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    Wallace Stevens in Context
    • Online ISBN: 9781316275146
    • Book DOI: https://doi.org/10.1017/9781316275146
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Book description

This book aims to provide an in-depth introduction to the multifaceted life and times of Wallace Stevens, who is generally considered one of the great twentieth-century American poets. In thirty-six short essays, an international team of distinguished scholars have created a comprehensive overview of Stevens' life and the world of his poetry. Individual chapters relate Stevens to important contexts such as the large Western movements of romanticism and modernism; particular American and European philosophical traditions; contemporary and later poets; the professional realms of law and insurance; the parallel art forms of painting, music, and theater; his publication history, critical reception, and his international reputation. Other chapters address topics of current interest such as war, politics, religion, race and the feminine. Informed by the latest developments in the field, but written in clear, jargon-free prose, Wallace Stevens in Context is an indispensable introduction to this great modern poet.

Reviews

'Stevens will never be reduced to context. But in helping us see the ways he interacts with context, and in shifting lenses to gain a prismatic sense of this poet’s range and complexity, Stevens in Context is indispensable.'

Bonnie Costello Source: The Wallace Stevens Journal

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Page 1 of 2


Bates Milton J. Wallace Stevens: A Mythology of Self. Berkeley: University of California Press, 1985.
Brazeau Peter. Parts of a World: Wallace Stevens Remembered: An Oral Biography. New York: Random House, 1983.
Johnson Alison. Wallace Stevens: A Dual Life as Poet and Insurance Executive. Topsham, ME: Cumberland Press, 2012.
Lensing George. Wallace Stevens: A Poet's Growth. Baton Rouge: Louisiana State University Press, 1986.
Mariani Paul. The Whole Harmonium: The Life of Wallace Stevens. New York: Simon & Schuster, 2016.
Richardson Joan. Wallace Stevens: The Early Years, 1879–1923. New York: William Morrow, 1986.
Richardson Joan. Wallace Stevens: The Later Years, 1923–1955. New York: William Morrow, 1988.
Sharpe Tony. Wallace Stevens: A Literary Life. New York: St. Martin's Press, 1999.
Stevens Holly. Souvenirs and Prophecies: The Young Wallace Stevens. New York: Knopf, 1977.
1.
Blount J. Donald, ed. The Contemplated Spouse: Wallace Stevens’ Letters to Elsie. Columbia: University of South Carolina Press, 2006.
Lombardi Thomas Francis. Wallace Stevens and the Pennsylvania Keystone: The Influence of Origins on His Life and Poetry. Susquehanna University Press, 1996.
2.
Bates Milton. Wallace Stevens: A Mythology of Self. Berkeley: University of California Press, 1985.
Buttel Robert. Wallace Stevens: The Making of “Harmonium.” Princeton University Press, 1967.
Filreis Al.Wallace Stevens and the Strength of the Harvard Reaction.” New England Quarterly 58.1 (March 1985): 2745.
Ford William T.Seeking the Sibyl of ‘Harmonium’: Wallace Stevens and Sybil Gage.” Wallace Stevens Journal 32.1 (Spring 2008): 331.
MacLeod Glen. “Stevens and the Cast Tradition.” The Wallace Stevens Journal 38.1 (Spring 2014): 4160.
3.
Buttel Robert. Wallace Stevens: The Making of “Harmonium.” Princeton University Press, 1967.
Eeckhout Bart and Goldfarb Lisa, eds. Wallace Stevens, New York, and Modernism. New York: Routledge, 2012.
Litz A. Walton. Introspective Voyager: The Poetic Development of Wallace Stevens. New York: Oxford University Press, 1972.
MacLeod Glen. Wallace Stevens and Company: The “Harmonium” Years, 1913–1923. Ann Arbor: University of Michigan Press, 1983.
MacLeod Glen. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism. New Haven: Yale University Press, 1993.
4.
Crockett John. “Of Holly and Wallace Stevens in a Hartford Light.” The Wallace Stevens Journal 21 (Spring 1997): 333.
