Hostname: page-component-848d4c4894-ndmmz Total loading time: 0 Render date: 2024-06-03T02:50:16.673Z Has data issue: false hasContentIssue false

Claiming Diaspora: Music, Transnationalism, and Cultural Politics in Asian/Chinese America. By Su Zheng. Oxford: Oxford University Press, 2010.

Published online by Cambridge University Press:  21 January 2011

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Copyright
Copyright © The Society for American Music 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

2 Zheng's bibliography includes references to most of the important scholarship on the subject. In addition, however, see Moon, Krystyn, “Lee Tung Foo and the Making of a Chinese American Vaudevillian, 1900s–1920s,” Journal of Asian American Studies 8/1 (2005): 2348CrossRefGoogle Scholar; Moon, , Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s–1920s (New Brunswick, N.J.: Rutgers University Press, 2005)Google Scholar; Yang, Mina, “Orientalism and the Music of Asian Immigrant Communities in California, 1924–1945,” American Music 19/4 (2001): 385416CrossRefGoogle Scholar.

3 Wong, Deborah, Speak It Louder: Asian Americans Making Music (New York: Routledge, 2004)Google Scholar.