Skip to main content Accesibility Help
  • Print publication year: 2016
  • Online publication date: December 2015

A Guide to Additional Reading

Recommend this book

Email your librarian or administrator to recommend adding this book to your organisation's collection.

The Cambridge Companion to Wyndham Lewis
  • Online ISBN: 9781107284326
  • Book DOI:
Please enter your name
Please enter a valid email address
Who would you like to send this to *
Antliff, Mark and Klein, Scott W. (eds.). Vorticism: New Perspectives. Oxford: Oxford University Press, 2013.
Antliff, Mark and Leighten, Patricia. Cubism and Culture. London: Thames and Hudson, 2001.
Bürger, Peter. Theory of the Avant-Garde, trans. Michael Shaw. Minneapolis: University of Minnesota Press, 1984.
Cottington, David. Cubism and Its Histories. Manchester: Manchester University Press, 2004.
Graver, David. The Aesthetics of Disturbance: Anti-Art in Avant-Garde Drama. Ann Arbor: University of Michigan Press, 1995.
Poggi, Christine. Inventing Futurism: The Art and Politics of Artificial Optimism. Princeton, NJ: Princeton University Press, 2009.
Poggioli, Renato. Theory of the Avant-Garde. Cambridge, MA: The Belknap Press of the Harvard University Press, 1981.
Wees, W. C. Vorticism and the English Avant-Garde. Manchester: Manchester University Press, 1972.
Klein, Scott W. The Fictions of James Joyce and Wyndham Lewis: Monsters of Nature and Design. Cambridge: Cambridge University Press, 2006.
Materer, Timothy. Vortex: Pound, Eliot, and Lewis. Ithaca, NY: Cornell University Press, 1979.
Miller, Tyrus. Late Modernism: Politics, Fiction, and the Arts between the World Wars. Berkeley and Los Angeles: University of California Press, 1999.
Nicholls, Peter. Modernisms: A Literary Guide. London: Macmillan, 1995.
Peppis, Paul. Literature, Politics, and the English Avant-Garde: Nation and Empire, 1901–1918. Cambridge: Cambridge University Press, 2009.
Sherry, Vincent. Ezra Pound, Wyndham Lewis, and Radical Modernism. Oxford: Oxford University Press, 1993.
Symons, Julian. Makers of the New: The Revolution in Literature, 1912–1939. New York: Random House, 1987.
Walsh, Michael J. K. (ed.). London, Modernism, and 1914. Cambridge: Cambridge University Press, 2010.
Black, Jonathan et al. Blasting the Future! Vorticism in Britain, 1910–1920. London: Philip Wilson, 2004.
Corbett, David Peters. The Modernity of English Art, 1914–1930. Manchester: Manchester University Press, 1997.
Corbett, David Peters (ed.). Wyndham Lewis and the Art of Modern War. Cambridge: Cambridge University Press, 1998.
Cork, Richard. Vorticism and Abstract Art in the First Machine Age. Berkeley and Los Angeles: University of California Press, 1976.
Edwards, Paul. Wyndham Lewis: Painter and Writer. New Haven, CT: Yale University Press, 2000.
Humphreys, Richard. Tate British Artists: Wyndham Lewis. London: Tate, 2004.
Michel, Walter. Wyndham Lewis: Paintings and Drawings. Berkeley and Los Angeles: University of California Press, 1971.
Bakhtin, Mikhail. The Dialogic Imagination: Four Essays by M. M. Bakhtin, ed. Holquist, Michael, trans. Holquist, Michael and Emerson, Caryl. Austin: University of Texas Press, 1998.
Beasley, Rebecca. “Wyndham Lewis and Modernist Satire.” In The Cambridge Companion to the Modernist Novel, ed. Shiach, M.. Cambridge: Cambridge University Press, 2007, 126136.
Bogel, Fredric V. The Difference Satire Makes: Rhetoric and Reading from Jonson to Byron. Ithaca, NY: Cornell University Press, 2001.
Connery, Brian A. and Combe, Kirk. Theorizing Satire: Essays in Literary Criticism, Hampshire: Palgrave Macmillan, 1995.
Elices, Juan F. Historical and Theoretical Approaches to English Satire. Munchen: Lincom Europa, 2005.
Knight, Charles A. The Literature of Satire. Cambridge: Cambridge University Press, 2004.
