The Poems Venus and Adonis, The Rape of Lucrece, The Phoenix and the Turtle, The Passionate Pilgrim, A Lover's Complaint
Reading list
Published online by Cambridge University Press: 02 August 2019
Edited by
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The PoemsVenus and Adonis, The Rape of Lucrece, The Phoenix and the Turtle, The Passionate Pilgrim, A Lover's Complaint, pp. 306 - 309Publisher: Cambridge University PressPrint publication year: 2006
References
Allen, Don Cameron. ‘On Venus and Adonis’, in Elizabethan and Jacobean Studies. Presented to Wilson, F. P., 1959, pp. 100–11Google Scholar
Baines, Barbara J. ‘Effacing rape in early modern representation’, ELH 65 (1998), 69–98CrossRefGoogle Scholar
Bal, Mieke. ‘The Rape of Lucrece and the Story of W’, in Reclamations of Shakespeare, ed. Hoenslaars, A. J, Amsterdam, 1994Google Scholar
Belsey, Catherine. ‘Love as trompe-l’œil: taxonomies of desire in Venus and Adonis’, SQ 46 (1995), 257–76Google Scholar
Belsey, Catherine. ‘Tarquin dispossessed: expropriation and consent in The Rape of Lucrece’, SQ 52 (2001), 315–35Google Scholar
Bennett, J. W. ‘Benson’s alleged piracy of Shakespeare’s Sonnets and some of Jonson’s works’, SB 21 (1968), 235–48Google Scholar
Berry, Philippa. ‘Woman, language and history in The Rape of Lucrece’, S. Sur. 44 (1992), 33–9Google Scholar
Burrow, Colin. ‘Life and work in Shakespeare’s poems’, Publications of the British Academy 97 (1997), 15–50Google Scholar
Bush, Douglas. Mythology and the Renaissance Tradition in English Poetry, 1932, revised edn, 1963Google Scholar
Camino, Mercedes Maroto. ‘The Stage am I’: Raping Lucrece in Early Modern England, 1995Google Scholar
Charney, Maurice. ‘Marlowe’s Hero and Leander shows Shakespeare in Venus and Adonis how to write an Ovidian verse epyllion’, in Marlowe’s Empery: Expanding his Critical Contexts, ed. Deats, Sarah M. and Logan, Robert A., 2002Google Scholar
Colvin, Sidney. ‘The sack of Troy in Shakespeare’s Lucrece and in some fifteenth-century drawings and tapestries’, in A Book of Homage to Shakespeare, ed. Sir Gollancz, Israel, 1916Google Scholar
Cousins, A. D. ‘Subjectivity, exemplarity and the establishing of characterization in Lucrece’, SEL 38 (1998), 45–60CrossRefGoogle Scholar
Craik, Katherine A. ‘Shakespeare’s “A Lover’s Complaint” and early modern criminal confession’, SQ 53 (2002), 437–59Google Scholar
Cunningham, J. V. ‘“Essence” and The Phoenix and Turtle’, ELH 19 (1952), 265–76CrossRefGoogle Scholar
Daigle, Lennet. ‘Venus and Adonis: some traditional contexts’, S. St. 13 (1980), 31–46Google Scholar
Duncan Jones, Katherine. ‘Much ado with red and white: the earliest readers of Shakespeare’s Venus and Adonis (1593)’, RES 44:176 (1993), 479–501Google Scholar
Duncan Jones, Katherine. ‘Ravished and revised: the 1616 Lucrece’, RES 52 (2001), 516–24Google Scholar
Duncan Jones, Katherine. ‘Playing fields and killing fields: Shakespeare’s poems and sonnets’, SQ 54 (2003), 127–41Google Scholar
Duncan Jones, Katherine. ‘Was the 1609 Shakes-peares Sonnets really unauthorized?’, RES 34 (1983), 157–71Google Scholar
Elliott, W. E. Y. and Valenza, R. J.. ‘Glass slippers and seven-league boots: C-prompted doubts about ascribing A Funeral Elegy and “A Lover’s Complaint” to Shakespeare’, SQ 48 (1997), 177–207Google Scholar
Ellis, Jim. Sexuality and Citizenship: Metamorphosis in Elizabethan Erotic Verse, 2003CrossRefGoogle Scholar
Empson, William. Introduction to the Signet Poems 1972 (also collected in his Essays on Shakespeare, ed. Pirie, David B., 1986)Google Scholar
Fineman, Joel. ‘Shakespeare’s Will: the temporality of rape’, Representations 20 (1987), 25–76CrossRefGoogle Scholar
Hawkins, Harriet. ‘The poetic and critical Rape of Lucrece’, in The Devil’s Party: Critical Counter-Interpretations of Shakespearean Drama, 1985Google Scholar
Hendricks, Margo. ‘“A word, sweet Lucrece”: confession, feminism and The Rape of Lucrece’, in A Feminist Companion to Shakespeare, ed. Callaghan, Dympna (2001), 103–18Google Scholar
