Barbara Guest and the Boys at the Cedar Bar: Some Painterly Use of Language.” Chicago Review 53/4 and 54/1 (2008): 82–7.
“Contingency as Compositional Principle in Fifties Poetics.” In and , eds. The Scene of My Selves: New Work on New York School Poets
: National Poetry Foundation
Reported Sightings: Art Chronicles 1957–1987. Ed. . Cambridge, MA: Harvard University Press, 1999.
Everything We Want”: Frank O’Hara and the Aesthetics of Free Choice.” PMLA 120.1 (January 2005): 181–96.
The Scene of My Selves: New Work on the New York School Poets. Orono: National Poetry Foundation, 2001.
and , eds.
The Blue Studio. Tuscaloosa: University of Alabama Press, 2006, 162–85.
. “The Gendered Marvelous: Barbara Guest, Surrealism, and Feminist Reception.” In
Nelson Goodman’s Philosophy of Art. New York: Garland Publishing 1997.
Beautiful Enemies: Friendship and Postwar American Poetry. New York: Oxford University Press, 2006.
Languages of Art. Indianapolis: Bobbs Merrill, 1968.
Forces of Imagination: Writing on Writing. Berkeley: Kelsey Street Press, 2003.
Rivers. New York: Harry N. Abrams, 1971.
Negative Romanticism: Adornian Aesthetics in Keats, Shelley, and Modern Poetry. (Forthcoming)
The Last Avant-garde: The Making of the New York School of Poets. New York: Doubleday, 1998.
Art Chronicle 1954–1966. New York: Georges Braziller, 1975.
Surrealism in Exile and the Beginning of the New York School. Cambridge, MA: MIT Press, 1995.
Selected Art Writings. Ed. . Santa Rosa: Black Sparrow Press, 1998.
In the Process of Poetry: The New York School and the Avant Garde. Lewisburg: Bucknell University Press, 2001.