Book contents
- Frontmatter
- Contents
- List of Abbreviations and Acronyms
- Acknowledgements
- Introduction
- Part I The Challenges of Compulsory History in the Australian School Curriculum
- Part II Understanding the Genre of Historical Novels
- Part III Deconstructing the Historical Novel
- 10 Whose History? Historical Fiction and the Discipline of History in the Classroom: Varying Views of the Past
- 11 Understanding the Past through Historical Fiction
- 12 Unpacking Historical Novels for their Historicity: Historical Facts and Historical Agency
- 13 Key Themes in Australian History and their Reflection in Historical Novels
- Conclusion
- References
12 - Unpacking Historical Novels for their Historicity: Historical Facts and Historical Agency
from Part III - Deconstructing the Historical Novel
Published online by Cambridge University Press: 05 October 2013
- Frontmatter
- Contents
- List of Abbreviations and Acronyms
- Acknowledgements
- Introduction
- Part I The Challenges of Compulsory History in the Australian School Curriculum
- Part II Understanding the Genre of Historical Novels
- Part III Deconstructing the Historical Novel
- 10 Whose History? Historical Fiction and the Discipline of History in the Classroom: Varying Views of the Past
- 11 Understanding the Past through Historical Fiction
- 12 Unpacking Historical Novels for their Historicity: Historical Facts and Historical Agency
- 13 Key Themes in Australian History and their Reflection in Historical Novels
- Conclusion
- References
Summary
Historical novels can tell us much about not only our past, but also what we collectively hold to be important about our past. Usually, they provide an insight into the past in many and varied ways, including ways that are, I suggest, simply impossible to present to students of history through textbooks. This chapter will show how the development of an appreciation of historical facts and historical agency can be achieved most fruitfully through the use of historical novels in the classroom.
The historical novelist and facts
Historical figures have become historical characters in this type of novel. But is their characterisation partly imaginary? Often the novelist will explain what he or she has done with their characters. Witness Ken Follett (2010) in the back page of his novel set in the Western Front of the First World War:
Several real historical characters appear in these pages, and readers sometimes ask how I draw the line between history and fiction. It's a fair question, and here's the answer.
In some cases, for example when Sir Edward Grey addresses the House of Commons, my fictional characters are witnessing an event that really happened. What Sir Edward says in this novel corresponds to the parliamentary record, except that I have shortened his speech, without I hope losing anything important.
Sometimes a real person goes to a fictional location, as when Winston Churchill visits Tŷ Gwyn.[…]
- Type
- Chapter
- Information
- Whose History?Engaging History Students through Historical Fiction, pp. 171 - 182Publisher: The University of Adelaide PressPrint publication year: 2013