Jackson, MacDonald P. Shakespeare’s ‘A Lover’s Complaint’: Its Date and Authenticity, University of Auckland, Bulletin 72, English Series 13, 1965Google Scholar
Kiernan, Pauline. ‘Death by rhetorical trope: poetry metamorphosed in Venus and Adonis and the sonnets’, RES 46 (1995), 475–501Google Scholar
Kiernan, Pauline, ‘Venus and Adonis and Ovidian indecorous wit’ (Taylor, 81–95)Google Scholar
Kietzman, Mary Jo. ‘What is Hecuba to him or [s]he to Hecuba?: Lucrece’s complaint and Shakespearean poetic agency’, Modern Philology 97 (1999), 21–45CrossRefGoogle Scholar
Kramer, Jerome A. and Kaminsky, Judith. ‘“These contraries such unity do hold”: structure in The Rape of Lucrece’, Mosaic 10 (1977), 145–55Google Scholar
Laws, J. ‘The generic complexities of A Lover’s Complaint and its relationship to the Sonnets in Shakespeare’s 1609 volume’, AUMLA 89 (1998), 79–97Google Scholar
Lever, J. W. ‘Shakespeare’s narrative poems’, in A New Companion to Shakespeare Studies, ed. Muir, K. and Schoenbaum, S., 1971Google Scholar
Levin, Richard. ‘The ironic reading of The Rape of Lucrece and the problem of external evidence’, S. Sur. 34 (1981), 85–92Google Scholar
McDonald, Joyce Green. ‘Speech, silence, and history in The Rape of Lucrece’, S. St. 22 (1994), 77–103Google Scholar
Maguin, Jean-Marie and Whitworth, Charles (eds.). William Shakespeare, ‘Venus and Adonis’: Nouvelles Perspectives Critiques, 1999Google Scholar
Matchett, W. H. ‘The Phoenix and the Turtle’: Shakespeare’s Poem and Chester’s ‘Loues Martyr’, 1965Google Scholar
Maus, Katherine Eisamen. ‘Taking tropes seriously: language and violence in Shakespeare’s Rape of Lucrece’, SQ 37 (1986), 66–82Google Scholar
Monsarrat, G. D. ‘A Funeral Elegy: Ford, W. S., and Shakespeare’, RES 53 (2002), 186–203Google Scholar
Mortimer, Anthony. Variable Passions: A Reading of Shakespeare’s ‘Venus and Adonis’, 2000Google Scholar
Nass, Barry. ‘The law and politics of treason in Shakespeare’s Lucrece’, Shakespeare Yearbook 7 (1996), 291–311Google Scholar
Newman, Jane O. ‘“And let mild women to him lose their mildness”: Philomela, female violence and Shakespeare’s The Rape of Lucrece’, SQ 45 (1994), 304–26Google Scholar
Platt, Michael. ‘The Rape of Lucrece and the republic for which it stands’, CR 19 (1975), 59–79Google Scholar
Roe, John. ‘Willobie his Avisa and The Passionate Pilgrim: precedence, parody, and development’, Yearbook of English Studies 23 (1993), 111–25Google Scholar
Roe, John ‘Pleasing the wiser sort: problems of ethics and genre in Lucrece and Hamlet’, Cambridge Quarterly 23 (1994), 99–119CrossRefGoogle Scholar
Shakespeare’s Poems: Venus and Adonis, Lucrece, The Passionate Pilgrim, The Phoenix and the Turtle, The Sonnets, A Lover’s Complaint. A Facsimile of the Earliest Editions. Published for the Elizabethan Club, New Haven and London, 1964Google Scholar
Scholtz, Suzanne. ‘Textualising the body politic: national identity and the female body in The Rape of Lucrece’, Shakespeare Jahrbuch 132 (1996), 103–33Google Scholar
Simone, R. Thomas. Shakespeare and ‘Lucrece’: A Study of the Poem and its Relation to the Plays, Salzburg, 1974Google Scholar
Tipton, Alzada. ‘The transformation of the Earl of Essex: post-execution ballads and “The Phoenix and the Turtle”’, SP 99 (2002), 57–80Google Scholar
Underwood, R. A. Shakespeare’s ‘The Phoenix and the Turtle’: A Survey of Scholarship, Salzburg, 1974Google Scholar
Vickers, Brian. ‘Counterfeiting’ Shakespeare: Evidence, Authorship, and John Ford’s ‘Funerall Elegye’, 2002CrossRefGoogle Scholar
Wall, Wendy. The Imprint of Gender: Authorship and Publication in the English Renaissance, 1993Google Scholar
Watkins, W. B. C. ‘Shakespeare’s banquet of sense’, in Elizabethan Poetry, ed. Alpers, Paul J., 1967Google Scholar
Ziegler, Georgianna. ‘My lady’s chamber: female space, female chastity in Shakespeare’, Textual Practice 4 (1990), 73–100CrossRefGoogle Scholar