Gaddis Eugene R. Magician of the Modern: Chick Austin and the Transformation of the Arts in America. New York: Knopf, 2000.
Stevens Holly. “Bits of Remembered Time.” Southern Review 7 (1971): 651–7.
Stevens Holly. “Holidays in Reality.” In Wallace Stevens: A Celebration, edited by Dogget Frank and Buttel Robert. Princeton University Press, 1980, pp. 105–13.
Weaver Glen and Swift Michael. Hartford, Connecticut's Capital: An Illustrated History. Sun Valley: American Historical Press, 2003.
5.
Berger Charles. “Angels in Florida: Stevens and Sublimation.” The Wallace Stevens Journal 30.2 (Fall 2006): 171–82.
Byrne Lawrence. “Three Ways of Looking at a Florida Landscape: An Experiment in Ecocriticism.” In Florida Studies: Proceedings of the 2009 Annual Meeting of the Florida College English Association, edited by Slate Claudia, Policy Carol, and Tolchin Karen. Newcastle upon Tyne: Cambridge Scholars Publishing, 2010, pp. 189–96.
Harrison Thomas C.Mrs. Rawlings, Mr. Stevens, and the Nature of Florida.” Marjorie Kinnan Rawlings Journal of Florida Literature 14 (2005–2006): 3544.
Precoda Karl. “The Noble Rider on the Terminal Beach.” The Wallace Stevens Journal 18.1 (Spring 1994): 618.
Rowe Anne E. The Idea of Florida in the American Literary Imagination. Gainesville: University Press of Florida, 1992.
6.
Eeckhout Bart. “Two Parisians Qui Font Fi des Joliesses Banales? Wallace Stevens’ Friendship with the Vidal Family.” The Wallace Stevens Journal 32.2 (Fall 2008): 223–42.
Goldfarb Lisa. The Figure Concealed: Wallace Stevens, Music, and Valéryan Echoes. Brighton: Sussex Academic Press, 2011.
Longenbach James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
Luyat Anne, ed. “Stevens and France.” Special issue, The Wallace Stevens Journal 32.2 (Fall 2008).
Utard Juliette. “‘Chez moi’: Wallace Stevens at Home in the French Language.” The Wallace Stevens Journal 32.2 (Fall 2008): 275–82.
7.
Aitken Robert. “Wallace Stevens and Zen.” The Wallace Stevens Journal 6.3/4 (Fall 1982): 6973.
Bevis William W. Mind of Winter: Wallace Stevens, Meditation, and Literature. University of Pittsburgh Press, 1989.
Qian Zhaoming. The Modernist Response to Chinese Art: Pound, Moore, Stevens. Charlottesville: University of Virginia Press, 2003.
Tompkins Robert. “Stevens and Zen: The Boundless Reality of the Imagination.” The Wallace Stevens Journal 9.1 (Spring 1985): 2639.
8.
Bevis William. Mind of Winter: Wallace Stevens, Meditation, and Literature. University of Pittsburgh Press, 1989.
Lensing George S. Wallace Stevens and the Seasons. Baton Rouge: Louisiana State University Press, 2004.
Macksey Richard A.The Climates of Wallace Stevens.” In The Act of the Mind: Essays on the Poetry of Wallace Stevens, edited by Pearce Roy Harvey and Miller J. Hillis. Baltimore: Johns Hopkins University Press, 1965, pp. 185223.
9.
Costello Bonnie. Shifting Ground: Reinventing the Landscape in Modern American Poetry. Cambridge: Harvard University Press, 2003.
Eeckhout Bart. “Wallace Stevens’ ‘Early Anecdote’; or, How Poetry Must Resist Ecocriticism Almost Successfully.” Comparative American Studies 7.2 (May 2009): 173–92.
Knickerbocker Scott. Ecopoetics: The Language of Nature, the Nature of Language. Amherst: University of Massachusetts Press, 2012.
Quinn Justin. Gathered Beneath the Storm: Wallace Stevens, Nature, and Community. Dublin: University College Dublin Press, 2002.
