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    Wallace Stevens in Context
    • Online ISBN: 9781316275146
    • Book DOI: https://doi.org/10.1017/9781316275146
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Book description

This book aims to provide an in-depth introduction to the multifaceted life and times of Wallace Stevens, who is generally considered one of the great twentieth-century American poets. In thirty-six short essays, an international team of distinguished scholars have created a comprehensive overview of Stevens' life and the world of his poetry. Individual chapters relate Stevens to important contexts such as the large Western movements of romanticism and modernism; particular American and European philosophical traditions; contemporary and later poets; the professional realms of law and insurance; the parallel art forms of painting, music, and theater; his publication history, critical reception, and his international reputation. Other chapters address topics of current interest such as war, politics, religion, race and the feminine. Informed by the latest developments in the field, but written in clear, jargon-free prose, Wallace Stevens in Context is an indispensable introduction to this great modern poet.

Reviews

'Stevens will never be reduced to context. But in helping us see the ways he interacts with context, and in shifting lenses to gain a prismatic sense of this poet’s range and complexity, Stevens in Context is indispensable.'

Bonnie Costello Source: The Wallace Stevens Journal

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Bates, Milton J. Wallace Stevens: A Mythology of Self. Berkeley: University of California Press, 1985.
Brazeau, Peter. Parts of a World: Wallace Stevens Remembered: An Oral Biography. New York: Random House, 1983.
Johnson, Alison. Wallace Stevens: A Dual Life as Poet and Insurance Executive. Topsham, ME: Cumberland Press, 2012.
Lensing, George. Wallace Stevens: A Poet's Growth. Baton Rouge: Louisiana State University Press, 1986.
Mariani, Paul. The Whole Harmonium: The Life of Wallace Stevens. New York: Simon & Schuster, 2016.
Richardson, Joan. Wallace Stevens: The Early Years, 1879–1923. New York: William Morrow, 1986.
Richardson, Joan. Wallace Stevens: The Later Years, 1923–1955. New York: William Morrow, 1988.
Sharpe, Tony. Wallace Stevens: A Literary Life. New York: St. Martin's Press, 1999.
Stevens, Holly. Souvenirs and Prophecies: The Young Wallace Stevens. New York: Knopf, 1977.
1.
Blount, J. Donald, ed. The Contemplated Spouse: Wallace Stevens’ Letters to Elsie. Columbia: University of South Carolina Press, 2006.
Lombardi, Thomas Francis. Wallace Stevens and the Pennsylvania Keystone: The Influence of Origins on His Life and Poetry. Susquehanna University Press, 1996.
2.
Bates, Milton. Wallace Stevens: A Mythology of Self. Berkeley: University of California Press, 1985.
Buttel, Robert. Wallace Stevens: The Making of “Harmonium.” Princeton University Press, 1967.
Filreis, Al.Wallace Stevens and the Strength of the Harvard Reaction.” New England Quarterly 58.1 (March 1985): 2745.
Ford, William T.Seeking the Sibyl of ‘Harmonium’: Wallace Stevens and Sybil Gage.” Wallace Stevens Journal 32.1 (Spring 2008): 331.
MacLeod, Glen. “Stevens and the Cast Tradition.” The Wallace Stevens Journal 38.1 (Spring 2014): 4160.
3.
Buttel, Robert. Wallace Stevens: The Making of “Harmonium.” Princeton University Press, 1967.
Eeckhout, Bart and Goldfarb, Lisa, eds. Wallace Stevens, New York, and Modernism. New York: Routledge, 2012.
Litz, A. Walton. Introspective Voyager: The Poetic Development of Wallace Stevens. New York: Oxford University Press, 1972.
MacLeod, Glen. Wallace Stevens and Company: The “Harmonium” Years, 1913–1923. Ann Arbor: University of Michigan Press, 1983.
MacLeod, Glen. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism. New Haven: Yale University Press, 1993.
4.
Crockett, John. “Of Holly and Wallace Stevens in a Hartford Light.” The Wallace Stevens Journal 21 (Spring 1997): 333.
