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  • Print publication year: 2013
  • Online publication date: January 2013

4 - Surrealism as a Living Modernism:

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The Cambridge Companion to American Poetry since 1945
  • Online ISBN: 9781139032674
  • Book DOI: https://doi.org/10.1017/CCO9781139032674
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Further Reading

Altieri, Charles. “Barbara Guest and the Boys at the Cedar Bar: Some Painterly Use of Language.” Chicago Review 53/4 and 54/1 (2008): 82–7.
Altieri, Charles “Contingency as Compositional Principle in Fifties Poetics.” In Terence Diggory and Steven Paul Miller, eds. The Scene of My Selves: New Work on New York School Poets. Orono: National Poetry Foundation, 2001, 359–84.
Ashbery John. Reported Sightings: Art Chronicles 1957–1987. Ed. David Bergman. Cambridge, MA: Harvard University Press, 1999.
Clune, Michael. “’Everything We Want”: Frank O’Hara and the Aesthetics of Free Choice.” PMLA 120.1 (January 2005): 181–96.
Diggory, Terence and Stephen Paul Miller, eds. The Scene of My Selves: New Work on the New York School Poets. Orono: National Poetry Foundation, 2001.
DuPlessis, Rachel Blau. “The Gendered Marvelous: Barbara Guest, Surrealism, and Feminist Reception.” In The Blue Studio. Tuscaloosa: University of Alabama Press, 2006, 162–85.
Elgin, Catharine, ed. Nelson Goodman’s Philosophy of Art. New York: Garland Publishing 1997.
Epstein, Andrew. Beautiful Enemies: Friendship and Postwar American Poetry. New York: Oxford University Press, 2006.
Goodman, Nelson. Languages of Art. Indianapolis: Bobbs Merrill, 1968.
Guest, Barbara. Forces of Imagination: Writing on Writing. Berkeley: Kelsey Street Press, 2003.
Hunter, Sam. Rivers. New York: Harry N. Abrams, 1971.
Kaufman, Robert. Negative Romanticism: Adornian Aesthetics in Keats, Shelley, and Modern Poetry. (Forthcoming)
Lamm, Kimberly. “One Lighting the Other Seductively”: James Schuyler, Eileen Miles and the Sexuality of Literary Influence,” How 2 Work/ Book: 1 (no. 8), 2002, http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_8_2002/current/workbook/lamm-essays.htm
Lehman, David. The Last Avant-garde: The Making of the New York School of Poets. New York: Doubleday, 1998.
O’Hara, Frank. Art Chronicle 1954–1966. New York: Georges Braziller, 1975.
Sawin, Martica. Surrealism in Exile and the Beginning of the New York School. Cambridge, MA: MIT Press, 1995.
Schuyler, James. Selected Art Writings. Ed. Simon Pettet. Santa Rosa: Black Sparrow Press, 1998.
Watkin, William. In the Process of Poetry: The New York School and the Avant Garde. Lewisburg: Bucknell University Press, 2001.