Roman elegy makes frequent use of themes of ugliness and disfigurement, juxtaposing them with images of ideal beauty and sentiment. In order to overcome the obstacles to his erotic relationship, the poet–lover repeatedly represents his rivals and opponents in such a way as to ridicule their appearance and to degrade their social standing. My purpose in this study is to explore the theme of corporeal, intellectual, and social degradation from a perspective attentive to the aesthetic significance of the grotesque imagery with which such degradation is accomplished. I undertake to show that the grotesque plays a significant role in the self-definition of the genre in which it is least expected. Grotesque and idealizing imagery constitute the polarities of a dialectic that lies at the core of elegy. Classical scholars have long been interested in the use of grotesque imagery in such genres as comedy, invective, and satire. There is a sophisticated discussion of the grotesque in these areas of classical literature, which are concerned in part with themes of transgression and excess. Grotesque imagery occurs frequently also in elegy, a genre that foregrounds love and beauty.