Gaddis, Eugene R. Magician of the Modern: Chick Austin and the Transformation of the Arts in America. New York: Knopf, 2000.
Stevens, Holly. “Bits of Remembered Time.” Southern Review 7 (1971): 651–7.
Stevens, Holly. “Holidays in Reality.” In Wallace Stevens: A Celebration, edited by Dogget, Frank and Buttel, Robert. Princeton University Press, 1980, pp. 105–13.
Weaver, Glen and Swift, Michael. Hartford, Connecticut's Capital: An Illustrated History. Sun Valley: American Historical Press, 2003.
5.
Berger, Charles. “Angels in Florida: Stevens and Sublimation.” The Wallace Stevens Journal 30.2 (Fall 2006): 171–82.
Byrne, Lawrence. “Three Ways of Looking at a Florida Landscape: An Experiment in Ecocriticism.” In Florida Studies: Proceedings of the 2009 Annual Meeting of the Florida College English Association, edited by Slate, Claudia, Policy, Carol, and Tolchin, Karen. Newcastle upon Tyne: Cambridge Scholars Publishing, 2010, pp. 189–96.
Harrison, Thomas C.Mrs. Rawlings, Mr. Stevens, and the Nature of Florida.” Marjorie Kinnan Rawlings Journal of Florida Literature 14 (2005–2006): 3544.
Precoda, Karl. “The Noble Rider on the Terminal Beach.” The Wallace Stevens Journal 18.1 (Spring 1994): 618.
Rowe, Anne E. The Idea of Florida in the American Literary Imagination. Gainesville: University Press of Florida, 1992.
6.
Eeckhout, Bart. “Two Parisians Qui Font Fi des Joliesses Banales? Wallace Stevens’ Friendship with the Vidal Family.” The Wallace Stevens Journal 32.2 (Fall 2008): 223–42.
Goldfarb, Lisa. The Figure Concealed: Wallace Stevens, Music, and Valéryan Echoes. Brighton: Sussex Academic Press, 2011.
Longenbach, James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
Luyat, Anne, ed. “Stevens and France.” Special issue, The Wallace Stevens Journal 32.2 (Fall 2008).
Utard, Juliette. “‘Chez moi’: Wallace Stevens at Home in the French Language.” The Wallace Stevens Journal 32.2 (Fall 2008): 275–82.
7.
Aitken, Robert. “Wallace Stevens and Zen.” The Wallace Stevens Journal 6.3/4 (Fall 1982): 6973.
Bevis, William W. Mind of Winter: Wallace Stevens, Meditation, and Literature. University of Pittsburgh Press, 1989.
Qian, Zhaoming. The Modernist Response to Chinese Art: Pound, Moore, Stevens. Charlottesville: University of Virginia Press, 2003.
Tompkins, Robert. “Stevens and Zen: The Boundless Reality of the Imagination.” The Wallace Stevens Journal 9.1 (Spring 1985): 2639.
8.
Bevis, William. Mind of Winter: Wallace Stevens, Meditation, and Literature. University of Pittsburgh Press, 1989.
Lensing, George S. Wallace Stevens and the Seasons. Baton Rouge: Louisiana State University Press, 2004.
Macksey, Richard A.The Climates of Wallace Stevens.” In The Act of the Mind: Essays on the Poetry of Wallace Stevens, edited by Pearce, Roy Harvey and Miller, J. Hillis. Baltimore: Johns Hopkins University Press, 1965, pp. 185223.
9.
Costello, Bonnie. Shifting Ground: Reinventing the Landscape in Modern American Poetry. Cambridge: Harvard University Press, 2003.
Eeckhout, Bart. “Wallace Stevens’ ‘Early Anecdote’; or, How Poetry Must Resist Ecocriticism Almost Successfully.” Comparative American Studies 7.2 (May 2009): 173–92.
Knickerbocker, Scott. Ecopoetics: The Language of Nature, the Nature of Language. Amherst: University of Massachusetts Press, 2012.
Quinn, Justin. Gathered Beneath the Storm: Wallace Stevens, Nature, and Community. Dublin: University College Dublin Press, 2002.
