Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-ttngx Total loading time: 0 Render date: 2024-05-20T19:21:14.312Z Has data issue: false hasContentIssue false

9 - Love Triangle with Dog: Whym Chow, the “Michael Fields,” and the Poetic Potential of Human-Animal Bonds

Published online by Cambridge University Press:  07 December 2017

Colleen Glenney Boggs
Affiliation:
Dartmouth College
Michael Lundblad
Affiliation:
Universitetet i Oslo
Get access

Summary

What kind of lover is a dog lover? The question pushes boundaries, animates taboos. We generally use “dog lover” in a way that is desexualized. Moreover, we designate a relationship between one human being and many animals, but we do not see that cross-species bond as involving other human beings. “Dog lover” reaffirms a notion of human subjectivity, singularity, and individuality, even as it allows “dog” to stand for one canine and for many or all canines simultaneously. “Lover” is an affect translated into a subjectivity, and one that cuts in one direction – it is an assertion of human emotion, not of canine feelings. It is the human affect of love that defines the dog lover's subjectivity. The dog is the object of love, not himself the lover.

What if we were to reopen the term to all its inappropriate, embarrassing, multidirectional, derogatory, and dangerous possibilities? More importantly: why would we do so? As Alice Kuzniar observes in Melancholia's Dog (2006), “one of the most unutterable aspects of closeness with pets is the shamefulness about intimacy with them, as if it might be construed as bordering on bestiality or as if to love dogs betrayed an inability to love humans.” If Kuzniar is right, and one consequence of this shame is the melancholic disavowal of human attachment to animals, then what would the alternative look like? What would it mean to embrace human attachment to animals in joyful avowal? It is precisely this question that Michael Field addresses in Whym Chow (1914), a volume of poetry that reorients our understanding of the “biopolitics of everyday life” by exploring how affect that crosses species lines might open up queer models of subjectivity and kinship.

When “he” published his first volume of poetry, Michael Field became an instant success. But shortly after, “his” friend Robert Browning revealed that Michael Field was a pseudonym for Katherine Bradley and Edith Cooper. The career of these two women – who were aunt and niece, lover and lover, co-writers even of diaries – never recovered from the revelation of their sex, even in the platonic sense.

Type
Chapter
Information
Animalities
Literary and Cultural Studies Beyond the Human
, pp. 190 - 210
Publisher: Edinburgh University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×