Voros Gyorgi. Notations of the Wild: Ecology in the Poetry of Wallace Stevens. Iowa City: University of Iowa Press, 1997.
10.
Bloom Harold. Wallace Stevens: The Poems of Our Climate. Ithaca: Cornell University Press, 1977.
Bornstein George. “The New Romanticism of Wallace Stevens. In Transformations of Romanticism In Yeats, Eliot, and Stevens. University of Chicago Press, 1976, pp. 163230.
Carroll Joseph.Stevens and Romanticism.” In The Cambridge Companion to Wallace Stevens, edited by Serio John N.. New York: Cambridge University Press, 2007, pp. 87102.
Carroll Joseph. Wallace Stevens’ Supreme Fiction: A New Romanticism. Baton Rouge: Louisiana State University Press, 1987.
Lensing George. “The Romantic and Anti-Romantic in the Poetry of Wallace Stevens.” In The Cambridge History of American Poetry, edited by Bendixen Alfred and Burt Stephen. New York: Cambridge University Press, 2015, pp. 650–69.
Litz A. Walton. “Wallace Stevens’ Defense of Poetry: La Poésie pure, the New Romantic, and the Pressure of Reality.” In Romantic and Modern: Revaluations of Literary Tradition, edited by Bornstein George. University of Pittsburgh Press, 1977, pp. 111–32.
Vendler Helen. “Stevens and Keats’ ‘To Autumn.’” In Wallace Stevens: A Celebration, edited by Doggett Frank and Buttel Robert. Princeton University Press, 1980, pp. 171–95.
11.
Blasing Mutlu Konuk. Lyric Poetry: The Pain and Pleasure of Words. Princeton University Press, 2007.
Cook Eleanor. Poetry, Word-Play and Word-War in Wallace Stevens. Princeton University Press, 1988.
Costello Bonnie. “US Modernism: Moore, Stevens and the Modernist Lyric.” In The Cambridge Companion to Modernist Poetry, eds. Davis Alex and Jenkins Lee M.. Cambridge University Press, 2007, pp. 163–80.
Eeckhout Bart and MacLeod Glen. “American Poetry in the 1910s and ’20s: Stevens, Moore, Williams.” In A History of Modernist Poetry, edited by Davis Alex and Jenkins Lee M.. Cambridge University Press, 2015, pp. 324–40.
12.
Longenbach James.Stevens and His Contemporaries.” In The Cambridge Companion to Wallace Stevens, edited by Serio John N.. New York: Cambridge University Press, 2007, pp. 7686.
MacLeod Glen, ed. “Ezra Pound and Wallace Stevens.” Special issue, The Wallace Stevens Journal 26.2 (Fall 2002).
MacLeod Glen. Wallace Stevens and Company: The “Harmonium” Years, 1913–1923. Ann Arbor: UMI Research Press, 1983.
Perloff Marjorie. “Pound/Stevens: Whose Era?New Literary History 13.3 (Spring 1982): 485514.
Schulze Robin. The Web of Friendship: Marianne Moore and Wallace Stevens. Ann Arbor: University of Michigan Press, 1995.
Surette Leon. The Modern Dilemma: Wallace Stevens, T. S. Eliot, and Humanism. Montreal: McGill-Queen's University Press, 2008.
13.
Barone Dennis and Finnegan James, eds. Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens. Iowa City: University of Iowa Press, 2009.
Brogan Jacqueline V., ed. “Stevens and Elizabeth Bishop.” Special issue, The Wallace Stevens Journal 19.2 (Fall 1995).
Brogan Jacqueline V. and MacLeod Glen, eds. “Wallace Stevens, Adrienne Rich, and James Merrill.” Special issue, The Wallace Stevens Journal 25.1 (Spring 2001).
Duemer Joseph, ed. “Poets Reading Stevens.” Special issue, The Wallace Stevens Journal 17.1 (Spring 1993).
Eeckhout Bart and Goldfarb Lisa, eds. Poetry and Poetics after Wallace Stevens. New York: Bloomsbury, 2016.