Voros, Gyorgi. Notations of the Wild: Ecology in the Poetry of Wallace Stevens. Iowa City: University of Iowa Press, 1997.
10.
Bloom, Harold. Wallace Stevens: The Poems of Our Climate. Ithaca: Cornell University Press, 1977.
Bornstein, George. “The New Romanticism of Wallace Stevens. In Transformations of Romanticism In Yeats, Eliot, and Stevens. University of Chicago Press, 1976, pp. 163230.
Carroll, Joseph.Stevens and Romanticism.” In The Cambridge Companion to Wallace Stevens, edited by Serio, John N.. New York: Cambridge University Press, 2007, pp. 87102.
Carroll, Joseph. Wallace Stevens’ Supreme Fiction: A New Romanticism. Baton Rouge: Louisiana State University Press, 1987.
Lensing, George. “The Romantic and Anti-Romantic in the Poetry of Wallace Stevens.” In The Cambridge History of American Poetry, edited by Bendixen, Alfred and Burt, Stephen. New York: Cambridge University Press, 2015, pp. 650–69.
Litz, A. Walton. “Wallace Stevens’ Defense of Poetry: La Poésie pure, the New Romantic, and the Pressure of Reality.” In Romantic and Modern: Revaluations of Literary Tradition, edited by Bornstein, George. University of Pittsburgh Press, 1977, pp. 111–32.
Vendler, Helen. “Stevens and Keats’ ‘To Autumn.’” In Wallace Stevens: A Celebration, edited by Doggett, Frank and Buttel, Robert. Princeton University Press, 1980, pp. 171–95.
11.
Blasing, Mutlu Konuk. Lyric Poetry: The Pain and Pleasure of Words. Princeton University Press, 2007.
Cook, Eleanor. Poetry, Word-Play and Word-War in Wallace Stevens. Princeton University Press, 1988.
Costello, Bonnie. “US Modernism: Moore, Stevens and the Modernist Lyric.” In The Cambridge Companion to Modernist Poetry, eds. Davis, Alex and Jenkins, Lee M.. Cambridge University Press, 2007, pp. 163–80.
Eeckhout, Bart and MacLeod, Glen. “American Poetry in the 1910s and ’20s: Stevens, Moore, Williams.” In A History of Modernist Poetry, edited by Davis, Alex and Jenkins, Lee M.. Cambridge University Press, 2015, pp. 324–40.
12.
Longenbach, James.Stevens and His Contemporaries.” In The Cambridge Companion to Wallace Stevens, edited by Serio, John N.. New York: Cambridge University Press, 2007, pp. 7686.
MacLeod, Glen, ed. “Ezra Pound and Wallace Stevens.” Special issue, The Wallace Stevens Journal 26.2 (Fall 2002).
MacLeod, Glen. Wallace Stevens and Company: The “Harmonium” Years, 1913–1923. Ann Arbor: UMI Research Press, 1983.
Perloff, Marjorie. “Pound/Stevens: Whose Era?New Literary History 13.3 (Spring 1982): 485514.
Schulze, Robin. The Web of Friendship: Marianne Moore and Wallace Stevens. Ann Arbor: University of Michigan Press, 1995.
Surette, Leon. The Modern Dilemma: Wallace Stevens, T. S. Eliot, and Humanism. Montreal: McGill-Queen's University Press, 2008.
13.
Barone, Dennis and Finnegan, James, eds. Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens. Iowa City: University of Iowa Press, 2009.
Brogan, Jacqueline V., ed. “Stevens and Elizabeth Bishop.” Special issue, The Wallace Stevens Journal 19.2 (Fall 1995).
Brogan, Jacqueline V. and MacLeod, Glen, eds. “Wallace Stevens, Adrienne Rich, and James Merrill.” Special issue, The Wallace Stevens Journal 25.1 (Spring 2001).
Duemer, Joseph, ed. “Poets Reading Stevens.” Special issue, The Wallace Stevens Journal 17.1 (Spring 1993).
Eeckhout, Bart and Goldfarb, Lisa, eds. Poetry and Poetics after Wallace Stevens. New York: Bloomsbury, 2016.
