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20 results

Wallace Stevens in Context
  • Edited by Glen MacLeod
  • Published online:
    09 February 2017
    Print publication:
    22 December 2016
  • This book aims to provide an in-depth introduction to the multifaceted life and times of Wallace Stevens, who is generally considered one of the great twentieth-century American poets. In thirty-six short essays, an international team of distinguished scholars have created a comprehensive overview of Stevens' life and the world of his poetry. Individual chapters relate Stevens to important contexts such as the large Western movements of romanticism and modernism; particular American and European philosophical traditions; contemporary and later poets; the professional realms of law and insurance; the parallel art forms of painting, music, and theater; his publication history, critical reception, and his international reputation. Other chapters address topics of current interest such as war, politics, religion, race and the feminine. Informed by the latest developments in the field, but written in clear, jargon-free prose, Wallace Stevens in Context is an indispensable introduction to this great modern poet.

  • 11 - Modernism and the visual arts

  • Edited by Michael Levenson, University of Virginia
  • Book:
    The Cambridge Companion to Modernism
    Published online:
    28 September 2011
    Print publication:
    15 September 2011, pp 245-267

  • Summary

    The ancient parallel between literature and the visual arts - i.e., painting, sculpture, and architecture - became newly relevant in the twentieth century. Painters were the first to explore the revolutionary possibilities of Modernism, so that painting became the leading art form. Modernist writers often patterned their literary experiments on parallels drawn from the visual arts. It is impossible to understand fully the development of literary Modernism, therefore, without at least a rudimentary knowledge of modern art. This chapter is intended to provide a brief history of modern art for those whose primary interest is modern British and American literature. It follows the version of Modernism that was endorsed by the Museum of Modern Art in the 1930s and that served as the standard for most of the twentieth century. Literary parallels will be drawn primarily from poetry, since there the influence of the visual arts is deepest and most direct.

  • 8 - The visual arts

  • Edited by Michael Levenson, University of Virginia
  • Book:
    The Cambridge Companion to Modernism
    Published online:
    28 May 2006
    Print publication:
    11 February 1999, pp 194-216

  • Summary

    The ancient parallel between literature and the visual arts - i.e. painting, sculpture, and architecture - becomes newly relevant in the twentieth century. Painters were the first to explore the revolutionary possibilities of Modernism, so that painting became the leading art form. Modernist writers often patterned their literary experiments on parallels drawn from the visual arts. It is impossible to understand fully the development of literary Modernism, therefore, without at least a rudimentary knowledge of modern art. This chapter is intended to provide a brief history of modern art for those whose primary interest is modern British and American literature. It follows the version of Modernism that was endorsed by the Museum of Modern Art in the 1930s and that has served as the standard for most of this century. Literary parallels will be drawn primarily from poetry, since there the influence of the visual arts is deepest and most direct.