Eeckhout Bart and Goldfarb Lisa, eds. “Stevens and W. H. Auden.” Special issue, The Wallace Stevens Journal 37.2 (Fall 2013).
Filreis Al.The Stevens Wars.” Boundary 2 36.3 (Fall 2009): 183202.
14.
Bates Milton. “Stevens's Books at the Huntington: An Annotated Checklist.” The Wallace Stevens Journal 2.3–4 (1978): 4561.
Bates Milton. “Stevens's Books at the Huntington: An Annotated Checklist (Concluded).” The Wallace Stevens Journal 3.1 (1979): 1533.
Brazeau Peter. “Wallace Stevens at the University of Massachusetts: Checklist of an Archive.” The Wallace Stevens Journal 2.1–2 (1978): 50–4.
Edelstein Jerome. “The Poet as Reader: Wallace Stevens and His Books.” The Book Collector 23 (Spring 1974): 5368.
Moynihan Robert. “Checklist: Second Purchase, Wallace Stevens Collection, Huntington Library.” The Wallace Stevens Journal 20.1 (Spring 1996): 76103.
15.
Blount J. Donald, ed. The Contemplated Spouse: The Letters of Wallace Stevens to Elsie. Columbia: University of South Carolina Press, 2006.
Coyle Beverly. A Thought to Be Rehearsed: Aphorism in Wallace Stevens's Poetry. Ann Arbor: UMI Research Press, 1983.
Coyle Beverly and Filreis Alan, eds. Secretaries of the Moon: The Letters of Wallace Stevens and José Rodríguez Feo. Durham: Duke University Press, 1986.
Lensing George. Wallace Stevens: A Poet's Growth. Baton Rouge: Louisiana State University Press, 1986. See esp. “Schemata,” 158–65, and “From Pieces of Paper,” 166–200.
Litz A. Walton. “Particles on Order: The Unpublished Adagia.” In Wallace Stevens: A Celebration, edited by Doggett Frank and Buttel Robert. Princeton University Press, 1980, pp. 5777.
16.
Feshbach Sidney. “The Structural Modes of Wallace Stevens’ ‘Noble Rider and the sound of Words.’The Wallace Stevens Journal. 28.1 (Spring 2004): 81100.
Galef David. “Resemblance and Change in Wallace Stevens’ Three Academic Pieces.” American Literature. 58.4 (1986): 589609.
Goldfarb Lisa. The Figure Concealed: Wallace Stevens, Music, and Valéryan Echoes. Eastbourne: Sussex Academic Press, 2011.
Morris Tim. Wallace Stevens: Poetry and Criticism. Norfolk: Salt, 2006.
Steinman Lisa M.A Dithering of Presences: Style and Language in Stevens’ Essays.”Contemporary Literature 21 (1980), 100–17.
White Gillian. “Reality in America: Realism and Rhetoric in Stevens’ ‘The Noble Rider and the Sound of Words,’The Wallace Stevens Journal. 35.2 (Fall 2011): 240–65.
17.
Beyers Chris. “Adventures in the Book Trade: The Publication History of Stevens's Harmonium and Ideas of Order.” The Wallace Stevens Journal 35.1 (Spring 2011): 7997.
Edelstein J. M. Wallace Stevens: A Descriptive Bibliography. University of Pittsburgh Press, 1974.
Newcomb John Timberman. “Others, Poetry, and Wallace Stevens: Little Magazines as Agents of Reputation.” Essays in Literature 16.2 (Fall 1989): 256–70.
18.
Doyle Charles, ed. Wallace Stevens: The Critical Heritage. New York: Routledge, 1985.
Newcomb John Timberman,Wallace Stevens and Literary Canons. Jackson: University Press of Mississippi, 1992.
Schaum Melita. Wallace Stevens and the Critical Schools. Tuscaloosa: University of Alabama Press, 1988.
19.
Eeckhout Bart, ed. “International Perspectives on Wallace Stevens.” Special issue, The Wallace Stevens Journal 25.2 (Fall 2001).