Eeckhout, Bart and Goldfarb, Lisa, eds. “Stevens and W. H. Auden.” Special issue, The Wallace Stevens Journal 37.2 (Fall 2013).
Filreis, Al.The Stevens Wars.” Boundary 2 36.3 (Fall 2009): 183202.
14.
Bates, Milton. “Stevens's Books at the Huntington: An Annotated Checklist.” The Wallace Stevens Journal 2.3–4 (1978): 4561.
Bates, Milton. “Stevens's Books at the Huntington: An Annotated Checklist (Concluded).” The Wallace Stevens Journal 3.1 (1979): 1533.
Brazeau, Peter. “Wallace Stevens at the University of Massachusetts: Checklist of an Archive.” The Wallace Stevens Journal 2.1–2 (1978): 50–4.
Edelstein, Jerome. “The Poet as Reader: Wallace Stevens and His Books.” The Book Collector 23 (Spring 1974): 5368.
Moynihan, Robert. “Checklist: Second Purchase, Wallace Stevens Collection, Huntington Library.” The Wallace Stevens Journal 20.1 (Spring 1996): 76103.
15.
Blount, J. Donald, ed. The Contemplated Spouse: The Letters of Wallace Stevens to Elsie. Columbia: University of South Carolina Press, 2006.
Coyle, Beverly. A Thought to Be Rehearsed: Aphorism in Wallace Stevens's Poetry. Ann Arbor: UMI Research Press, 1983.
Coyle, Beverly and Filreis, Alan, eds. Secretaries of the Moon: The Letters of Wallace Stevens and José Rodríguez Feo. Durham: Duke University Press, 1986.
Lensing, George. Wallace Stevens: A Poet's Growth. Baton Rouge: Louisiana State University Press, 1986. See esp. “Schemata,” 158–65, and “From Pieces of Paper,” 166–200.
Litz, A. Walton. “Particles on Order: The Unpublished Adagia.” In Wallace Stevens: A Celebration, edited by Doggett, Frank and Buttel, Robert. Princeton University Press, 1980, pp. 5777.
16.
Feshbach, Sidney. “The Structural Modes of Wallace Stevens’ ‘Noble Rider and the sound of Words.’The Wallace Stevens Journal. 28.1 (Spring 2004): 81100.
Galef, David. “Resemblance and Change in Wallace Stevens’ Three Academic Pieces.” American Literature. 58.4 (1986): 589609.
Goldfarb, Lisa. The Figure Concealed: Wallace Stevens, Music, and Valéryan Echoes. Eastbourne: Sussex Academic Press, 2011.
Morris, Tim. Wallace Stevens: Poetry and Criticism. Norfolk: Salt, 2006.
Steinman, Lisa M.A Dithering of Presences: Style and Language in Stevens’ Essays.”Contemporary Literature 21 (1980), 100–17.
White, Gillian. “Reality in America: Realism and Rhetoric in Stevens’ ‘The Noble Rider and the Sound of Words,’The Wallace Stevens Journal. 35.2 (Fall 2011): 240–65.
17.
Beyers, Chris. “Adventures in the Book Trade: The Publication History of Stevens's Harmonium and Ideas of Order.” The Wallace Stevens Journal 35.1 (Spring 2011): 7997.
Edelstein, J. M. Wallace Stevens: A Descriptive Bibliography. University of Pittsburgh Press, 1974.
Newcomb, John Timberman. “Others, Poetry, and Wallace Stevens: Little Magazines as Agents of Reputation.” Essays in Literature 16.2 (Fall 1989): 256–70.
18.
Doyle, Charles, ed. Wallace Stevens: The Critical Heritage. New York: Routledge, 1985.
Newcomb, John Timberman,Wallace Stevens and Literary Canons. Jackson: University Press of Mississippi, 1992.
Schaum, Melita. Wallace Stevens and the Critical Schools. Tuscaloosa: University of Alabama Press, 1988.
19.
Eeckhout, Bart, ed. “International Perspectives on Wallace Stevens.” Special issue, The Wallace Stevens Journal 25.2 (Fall 2001).
