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Chapter 7 - Audiences
- from Part III - Theatre Communities
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- Book:
- The Cambridge Companion to British Theatre since 1945
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- 14 March 2024
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- 21 March 2024, pp 147-165
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Chapter 26 - The censorship of the stage: writing on the edge of the allowed
- from Part III - Cultural and historical contexts: ideas, iterations, innovations
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- Book:
- Oscar Wilde in Context
- Published online:
- 18 December 2013
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- 12 December 2013, pp 278-288
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Notes on contributors
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- Oscar Wilde in Context
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- 18 December 2013
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- 12 December 2013, pp xvi-xxii
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Dominic Shellard and Steve Nicholson with Miriam Handley. The Lord Chamberlain Regrets … A History of British Theatre Censorship. London: British Library, 2004. Pp. 210. $38.00 (cloth).
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- Journal:
- Journal of British Studies / Volume 45 / Issue 3 / July 2006
- Published online by Cambridge University Press:
- 21 December 2012, pp. 672-673
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Contributors
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- SBA and MTF MCQs for the Final FRCA
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- 05 November 2012
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- 11 October 2012, pp vi-viii
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Contributors
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- SBA and MTF MCQs for the Primary FRCA
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- 05 June 2012
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- 10 May 2012, pp vi-vi
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Sex, Violence and Censorship: London's Grand Guignol and the Negotiation of the Limit
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- Journal:
- Theatre Research International / Volume 32 / Issue 3 / October 2007
- Published online by Cambridge University Press:
- 01 October 2007, pp. 247-262
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- October 2007
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Political Futures
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- Journal:
- New Theatre Quarterly / Volume 20 / Issue 3 / August 2004
- Published online by Cambridge University Press:
- 19 August 2004, pp. 287-289
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- August 2004
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Suppressed Desire: Inscriptions of Lesbianism in the British Theatre of the 1930s
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- Journal:
- New Theatre Quarterly / Volume 17 / Issue 4 / November 2001
- Published online by Cambridge University Press:
- 15 January 2009, pp. 310-318
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- November 2001
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The Ethics of Indeterminacy: Theatre de Complicite's ‘Mnemonic’
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- New Theatre Quarterly / Volume 17 / Issue 3 / August 2001
- Published online by Cambridge University Press:
- 15 January 2009, pp. 212-218
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- August 2001
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