Eeckhout Bart and Ragg Edward, eds. Wallace Stevens across the Atlantic. Basingstoke and New York: Palgrave Macmillan, 2008.
Eeckhout Bart and Ragg Edward, eds. “Wallace Stevens and British Literature.” Special issue, The Wallace Stevens Journal. 30.1 (Spring 2006).
20.
Altieri Charles. Painterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism. New York: Cambridge University Press, 1989.
Costello Bonnie. “Effects of an Analogy: Wallace Stevens and Painting.” In Wallace Stevens: The Poetics of Modernism, edited by Gelpi Albert. New York: Cambridge University Press, 1985, pp. 6585.
Costello Bonnie. “Stevens and Painting.” In The Cambridge Companion to Wallace Stevens, edited by Serio John N.. New York: Cambridge University Press, 2007, pp. 164–79.
Costello Bonnie. “Wallace Stevens: Local Objects and Distant Wars.” In Planets on Tables: Poetry, Still Life, and the Turning World. Ithaca: Cornell University Press, 2008, pp. 2647.
MacLeod Glen. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism. New Haven: Yale University Press, 1993.
21.
Eeckhout Bart. “Wallace Stevens's Modern Melodies.” Texas Studies in Literature and Language 55.1 (Spring 2013): 5371.
Goldfarb Lisa. The Figure Concealed: Wallace Stevens, Music, and Valéryan Echoes. Eastbourne: Sussex Academic Press, 2011.
Hollander John. “The Sound of Music and the Music of Sound.” In Wallace Stevens: A Celebration, edited by Doggett Frank and Buttel Robert. Princeton University Press, 1980, pp. 235–55.
Kramer Lawrence. “‘A Completely New Set of Objects’: Wallace Stevens and Charles Ives.” The Wallace Stevens Journal 2.3–4 (1978): 315.
22.
Harrison Ruth M.Wallace Stevens and the Noh Tradition.” The Wallace Stevens Journal 27.2 (2003): 189204.
Kravec Maureen T.Bowl, Cat and Broomstick: Sweeping the Stage of Souvenirs.” Twentieth Century Literature 37.3 (Fall 1991): 309–21.
Litz A. Walton, “Theatrical Demonstrations.” In Introspective Voyager: The Poetic Development of Wallace Stevens. New York: Oxford University Press, 1972, pp. 5460.
Murphy Brenda. The Provincetown Players and the Culture of Modernity. New York: Cambridge University Press, 2005.
23.
Eeckhout Bart.Stevens and Philosophy.” In The Cambridge Companion to Wallace Stevens, edited by Serio John N.. New York: Cambridge University Press, 2007, pp. 103–17.
Levin Jonathan. “Life in the Transitions: Emerson, William James, and Wallace Stevens.” Arizona Quarterly 48.4 (Winter 1992): 7597.
Poirier Richard. Poetry and Pragmatism. Cambridge: Harvard University Press, 1992.
Richardson Joan. A Natural History of Pragmatism: The Fact of Feeling from Jonathan Edwards to Gertrude Stein. Cambridge University Press, 2006.
24.
Critchley Simon. Things Merely Are: Philosophy in the Poetry of Wallace Stevens. New York: Routledge, 2005.
Eeckhout Bart.Stevens and Philosophy.” In The Cambridge Companion to Wallace Stevens, edited by Serio John N.. New York: Cambridge University Press, 2007, pp. 103–17.
Leggett B. J. Early Stevens: The Nietzschean Intertext. Raleigh: Duke University Press, 1992.
Ziarek Krzysztof. Inflected Language: Toward a Hermeneutics of Nearness. Heidegger, Levinas, Stevens, Celan. Albany: SUNY Press. 1994.
25.
Altieri Charles. The Particulars of Rapture: An Aesthetics of the Affects. Ithaca: Cornell University Press, 2003.
Altieri Charles. Wallace Stevens and the Demands of Modernity: Toward a Phenomenology of Value. Ithaca: Cornell University Press, 2013.
