In the Punica, Silius Italicus narrates the events of the Second Punic War from the rise of Hannibal and his siege at Saguntum to the rise of Scipio Africanus and his triumph over Carthage. The importance of Scipio in the final books of the Punica is foreshadowed by events earlier in the poem; these early appearances of Scipio emphasise not only his future heroism and divine favour, but also his youth and immaturity. Although a development of his character can be traced through the Punica, the figure of Scipio is complex and contradictory. There are two significant episodes that bring Scipio into the forefront of the epic action—his nekyia in Book 13 and his choice at the crossroads between Virtus and Voluptas in Book 15. These events are critical in understanding Scipio's role in the Punica and as such have already received considerable scholarly attention. My focus will be on Punica 13 and Scipio's trip to the underworld, but rather than analyse this passage in terms of Scipio's development and heroism, I would like to make a number of connections between Punica 13 and passages in the first half of the epic, and, in doing so, suggest a somewhat different reading of Silius' presentation of Scipio that looks back to the disasters leading up to Cannae, rather than ahead to Rome's triumph at the end of the epic. I will begin, therefore, with a discussion of what bearing the structure of the Punica has on its meaning and suggest different uses of symbols and imagery between the two halves of the poem, before turning to Scipio in the second half of the epic.