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    Margaret A. Toth 2013. María Cristina Mena, Transnationalism, and Mass Media: Untold Stories in the Archive. Legacy, Vol. 30, Issue. 2, p. 331.

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  • Print publication year: 2010
  • Online publication date: November 2010

8 - Geomodernism, postcoloniality, and women’s writing

Summary

In his brief “Note on Modernism” in Culture and Imperialism, Edward Said describes canonical Anglo-European modernism as an aesthetic attempt to contain the crises of early twentieth-century imperialist capitalism. He closes his short discussion with the suggestion that modernist styles arise “as more and more regions - from India to Africa to the Caribbean - challenge the classical empires and their cultures.” Although later in Culture and Imperialism Said considers scenes of anti-colonial resistance in texts such as E. M. Forster's Passage to India, he never fully develops the implications of his note about the relation between anti-colonial insurgency and the appearance of modernism. These implications are far-reaching: in fact they point toward a deep revision of the paradigm in which we read twentieth-century modernist and postcolonial literature in English. This chapter explores some of those implications, building on recent work in modernist studies. I describe the ways that not only colonialism but also anti-colonialism, and not only slavery and racism but also anti-slavery, have constituted world conditions since the late eighteenth century, and I suggest that a history of insurgency and global conflict provokes what can thus be called the “geomodernist” practices of diverse artists from the late nineteenth to the twenty-first century.

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The Cambridge Companion to Modernist Women Writers
  • Online ISBN: 9780511777479
  • Book DOI: https://doi.org/10.1017/CCOL9780521515054
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