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6 - Bill Murray's Christmas Carols

Published online by Cambridge University Press:  22 September 2009

Murray Baumgarten
Affiliation:
Professor of English and Comparative Literature University of California, Santa Cruz
John Glavin
Affiliation:
Georgetown University, Washington DC
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Summary

Convention has it that the translator betrays the text: the Italian bon mot sets traduttore (translator) against traditore (traitor), finding as the difference the change from u to i. How much more so, convention notes, when a classic fiction is turned into a Hollywood film. I want to argue against this received wisdom, using as my proof-texts two films of the comedian, Bill Murray. Each film is a translation and adaptation of Dickens's A Christmas Carol: not inferior versions of a sacrosanct original but powerful reconceptualizations in their own right of Dickens's powerfully theatrical original. Scrooged (1988) purges the Carol of the Victoriana customary to adaptations, bringing to twentieth-century life the experiences of healing and renewal commented on by Dickens's early readers. Murray's later film, Groundhog Day (1993), crystallizes the issues of time and identity of A Christmas Carol, just touched on by Scrooged. In so doing, Groundhog Day, less true to the original narrative, is perhaps truer to the central themes of Dickens's tale. In them we discover gateways to Dickens's text hard to come by in other forms.

Scrooged

Scrooged (1988) was directed by Richard Donner, and written by Mitch Glazer, who later supplied the script for Alfons Cuaron's Great Expectations discussed by Pam Katz in chapter 9. His script tells a tale of the consequences of isolation and separation on the personality of the main character, Martin Cross, played by Bill Murray.

Type
Chapter
Information
Dickens on Screen , pp. 61 - 71
Publisher: Cambridge University Press
Print publication year: 2003

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References

Dizikes, John. 1992. “Dickens and Opera.” Paper read at a colloquium at University of California, Santa Cruz, CA
Eigner, Edward. 1989. The Dickens Pantomime. Berkeley: The University of California Press
Falx, Neil M. 1978. “Written Pictures: The Visual Arts in Goethe's Literary Work.” Ph.D. Dissertation, Yale University
Jaffe, Audrey. 1994. “Spectacular Sympathy: Visuality and Ideology in Dickens's A Christmas Carol.” PMLA 109: 254–65CrossRefGoogle Scholar
Jordan, John. 1993. A Little Book About A Christmas Carol. Santa Cruz, CA: The Dickens Project
Kern, Stephen. 1983. The Culture of Time and Space 1880–1918. Cambridge, MA: Harvard University Press
Knoepflmacher, Uli. 1983. A Christmas Carol by Charles Dickens and Other Victorian Fairy Tales. New York: Bantam

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  • Bill Murray's Christmas Carols
    • By Murray Baumgarten, Professor of English and Comparative Literature University of California, Santa Cruz
  • Edited by John Glavin, Georgetown University, Washington DC
  • Book: Dickens on Screen
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511484827.007
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  • Bill Murray's Christmas Carols
    • By Murray Baumgarten, Professor of English and Comparative Literature University of California, Santa Cruz
  • Edited by John Glavin, Georgetown University, Washington DC
  • Book: Dickens on Screen
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511484827.007
Available formats
×

Send book to Google Drive

To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Google Drive.

  • Bill Murray's Christmas Carols
    • By Murray Baumgarten, Professor of English and Comparative Literature University of California, Santa Cruz
  • Edited by John Glavin, Georgetown University, Washington DC
  • Book: Dickens on Screen
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511484827.007
Available formats
×