Leighton Angela. On Form: Poetry, Aestheticism and the Legacy of a Word. New York: Oxford University Press, 2007.
Ragg Edward. Wallace Stevens and the Aesthetics of Abstraction. Cambridge University Press, 2010.
26.
Altieri Charles. Painterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism. New York: Cambridge University Press, 1989.
Blackmur R. P.An Abstraction Blooded.” Partisan Review 10.3 (1943): 297301.
Doggett Frank. Wallace Stevens’ Poetry of Thought. Baltimore: Johns Hopkins University Press, 1966.
Leggett B. J. Wallace Stevens and Poetic Theory: Conceiving the Supreme Fiction. Chapel Hill: University of North Carolina Press, 1987.
Longenbach James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
MacLeod Glen. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism. New Haven: Yale University Press, 1993.
Ragg Edward. Wallace Stevens and the Aesthetics of Abstraction. Cambridge University Press, 2010.
27.
Bates Milton. Wallace Stevens: A Mythology of Self. Berkeley: University of California Press, 1985.
Berger Charles. Forms of Farewell: The Late Poetry of Wallace Stevens. Madison: University of Wisconsin Press, 1985.
Brogan Jacqueline Vaught. The Violence Within/The Violence Without: Wallace Stevens and the Emergence of a Revolutionary Politics. Athens: University of Georgia Press, 2003.
Cook Eleanor. Poetry, Word-Play, and Word-War in Wallace Stevens. Princeton University Press, 1988.
Longenbach James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
Woodland Malcolm. Wallace Stevens and the Apocalyptic Mode. Iowa City: University of Iowa Press, 2005.
28.
Cohen Milton A. Beleaguered Poets and Leftist Critics: Stevens, Cummings, Frost, and Williams in the 1930s. Tuscaloosa: University of Alabama Press, 2010.
Filreis Alan. Modernism from Right to Left: Wallace Stevens, the Thirties, and Literary Radicalism. New York: Cambridge University Press, 1994.
Filreis Alan. Wallace Stevens and the Actual World. Princeton University Press, 1991.
Longenbach James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
Teres Harvey. “Notes Toward the Supreme Soviet: Stevens and Doctrinaire Marxism.” The Wallace Stevens Journal 13.2 (Fall 1989): 150–67.
29.
Jarraway David R. Wallace Stevens and the Question of Belief: Metaphysician in the Dark. Baton Rouge: Louisiana State University Press, 1993.
McCann Janet. “A Letter from Father Hanley on Stevens’ Conversion to Catholicism.” The Wallace Stevens Journal 18.1 (Spring 1994): 35.
Murphy Charles M. Wallace Stevens: A Spiritual Poet in a Secular Age. Mahwah, NJ: Paulist Press, 1996.
Morris Adalaide Kirby. Wallace Stevens: Imagination and Faith. Princeton University Press, 1974.
Scott Nathan A. The Poetics of Belief: Studies in Coleridge, Arnold, Pater, Santayana, Stevens, and Heidegger. Chapel Hill: University of North Carolina Press, 1985.
Sharpe Tony. “Final Beliefs: Stevens and Auden.” Literature and Theology 25.1 (March 2011): 6478.
30.
DuPlessis Rachel Blau. “‘Darken Your Speech’: Racialized Cultural Work of Modernist Poets.” In Reading Race in American Poetry: An Area of Act, edited by Nielsen Aldon Lynn. Champaign: University of Illinois Press, 2000, pp. 4383.
DuRose Lisa. “Racial Domain and the Imagination of Wallace Stevens.” The Wallace Stevens Journal 22.1 (Spring 1998) 322.
Jacques Geoffrey. A Change in the Weather: Modernist Imagination, African American Imaginary. Amherst: University of Massachusetts Press, 2009.
Lima Lázaro. “Haunting the Corpus Delicti: Rafael Campo's What the Body Told and Wallace Stevens’ (Modernist) Body.” The Wallace Stevens Journal 25.2 (Fall 2001): 220–32.
