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The first offshore liquefied natural gas (LNG) terminal in Italy and the first gravity based structure (GBS) in the world for unloading, storing and re-gasifying liquefied natural gas, was authorized and realized. The Institute for Environmental Protection and Research (ISPRA, formerly ICRAM) formulated and implemented a multidisciplinary monitoring plan at verifying possible impacts of the project on marine environment. Data from June 2006 to July 2012 on the soft-bottom macrozoobenthic assemblages around the LNG terminal are presented, with the aim of verifying possible disturbances on these assemblages associated with the LNG terminal, by comparing the structure of the benthic communities before and after installation of the terminal, and during its operation. Well-structured assemblages were observed for the entire period investigated, with all taxa normally represented both quantitatively and qualitatively. A temporary disturbance due to the construction of the LNG terminal was detected in the surrounding sediments, while the presence of the concrete structure did not show significant effects at the investigated distances.
Edited by
Jean Andrews, Associate Professor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham,Isabel Torres, Professor of Spanish Golden Age Literature at Queen's University, Belfast
Edited by
Jean Andrews, Associate Professor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham,Isabel Torres, Professor of Spanish Golden Age Literature at Queen's University, Belfast
Edited by
Jean Andrews, Associate Professor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham,Isabel Torres, Professor of Spanish Golden Age Literature at Queen's University, Belfast
Edited by
Jean Andrews, Associate Professor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham,Isabel Torres, Professor of Spanish Golden Age Literature at Queen's University, Belfast
Edited by
Jean Andrews, Associate Professor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham,Isabel Torres, Professor of Spanish Golden Age Literature at Queen's University, Belfast
Edited by
Jean Andrews, Associate Professor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham,Isabel Torres, Professor of Spanish Golden Age Literature at Queen's University, Belfast
By
Verónica Grossi, University of North Carolina at Greensboro
Edited by
Jean Andrews, Associate Professor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham,Isabel Torres, Professor of Spanish Golden Age Literature at Queen's University, Belfast
En este ensayo busco esbozar una nueva lectura del petrarquismo en la lírica de Sor Juana Inés de la Cruz. Ofrezco por lo tanto, una serie de planteamientos generales sobre posibles modos de aproximación a la lírica, de temática amorosa, de la monja novohispana. Este acercamiento parte de trabajos anteriores sobre el petrarquismo en Sor Juana así como de nuevas reflexiones sobre el papel del entorno urbano, conventual y cortesano, tanto colonial como europeo, en las redes de significados, códigos de lectura y circulación de textos manuscritos e impresos de la temprana modernidad.
Apoyo fundamental para mi análisis, concentrado en resaltar, a través de una lente intertextual, la dimensión gnoseológica en los escritos sorjuaninos, ha sido también la restitución de la complejidad retórica y simbólica en la obra de Sor Juana, centrada en el signo de lo femenino, por parte de destacados estudiosos de su obra, restitución que ha permitido cuestionar las lecturas patriarcales que establecen una relación unívoca y simplificadora entre escritura femenina y biografía. La interpretación patriarcal de Sor Juana, desde el siglo XVII hasta nuestros días, concibe a la escritora como una rara avis y a su escritura como un calco transparente de un cuerpo femenino martirizado por el seguimiento de una vocación intelectual y literaria contra natura, que violenta o reprime el destino biológico de la mujer al matrimonio y a la maternidad.
Edited by
Jean Andrews, Associate Professor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham,Isabel Torres, Professor of Spanish Golden Age Literature at Queen's University, Belfast
Edited by
Jean Andrews, Associate Professor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham,Isabel Torres, Professor of Spanish Golden Age Literature at Queen's University, Belfast
The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics, without limiting the dialectic of stasis and movement to any single sphere or manifestation. Interrogation of the interdependence of tradition and innovation, poetry, power and politics, shifting signifiers, the intersection of topography and deviant temporalities, the movement between the secular and the sacred, tensions between centres and peripheries, issues of manuscript circulation and reception, poetic calls and echoes across continents and centuries, and between creative writing and reading subjects, all demonstrate that Helgerson's central notion of conspicuous movement is relevant beyond early sixteenth-century secular poetics, By opening it up we approximate a better understanding of poetry's flexible spatio-temporal co-ordinates in a period of extraordinary historical circumstances and conterminous radical cultural transformation. Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento en la poesía española del siglo de oro, sin limitar la dialéctica de la estasis y movimiento a una sola esfera o manifestación única. Entre los multiples enfoques cabe destacar: el cuestionamiento de la interdependencia de la tradición e inovación, de la poesía, del poder y la política, de los significantes que se transforman, de los espacios que conectan y cruzan con los tiempos 'desviados'; análisis de las tensiones entre lo sagrado y lo secular, del conflicto centro-periferia y del complejo sistema de producción, circulación y recepción de los manuscritos; el diálogo con el eco poético a través de los siglos y de los continentes y la construcción creativa del sujeto escritor y/o lector. Al abrir la noción central de Helgerson del "movimiento conspicuo" más allá de la poesía nueva secular, este libro propone un entendimiento más completo de las coordinadas espacio-temporales de la poesía en un periodo de circunstancias históricas extrao. Jean Andrews is Associate Professor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham. Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University, Belfast. Contributors: Jean Andrews, Dana Bultman, Noelia Cirnigliaro, Marsha Collins, Trevor J. Dadson, Aurora Egido, Verónica Grossi, Anne Holloway, Mark J. Mascia, Terence O'Reilly, Carmen Peraita, Amanda Powell, Colin Thompson, Isabel Torres.
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