Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-m9kch Total loading time: 0 Render date: 2024-05-14T21:30:44.781Z Has data issue: false hasContentIssue false

18 - Quartet: Atwood, Gallant, Munro, Shields

from PART FOUR - AESTHETIC EXPERIMENTS, 1960 AND AFTER

Published online by Cambridge University Press:  28 September 2010

Coral Ann Howells
Affiliation:
University of Reading; University of London
Eva-Marie Kröller
Affiliation:
University of British Columbia, Vancouver
Get access

Summary

In 1955, when she was about sixteen, Margaret Atwood announced to the other girls she lunched with at Leaside High School in Toronto that she intended to be a writer. Five years before that, Mavis Gallant had quit her job at the Montreal Standard and moved to Paris resolved to do the same thing. “I believed that if I was going to call myself a writer, I should live on writing.” The first story she had submitted to The New Yorker came back, she has also recalled in the Preface to her Selected Stories (1996), “with a friendly letter that said, ‘Do you have anything else you could show us?’” She did, and the second story she sent, “Madeline’s Birthday,” was accepted and appeared in that magazine on September 1, 1951 – it proved to be the first of over a hundred stories she would first publish there. By 1955 too, Alice Munro had appeared with half a dozen stories in such Canadian outlets as the Canadian Forum, Mayfair, and Queen’s Quarterly and had four broadcast on CBC radio, but her second daughter was born that year so mostly her time was spent being a mother and wife in West Vancouver. Her initial appearance in The New Yorker, the first of over fifty stories ultimately, would not happen until 1977. In 1955, Carol Warner was still an undergraduate at Hanover College in Indiana; she would not become Carol Shields until 1957, when she married. She began publishing poetry and criticism in the early 1970s, subsequently establishing herself as a writer.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Anderson, Marjorie, “Interview with Carol Shields,” Prairie Fire 16.1 (1995).Google Scholar
Atwood, Margaret, “The Art of Cooking and Serving,” in Moral Disorder (New York: Nan A. Talese/Doubleday, 2006).Google Scholar
Atwood, Margaret, “Progressive Insanities of a Pioneer,” Selected Poems (Toronto: Oxford University Press, 1976).Google Scholar
Atwood, Margaret, “Afterword,” in The Journals of Susanna Moodie (Toronto: Oxford, 1970).Google Scholar
Atwood, Margaret, Surfacing (New York: Bantam, 1996 [1972]).Google Scholar
Atwood, Margaret, Second Words (Toronto: Anansi, 1982).Google Scholar
Atwood, Margaret, The Handmaid’s Tale (NewYork: Fawcett Crest, 1986 [1985]).Google Scholar
Atwood, Margaret. Negotiating with the Dead: A Writer on Writing. Cambridge: Cambridge University Press, 2002.Google Scholar
Atwood, Margaret. Second Words: Selected Critical Prose. Toronto: Anansi, 1982.Google Scholar
Aubrey, Kim, “How to Write like Alice Munro,” The Writer’s Chronicle, 38 (2005).Google Scholar
Besner, Neil K.. The Light of Imagination: Mavis Gallant’s Fiction. Vancouver: University of British Columbia Press, 1988.Google Scholar
Boyce, Pleuke and Smith, Ron, “A National Treasure: An Interview with Alice Munro,” Meanjin 54.2 (1995).Google Scholar
Brown, E. K.On Canadian Poetry. Ottawa: Tecumseh Press, 1973 [1943].Google Scholar
Djwa, Sandra, “The Where of Here: Margaret Atwood and a Canadian Tradition,” The Art of Margaret Atwood, ed. Davidson, Arnold E. and Davidson, Cathy N. (Toronto: Anansi, 1981).Google Scholar
