bibliography
- Index of Titles and First Lines
Summary
Be perfectly still, like the apple-twigs!
Sit rigidly, till the mist wears thin
and eyes can go from trees like ghosts
to trees with low-lapped roots that hold
dank, sagging grass, soaked leaves and mast;
till puppets pass on silent paths;
till you hear rooks crake, and a clicking gate,
and the postman shake drips from his cape;
till earth dries hard, and cold chips sharp
on fields unscarred by a rattling cart,
and flat ponds freeze, while puffed birds cheep
in glass-bound trees, and with smooth glee
bold children slide; till breath steams white,
and cooks provide for birds and mice
with bone and crumb, with bit and crust;
till the skin is numb and body's a husk
and stark as steel, without a seed,
and hand-tips feel like prongs…. Then reach
through the closed pane where spotting flakes
curtain the plane of intimate, grave
silence we enter, waiting to witness
the waking of winter: and touch a crystal
of icicle moulding a stubborn stone,
of snowdrift folding over the road
and the hunchback roofs; the piecrust pool;
the slipping hoofs and the mistletoe moons;
the pealing spire and Joseph's surprise
and the angel choir and the new lamb's cry—
all you remember of God Rest You Merry,
of white December—and blood on the berry!
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- Information
- Poetry by Women in IrelandA Critical Anthology 1870–1970, pp. 251 - 252Publisher: Liverpool University PressPrint publication year: 2012