Perrino, Mark. The Poetics of Mockery: Wyndham Lewis’s The Apes of God and the Popularization of Modernism. London: W. S. Maney, 1995.
Edwards, Paul. Wyndham Lewis Portraits. London: National Portrait Gallery, 2008.
Edwards, Paul et al. Wyndham Lewis, 1882–1957. Madrid: Fundación Juan March, 2010.
Kush, Thomas. Wyndham Lewis’s Pictorial Integer. Ann Arbor, MI: UMI Research Press, 1981.
Normand, Tom. Wyndham Lewis, The Artist: Holding the Mirror Up to Politics. Cambridge: Cambridge University Press, 1992.
Shapiro, Theda. Painters and Politics: The European Avant-Garde and Society, 1900–1925. New York: Elsevier, 1976.
Tickner, Lisa. Modern Life and Modern Subjects: British Art in the Early Twentieth Century. New Haven, CT: Yale University Press, 2000.
Frost, Laura. Sex Drives: Fantasies of Fascism in Literary Modernism. Ithaca, NY: Cornell University Press, 2001.
Gąsiorek, Andrzej. “Wyndham Lewis on Art, Culture and Politics in the 1930s.” In Wyndham Lewis and the Cultures of Modernity, ed. Gąsiorek, Andrzej, Reeve-Tucker, Alice and Waddell, Nathan. Farnham, UK: Ashgate, 2011, 201221.
Griffin, Roger. Modernism and Fascism: The Sense of a Beginning Under Mussolini and Hitler. New York: Palgrave Macmillan, 2007.
Griffiths, Roger. Fellow Travellers of the Right: British Enthusiasts for Nazi Germany, 1933–1939. London: Constable, 1980.
Hamilton, Alastair. The Appeal of Fascism: A Study of Intellectuals and Fascism, 1919–1945. London: Macmillan, 1971.
Hewitt, Andrew. Fascist Modernism: Aesthetics, Politics, and the Avant-Garde. Stanford, CA: Stanford University Press, 1993.
Holmes, Stephen. The Anatomy of Antiliberalism. Cambridge, MA: Harvard University Press, 1993.
Jameson, Fredric. Fables of Aggression: Wyndham Lewis, the Modernist as Fascist. Berkeley and Los Angeles: University of California Press, 1979.
Sternhall, Zeev. Neither Left nor Right: Fascist Ideology in France. Princeton, NJ: Princeton University Press, 1995.
Antliff, Allan. Anarchist Modernism: Art, Politics, and the First American Avant-Garde. Chicago: University of Chicago Press, 2007.
Bridson, D. G. The Filibuster: A Study of the Political Ideas of Wyndham Lewis. London: Cassell, 1972.
Bru, Sascha. Democracy, Law and the Modernist Avant-Gardes: Writing in the State of Exception. Edinburgh: Edinburgh University Press, 2009.
Campbell, SueEllen. The Enemy Opposite: The Outlaw Criticism of Wyndham Lewis. Athens: Ohio University Press, 1988.
Miller, Tyrus. “No-Man’s Land: Wyndham Lewis and Cultural Revolution.” In Time Images: Alternative Temporalities in Twentieth-Century Theory, Literature, and Art. Newcastle Upon Tyne: Cambridge Scholars, 2009, 82103.
Munton, Alan. “The Politics of Wyndham Lewis.” PN Review 1 (March 1976): 3439.
Scott, James C. Seeing like a State: How Certain Schemes to Improve the Human Conditions Have Failed. New Haven, CT: Yale University Press, 1999.
Scott, James C. Two Cheers for Anarchism: Six Easy Pieces on Autonomy, Dignity, and Meaningful Work and Play. Princeton, NJ: Princeton University Press, 2014.
Stirner, Max. The Ego and His Own, trans. Bynington, Steven T.. ed. Caroll, John. London: Jonathan Cape, 1971.
Ayers, David. “Wyndham Lewis and the Modernists: Internationalism and Race.” In Modernism and Race, ed. Platt, Len. Cambridge: Cambridge University Press, 2011. 156172.
Cheyette, Bryan. Constructions of “the Jew” in English Literature and Society: Racial Representations, 1875–1945. Cambridge: Cambridge University Press, 1996.
