Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-sjtt6 Total loading time: 0 Render date: 2024-06-13T14:08:49.730Z Has data issue: false hasContentIssue false

12 - ‘All the world is blind’: unveiling same-sex desire in the poetry of Amy Levy

Published online by Cambridge University Press:  05 December 2014

Carolyn Lake
Affiliation:
University of Adelaide
Maggie Tonkin
Affiliation:
University of Adelaide
Mandy Treagus
Affiliation:
University of Adelaide
Madeleine Seys
Affiliation:
University of Adelaide
Sharon Crozier-De Rosa
Affiliation:
University of Wollongong
Get access

Summary

Amy Levy was a late-nineteenth-century British writer whose short life produced three novels, three collections of poetry, and numerous short stories and essays. She was active in the 1880s intellectual culture of Bloomsbury and acquainted with such figures as Olive Schreiner, Vernon Lee, the Black sisters, Eleanor Marx and Grant Allen. Levy's scholarly and creative writings reflect a keen awareness of contemporary literary and cultural movements, often prefiguring discussions regarding feminism and modernism which would not take place until after her death in 1889. In 1883, Levy published an essay in The Cambridge Review on the writings of James ‘B.V.’ Thomson, author of epic poem ‘The City of Dreadful Night’ (1874-1880). Levy observed of Thomson that

[h]e is distinctly what in our loose phraseology we call a minor poet; no prophet, standing above and outside things, to whom all sides of a truth (more or less foreshortened, certainly) are visible; but a passionately subjective being, with intense eyes fixed on one side of the solid polygon of truth, and realizing that one side with a fervour and intensity to which the philosopher with his birdseye view rarely attains. (501)

The narrative perspective that Levy alludes to here, a literary mode that eschews omniscience and distanced objectivity in favour of a ‘passionate’ partiality, is a technique she would later adopt in her third and final collection of poetry published in 1889 shortly after her death, A London Plane-Tree and Other Verse.

Type
Chapter
Information
Publisher: The University of Adelaide Press
Print publication year: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×