Eeckhout, Bart and Ragg, Edward, eds. Wallace Stevens across the Atlantic. Basingstoke and New York: Palgrave Macmillan, 2008.
Eeckhout, Bart and Ragg, Edward, eds. “Wallace Stevens and British Literature.” Special issue, The Wallace Stevens Journal. 30.1 (Spring 2006).
20.
Altieri, Charles. Painterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism. New York: Cambridge University Press, 1989.
Costello, Bonnie. “Effects of an Analogy: Wallace Stevens and Painting.” In Wallace Stevens: The Poetics of Modernism, edited by Gelpi, Albert. New York: Cambridge University Press, 1985, pp. 6585.
Costello, Bonnie. “Stevens and Painting.” In The Cambridge Companion to Wallace Stevens, edited by Serio, John N.. New York: Cambridge University Press, 2007, pp. 164–79.
Costello, Bonnie. “Wallace Stevens: Local Objects and Distant Wars.” In Planets on Tables: Poetry, Still Life, and the Turning World. Ithaca: Cornell University Press, 2008, pp. 2647.
MacLeod, Glen. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism. New Haven: Yale University Press, 1993.
21.
Eeckhout, Bart. “Wallace Stevens's Modern Melodies.” Texas Studies in Literature and Language 55.1 (Spring 2013): 5371.
Goldfarb, Lisa. The Figure Concealed: Wallace Stevens, Music, and Valéryan Echoes. Eastbourne: Sussex Academic Press, 2011.
Hollander, John. “The Sound of Music and the Music of Sound.” In Wallace Stevens: A Celebration, edited by Doggett, Frank and Buttel, Robert. Princeton University Press, 1980, pp. 235–55.
Kramer, Lawrence. “‘A Completely New Set of Objects’: Wallace Stevens and Charles Ives.” The Wallace Stevens Journal 2.3–4 (1978): 315.
22.
Harrison, Ruth M.Wallace Stevens and the Noh Tradition.” The Wallace Stevens Journal 27.2 (2003): 189204.
Kravec, Maureen T.Bowl, Cat and Broomstick: Sweeping the Stage of Souvenirs.” Twentieth Century Literature 37.3 (Fall 1991): 309–21.
Litz, A. Walton, “Theatrical Demonstrations.” In Introspective Voyager: The Poetic Development of Wallace Stevens. New York: Oxford University Press, 1972, pp. 5460.
Murphy, Brenda. The Provincetown Players and the Culture of Modernity. New York: Cambridge University Press, 2005.
23.
Eeckhout, Bart.Stevens and Philosophy.” In The Cambridge Companion to Wallace Stevens, edited by Serio, John N.. New York: Cambridge University Press, 2007, pp. 103–17.
Levin, Jonathan. “Life in the Transitions: Emerson, William James, and Wallace Stevens.” Arizona Quarterly 48.4 (Winter 1992): 7597.
Poirier, Richard. Poetry and Pragmatism. Cambridge: Harvard University Press, 1992.
Richardson, Joan. A Natural History of Pragmatism: The Fact of Feeling from Jonathan Edwards to Gertrude Stein. Cambridge University Press, 2006.
24.
Critchley, Simon. Things Merely Are: Philosophy in the Poetry of Wallace Stevens. New York: Routledge, 2005.
Eeckhout, Bart.Stevens and Philosophy.” In The Cambridge Companion to Wallace Stevens, edited by Serio, John N.. New York: Cambridge University Press, 2007, pp. 103–17.
Leggett, B. J. Early Stevens: The Nietzschean Intertext. Raleigh: Duke University Press, 1992.
Ziarek, Krzysztof. Inflected Language: Toward a Hermeneutics of Nearness. Heidegger, Levinas, Stevens, Celan. Albany: SUNY Press. 1994.
25.
Altieri, Charles. The Particulars of Rapture: An Aesthetics of the Affects. Ithaca: Cornell University Press, 2003.
Altieri, Charles. Wallace Stevens and the Demands of Modernity: Toward a Phenomenology of Value. Ithaca: Cornell University Press, 2013.