Nielsen Aldon. Reading Race: White American Poets and the Racial Discourse in the Twentieth Century. Athens: University of Georgia Press, 1988.
Platt Len, ed. Modernism and Race. Cambridge University Press, 2011.
31.
Crotty Kevin M. Law's Interior: Legal and Literary Constructions of the Self. Ithaca and London: Cornell University Press, 2001.
Grey Thomas C. The Wallace Stevens Case: Law and the Practice of Poetry. Cambridge: Harvard University Press, 1991.
Joseph Lawrence. “The Poet and the Lawyer: The Example of Wallace Stevens.” In The Game Changed: Essays and Other Prose. Ann Arbor: University of Michigan Press, 2011, pp. 39.
Skeel David A.Notes Towards an Aesthetic of Legal Pragmatism.” Cornell Law Review 78 (1992–1993): 84105.
32.
Harrington Joseph. “Wallace Stevens and the Poetics of National Insurance.” American Literature 67.1 (March 1995): 95114.
Puskar Jason. “Wallace Stevens's ‘Drastic Community’: Credit, Suretyship, and the Society of Distrust.” In Incredible Modernism: Literature, Trust and Deception, edited by Attridge John and Rosenquist Rod. Burlington: Ashgate, 2013, pp. 181–98.
Szalay Michael. New Deal Modernism: American Literature and the Invention of the Welfare State. Durham: Duke University Press, 2000.
33.
Fisher Barbara. Wallace Stevens: The Intensest Rendezvous. Charlottesville: University Press of Virginia, 1990.
Lensing George. Wallace Stevens and the Seasons. Baton Rouge: Louisiana State University Press, 2001.
Longenbach James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
Oliver Elizabeth. “Aestheticism's Afterlife: Wallace Stevens as Interior Decorator and Disruptor.” Modernism/Modernity 15:3 (2008), 527–45.
Rieke Alison. “Stevens's Armchair Travel: The Sounds of the Foreign,” Wallace Stevens Journal 15:2 (1991), 165–77.
Vendler Helen. Wallace Stevens: Words Chosen Out of Desire. Cambridge: Harvard University Press, 1986.
34.
Epstein Andrew. Attention Equals Life. New York: Oxford University Press, 2016.
Filreis Alan. Wallace Stevens and the Actual World. Princeton University Press, 1991.
Highmore Ben, ed. The Everyday Life Reader. London: Routledge, 2002.
Longenbach James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.
Olson Liesl. Modernism and the Ordinary. New York: Oxford University Press, 2009.
Phillips Siobhan. The Poetics of the Everyday: Creative Repetition in Modern American Verse. New York: Columbia University Press, 2010.
35.
Bates Milton J.Pain is Human: Wallace Stevens at Ground Zero.” The Southern Review 39.1 (Winter 2003): 168–80.
Dolan John. “‘The Warmth I Had Forgotten’: Stevens’ Revision of ‘First Warmth,’ and the Dramatization of the Interpersonal.” The Wallace Stevens Journal 21.2 (Fall 1997): 167–74.
Halliday Mark. Stevens and the Interpersonal. Princeton University Press, 1991.
Vendler Helen. Wallace Stevens: Words Chosen Out of Desire. Cambridge: Harvard University Press, 1984.
36.
Brogan Jacqueline Vaught.Stevens and the Feminine.” In The Cambridge Companion to Wallace Stevens, edited by Serio John N.. Cambridge University Press, 2007, pp. 180–92.
Cleghorn Angus, ed. “Stevens’ Erotic Poetics.” Special issue, The Wallace Stevens Journal 30.2 (Fall 2006).
Fisher Barbara. Wallace Stevens: The Intensest Rendezvous. Charlottesville: University Press of Virginia, 1990.
Nyquist Mary. “Musing on Susanna's Music.” In Lyric Poetry: Beyond New Criticism, edited by Hošek Chaviva and Parker Patricia. Ithaca: Cornell University Press, 1985, pp. 310–27.
Schaum Melita, ed. Wallace Stevens and the Feminine. Tuscaloosa: University of Alabama Press, 1993.

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