Dvoøak, Marta, and Jones, Manina, eds. Carol Shields and the Extra-Ordinary. Montreal and Kingston: McGill-Queen’s University Press, 2007.Google Scholar
Eden, Edward, and Goertz, Dee, eds. Carol Shields, Narrative Hunger, and the Possibilities of Fiction. Toronto: University of Toronto Press, 2003.CrossRefGoogle Scholar
Franzen, Jonathan, “Alice’s Wonderland,The New York Times Book Review (November 14, 2004).Google Scholar
Freud, Vera, “Margaret Atwood,” The Humanist (September–October 1987).Google Scholar
Gallant, Mavis, “Preface,” in Selected Stories (Toronto: McClelland and Stewart, 1996).Google Scholar
Gallant, Mavis, “An Introduction,” in Home Truths: Selected Canadian Stories (Toronto: Macmillan, 1981).Google Scholar
Gallant, Mavis, “Madeline’s Birthday,” The New Yorker (September 1, 1951).Google Scholar
Gallant, Mavis, “What is Style?Canadian Forum (September 1982).Google Scholar
Gibson, Graeme. Gibson’s The Bedside Book of Birds: An Avian Miscellany (Toronto: Nan A. Talese, 2005)Google Scholar
Gunnars, Kristjana, ed. Transient Questions: New Essays on Mavis Gallant. Amsterdam and New York: Rodopi, 2004.Google Scholar
Ingersoll, G., “Engendering Metafiction: Textuality and Closure in Margaret Atwood’s Alias Grace,” American Review of Canadian Studies 31 3 (2001).CrossRefGoogle Scholar
Kokotailo, Philip, “Form in Atwood’s Surfacing: Toward a Synthesis of Critical Opinion,” Studies in Canadian Literature 8.2 (1983).Google Scholar
MacKendrick, Louis K., ed. Probable Fictions: Alice Munro’s Narrative Acts. Downsview: ECW Press, 1983.Google Scholar
Moodie, Susanna, Roughing It in the Bush, ed. Peterman, Michael A., Norton Critical Edition (New York: Norton, 2007 [1852]).Google Scholar
Moss, John, “Scuba Diving with Margaret Atwood,” Books in Canada 36.3 (2007).Google Scholar
Munro, Alice, “White Dump,” in The Progress of Love (Toronto: McClelland and Stewart, 1986).Google Scholar
Munro, Alice, “Foreword,” The View From Castle Rock (Toronto: McClelland and Stewart, 2006).Google Scholar
Munro, Alice, “The Progress of Love,” in The Progress of Love (Toronto: McClelland and Stewart, 1986).Google Scholar
Redekop, Magdalene. Mothers and Other Clowns: The Stories of Alice Munro. London and New York: Routledge, 1992.Google Scholar
Russo, Maria, “Final Chapter,The New York Times Magazine (April 14, 2002).Google Scholar
Shields, Carol, The Stone Diaries (London: Fourth Estate, 1993).Google Scholar
Shields, Carol, Larry’s Party (London: Fourth Estate, 1997).Google Scholar
Shields, Carol, Unless (Toronto: Random House Canada, 2002).Google Scholar
Shields, Carol, Small Ceremonies (London: Fourth Estate, 1995).Google Scholar
Shields, Carol, “Segue,” in The Collected Stories (Toronto: Random House Canada, 2004).Google Scholar
Thacker, Robert. Alice Munro: Writing Her Lives: A Biography. Toronto: McClelland and Stewart, 2005.Google Scholar
Truax, Alice, “A Private Apocalypse,” The New York Times Book Review (October 15, 2006).Google Scholar
Vauthier, Simone. Reverberations: Explorations in the Canadian Short Story. Concord: House of Anansi, 1993.Google Scholar
Ventura, Héliane and Condé, Mary, eds., Alice Munro: Writing Secrets, Special issue of Open Letter 11.9/12.1 (2003 2004).
Williams, David, “Making Stories, Making Selves: ‘Alternate Versions’ in The Stone Diaries,” Canadian Literature 186 (2005).Google Scholar
York, Lorraine. Literary Celebrity in Canada. Toronto: University of Toronto Press, 2007.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×