Leighton, Angela. On Form: Poetry, Aestheticism and the Legacy of a Word. New York: Oxford University Press, 2007.
Ragg, Edward. Wallace Stevens and the Aesthetics of Abstraction. Cambridge University Press, 2010.
26.
Altieri, Charles. Painterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism. New York: Cambridge University Press, 1989.
Blackmur, R. P.An Abstraction Blooded.” Partisan Review 10.3 (1943): 297301.
Doggett, Frank. Wallace Stevens’ Poetry of Thought. Baltimore: Johns Hopkins University Press, 1966.
Leggett, B. J. Wallace Stevens and Poetic Theory: Conceiving the Supreme Fiction. Chapel Hill: University of North Carolina Press, 1987.
Longenbach, James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
MacLeod, Glen. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism. New Haven: Yale University Press, 1993.
Ragg, Edward. Wallace Stevens and the Aesthetics of Abstraction. Cambridge University Press, 2010.
27.
Bates, Milton. Wallace Stevens: A Mythology of Self. Berkeley: University of California Press, 1985.
Berger, Charles. Forms of Farewell: The Late Poetry of Wallace Stevens. Madison: University of Wisconsin Press, 1985.
Brogan, Jacqueline Vaught. The Violence Within/The Violence Without: Wallace Stevens and the Emergence of a Revolutionary Politics. Athens: University of Georgia Press, 2003.
Cook, Eleanor. Poetry, Word-Play, and Word-War in Wallace Stevens. Princeton University Press, 1988.
Longenbach, James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
Woodland, Malcolm. Wallace Stevens and the Apocalyptic Mode. Iowa City: University of Iowa Press, 2005.
28.
Cohen, Milton A. Beleaguered Poets and Leftist Critics: Stevens, Cummings, Frost, and Williams in the 1930s. Tuscaloosa: University of Alabama Press, 2010.
Filreis, Alan. Modernism from Right to Left: Wallace Stevens, the Thirties, and Literary Radicalism. New York: Cambridge University Press, 1994.
Filreis, Alan. Wallace Stevens and the Actual World. Princeton University Press, 1991.
Longenbach, James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
Teres, Harvey. “Notes Toward the Supreme Soviet: Stevens and Doctrinaire Marxism.” The Wallace Stevens Journal 13.2 (Fall 1989): 150–67.
29.
Jarraway, David R. Wallace Stevens and the Question of Belief: Metaphysician in the Dark. Baton Rouge: Louisiana State University Press, 1993.
McCann, Janet. “A Letter from Father Hanley on Stevens’ Conversion to Catholicism.” The Wallace Stevens Journal 18.1 (Spring 1994): 35.
Murphy, Charles M. Wallace Stevens: A Spiritual Poet in a Secular Age. Mahwah, NJ: Paulist Press, 1996.
Morris, Adalaide Kirby. Wallace Stevens: Imagination and Faith. Princeton University Press, 1974.
Scott, Nathan A. The Poetics of Belief: Studies in Coleridge, Arnold, Pater, Santayana, Stevens, and Heidegger. Chapel Hill: University of North Carolina Press, 1985.
Sharpe, Tony. “Final Beliefs: Stevens and Auden.” Literature and Theology 25.1 (March 2011): 6478.
30.
DuPlessis, Rachel Blau. “‘Darken Your Speech’: Racialized Cultural Work of Modernist Poets.” In Reading Race in American Poetry: An Area of Act, edited by Nielsen, Aldon Lynn. Champaign: University of Illinois Press, 2000, pp. 4383.
DuRose, Lisa. “Racial Domain and the Imagination of Wallace Stevens.” The Wallace Stevens Journal 22.1 (Spring 1998) 322.
Jacques, Geoffrey. A Change in the Weather: Modernist Imagination, African American Imaginary. Amherst: University of Massachusetts Press, 2009.
Lima, Lázaro. “Haunting the Corpus Delicti: Rafael Campo's What the Body Told and Wallace Stevens’ (Modernist) Body.” The Wallace Stevens Journal 25.2 (Fall 2001): 220–32.