Cheyette, Bryan, ed. Between ‘Race’ and Culture: Representations of ‘the Jew’ in English and American Literature. Stanford, CA: Stanford University Press, 1996.
Julius, Anthony. Trials of the Diaspora: A History of Anti-Semitism in England. Oxford: Oxford University Press, 2010.
Levine, Gary. The Merchant of Modernism: The Economic Jew in Anglo-American Literature, 1864–1939. London: Routledge, 2013.
Trubowitz, Lara. Civil Antisemitism, Modernism, and British Culture, 1902–1939. New York: Palgrave, 2012.
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.
Carlston, Erin. Thinking Fascism: Sapphic Modernism and Fascist Modernity. Stanford, CA: Stanford University Press, 2000.
Felski, Rita. The Gender of Modernity. Cambridge, MA: Harvard University Press, 1995.
Hewitt, Andrew. Political Inversions: Homosexuality, Fascism, and the Modernist Imagination. Stanford, CA: Stanford University Press, 1996.
Loewenstein, Andrea Freud. Loathsome Jews and Engulfing Women: Metaphors of Projection in the Works of Wyndham Lewis, Charles Williams, and Graham Greene. New York: New York University Press, 1993.
Warnke, Georgia. Debating Sex and Gender. Oxford: Oxford University Press, 2010.
Ayers, David. Wyndham Lewis and Western Man. New York: St. Martin’s Press, 1992.
Bell, Daniel. The Coming of Post-Industrial Society: A Venture in Social Forecasting. New York: Basic Books, 1973.
Burnham, James. The Managerial Revolution: What Is Happening in the World. New York: Praeger, 1972.
Burnham, James. Suicide of the West: An Essay on the Meaning and Destiny of Liberalism. New York: John Day, 1964.
Edwards, Paul. “Cultural Criticism at the Margins: Wyndham Lewis, The Tyro (1920–21), The Enemy (1927–29).” In A Critical and Cultural History of Modernist Magazines, ed. Brooker, Peter and Thacker, Andrew. Oxford: Oxford University Press, 2009.
Flusser, Vilém. Post-History, trans. Novaes, Rodrigo Maltez. Minneapolis: Univocal Press, 2013.
Harrison, John. The Reactionaries. London: Victor Gollancz, 1966.
Marcuse, Herbert. One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society. Boston: Beacon Press, 1991.
Niethammer, Lutz. Posthistoire: Has History Come to an End? Trans. Camiller, Patrick. London: Verso, 1992.
Stiegler, Bernard. The Decadence of Industrial Democracies, trans. Ross, Daniel and Arnold, Suzanne. London: Polity Press, 2011.
Antliff, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton, NJ: Princeton University Press, 1992.
Bergson, Henri. Creative Evolution, trans. Mitchell, Arthur. London: Macmillan, 1920.
Deleuze, Gilles. Bergsonism, trans. Tomlinson, Hugh and Habberjam, Barbara. New York: Zone Books, 1990.
Osborne, Peter. The Politics of Time: Modernity and Avant-Garde. London: Verso, 1995.
Schenker, Daniel. Wyndham Lewis: Religion and Modernism. Tuscaloosa: University of Alabama Press, 1991.
Stengers, Isabelle. Thinking with Whitehead: A Free and Wild Creation of Concepts, trans. Chase, Michael. Cambridge, MA: Harvard University Press, 2014.
Whitehead, Alfred North. Process and Reality. New York: The Free Press, 1978.
Whitehead, Alfred North. Science and the Modern World. London: Macmillan, 1925.
Baudrillard, Jean. Simulacra and Simulations, trans. Glaser, Shiela Faria. Ann Arbor: University of Michigan Press, 1995.
Debord, Guy, The Society of the Spectacle, trans. Perlman, Fredy. Detroit: Black & Red, 1983.
Flusser, Vilém. Writings. Minneapolis: University of Minnesota Press, 2004.
McLuhan, Marshall. Counterblast. London: Rapp & Whiting, 1970.
McLuhan, Marshall. Understanding Media: The Extensions of Man. Cambridge, MA: The MIT Press, 1994.
Murphet, Julian. Multimedia Modernism: Literature and the Anglo-American Avant-Garde. Cambridge: Cambridge University Press, 2009.
Watson, Shiela. Wyndham Lewis and Expressionism. Waterloo, Canada: MLR Editions Canada, 2003.