Nielsen, Aldon. Reading Race: White American Poets and the Racial Discourse in the Twentieth Century. Athens: University of Georgia Press, 1988.
Platt, Len, ed. Modernism and Race. Cambridge University Press, 2011.
31.
Crotty, Kevin M. Law's Interior: Legal and Literary Constructions of the Self. Ithaca and London: Cornell University Press, 2001.
Grey, Thomas C. The Wallace Stevens Case: Law and the Practice of Poetry. Cambridge: Harvard University Press, 1991.
Joseph, Lawrence. “The Poet and the Lawyer: The Example of Wallace Stevens.” In The Game Changed: Essays and Other Prose. Ann Arbor: University of Michigan Press, 2011, pp. 39.
Skeel, David A.Notes Towards an Aesthetic of Legal Pragmatism.” Cornell Law Review 78 (1992–1993): 84105.
32.
Harrington, Joseph. “Wallace Stevens and the Poetics of National Insurance.” American Literature 67.1 (March 1995): 95114.
Puskar, Jason. “Wallace Stevens's ‘Drastic Community’: Credit, Suretyship, and the Society of Distrust.” In Incredible Modernism: Literature, Trust and Deception, edited by Attridge, John and Rosenquist, Rod. Burlington: Ashgate, 2013, pp. 181–98.
Szalay, Michael. New Deal Modernism: American Literature and the Invention of the Welfare State. Durham: Duke University Press, 2000.
33.
Fisher, Barbara. Wallace Stevens: The Intensest Rendezvous. Charlottesville: University Press of Virginia, 1990.
Lensing, George. Wallace Stevens and the Seasons. Baton Rouge: Louisiana State University Press, 2001.
Longenbach, James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
Oliver, Elizabeth. “Aestheticism's Afterlife: Wallace Stevens as Interior Decorator and Disruptor.” Modernism/Modernity 15:3 (2008), 527–45.
Rieke, Alison. “Stevens's Armchair Travel: The Sounds of the Foreign,” Wallace Stevens Journal 15:2 (1991), 165–77.
Vendler, Helen. Wallace Stevens: Words Chosen Out of Desire. Cambridge: Harvard University Press, 1986.
34.
Epstein, Andrew. Attention Equals Life. New York: Oxford University Press, 2016.
Filreis, Alan. Wallace Stevens and the Actual World. Princeton University Press, 1991.
Highmore, Ben, ed. The Everyday Life Reader. London: Routledge, 2002.
Longenbach, James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
Olson, Liesl. Modernism and the Ordinary. New York: Oxford University Press, 2009.
Phillips, Siobhan. The Poetics of the Everyday: Creative Repetition in Modern American Verse. New York: Columbia University Press, 2010.
35.
Bates, Milton J.Pain is Human: Wallace Stevens at Ground Zero.” The Southern Review 39.1 (Winter 2003): 168–80.
Dolan, John. “‘The Warmth I Had Forgotten’: Stevens’ Revision of ‘First Warmth,’ and the Dramatization of the Interpersonal.” The Wallace Stevens Journal 21.2 (Fall 1997): 167–74.
Halliday, Mark. Stevens and the Interpersonal. Princeton University Press, 1991.
Vendler, Helen. Wallace Stevens: Words Chosen Out of Desire. Cambridge: Harvard University Press, 1984.
36.
Brogan, Jacqueline Vaught.Stevens and the Feminine.” In The Cambridge Companion to Wallace Stevens, edited by Serio, John N.. Cambridge University Press, 2007, pp. 180–92.
Cleghorn, Angus, ed. “Stevens’ Erotic Poetics.” Special issue, The Wallace Stevens Journal 30.2 (Fall 2006).
Fisher, Barbara. Wallace Stevens: The Intensest Rendezvous. Charlottesville: University Press of Virginia, 1990.
Nyquist, Mary. “Musing on Susanna's Music.” In Lyric Poetry: Beyond New Criticism, edited by Hošek, Chaviva and Parker, Patricia. Ithaca: Cornell University Press, 1985, pp. 310–27.
Schaum, Melita, ed. Wallace Stevens and the Feminine. Tuscaloosa: University of Alabama Press, 1993.