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The Cambridge History of Modernism
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The Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories collection. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.

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This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.

Luca Somigli , “In the Shadow of Byzantium: Modernism in Italian Literature,” in Vivian Liska and Astradur Eysteinsson (eds.), Modernism, 2 vols. (Amsterdam: John Benjamins, 2007), vol. ii, 911–30 (at 922).

Susan Stanford Friedman , “Periodizing Modernism: Postcolonial Modernities and the Space/Time Borders of Modernist Studies,” Modernism/Modernity, 13/3 (2006), 425–43, and “Planetarity: Musing Modernist Studies,” Modernism/Modernity, 17/3 (2010), 471–99

David Spurr , “Myths of Anthropology: Eliot, Joyce, Lévy-Bruhl,” PMLA, 109/2 (1994), 266–80 (at 267)

Patricia Leighten , “The White Peril and L’Art Negre: Picasso, Primitivism, and Anticolonialism,” Art Bulletin, 72/4 (1990), 609–30 (at 611)

Marianna Torgovnick , “Making Primitive Art High Art,” Poetics Today, 10/2 (1989), 299328 (at 306, 311)

Yve-Alain Bois , “Kahnweiler’s Lesson,” trans. Katharine Streip , Representations, 18 (1987), 3368 (at 38)

Partha Mitter , “Decentering Modernism: Art History and Avant-Garde Art from the Periphery,” Art Bulletin, 90/4 (2008), 531–48 (at 535)

W. Wolfgang Holdheim , “Wilhelm Worringer and the Polarity of Understanding,” Boundary 2, 8/1 (1979), 339–58 (at 342)

Joseph A. Buttigieg , “Worringer Among the Modernists,” Boundary 2, 8/1 (1979), 359–66 (at 360)

T.S. Eliot , “Review of Group Theories of Religion and Religion and the Individual,” International Journal of Ethics, 27/1 (1916), 115–17 (at 116)

David Chinitz , “T.S. Eliot and the Cultural Divide,” PMLA, 110/2 (1995), 236–47 (at 238)

Sabine Hake , “Saxa Loquuntur: Freud’s Archaeology of the Text,” Boundary 2, 20 (1993), 146–73 (at 172)

Thomas D. Davis , “Late Modernism: British Literature at Midcentury,” Literature Compass, 9/4 (April 2012), 326–37

Douglas Mao and Rebecca L. Walkowitz , “The New Modernist Studies,” PMLA123/3 (May 2008), 737–48 (at 737)

Paul Saint-Amour , Tense Future: Modernism, Total War, Encyclopedic Form (Oxford University Press, 2015)

Patrician Leighten , “The White Peril and L’Art negre: Picasso, Primitivism, and Anticolonialism,” Art Bulletin, 72/4 (1990), 609–30 (at 610)

Leo Steinberg , “The Philosophical Brothel,” October, 44 (Spring 1988), 774

Daniel Herwitz , Heritage, Culture and Politics in the Postcolony (New York: Columbia University Press, 2012)

N. Stieber , Housing Design and Society in Amsterdam: Reconfiguring Urban Order and Identity, 1900–1920 (University of Chicago Press, 1998)

D. Ghirardo , “Italian Architects and Fascist Politics: An Evaluation of the Rationalists’ Role in Regime-Building,” Journal of the Society of Architectural Historians, 39/2 (May 1980), 109–27

Gayle Rogers , “Jiménez, Modernism/o, and the Languages of Comparative Modernist Studies,” Comparative Literature, 66/1 (2014), 127–47 (at 131, 128).

Richard Begam , “Joyce’s Trojan Horse: Ulysses and the Aesthetics of Decolonization,” in Richard Begam and Michael Valdez Moses (eds.), Modernism and Colonialism: British and Irish Literature, 1899–1939 (Durham, NC: Duke University Press, 2007), 185208 (at 188, 186).

Rubén Gallo , “John Dos Passos in Mexico,” Modernism/Modernity, 14/2 (2007), 329–45.

Carol Oja , “Gershwin and American Modernists of the 1920s,” Musical Quarterly, 78 (1994), 632.

Perry Anderson , “Modernity and Revolution,” in Carey Nelson and Lawrence Grossberg (eds.), Marxism and the Interpretation of Culture (Urbana: University of Illinois Press, 1988), 317–33 (at 324–25).

Kurt Weill , “Gestus in Music,” trans. Erich Albrecht , Tulane Drama Review, 6 (1961), 2832. See also Albright, Untwisting the Serpent, 112.

W.B. Yeats , Essays and Introductions (New York: Macmillan, 1961), 509

Strindberg’s Letters: 1892–1912, ed. Michael Robinson (London: Athlone, 1992), 670–71

Ben Levitas , The Theatre of Nation (Oxford University Press, 2002)

Julia A. Walker , Expressionism and Modernism in the American Theatre (Cambridge University Press, 2005)

Erica Fischer-Lichte , Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre (London: Routledge, 2005)

Kimberly Jannarone , Artaud and His Doubles (Ann Arbor: University of Michigan Press, 2010)

Clare Warden , British Avant-Garde Theatre (New York: Palgrave Macmillan, 2012)

Lawrence Venuti , “Translation, Interpretation, Canon Formation,” in Alexandra Lianeri and Vonda Zajko (eds.), Translation and the Classic: Identity and Change in the History of Culture (Oxford University Press, 2008), 2751 (at 46)

James Lastra , Sound Technology and the American Cinema: Perception, Representation, Modernity (New York: Columbia University Press, 2000)

William Uricchio describes this moment of development as the “digital” or “algorithmic” turn: “The Algorithmic Turn: Photosynth, Augmented Reality and the Changing Implications of the Image,” Visual Studies, 26/1 (2011), 2535

Sam See , “The Comedy of Nature: Darwinian Feminism in Virginia Woolf’s Between the Acts,” Modernism/Modernity, 17/3 (2010), 639–67

Michele Pridmore-Brown , “Of Virginia Woolf, Gramophones, and Fascism,” PMLA, 113/3 (1998), 408–21 (at 412)

Karin E. Westman , “‘For Her Generation the Newspaper Was a Book’: Media, Mediation, and Oscillation in Virginia Woolf’s Between the Acts,” Journal of Modern Literature, 29/2 (2006), 118

Lori Harrison-Kahan , “Her ‘Nig’: Returning the Gaze of Nella Larsen’s Passing,” Modern Language Studies, 32/2 (2002), 109–38

David Rodowick , The Virtual Life of Film (Cambridge, MA: Harvard University Press, 2007), 135–37

Gerald Noxon , “Cinema and Cubism (1900–1915),” Journal of the Society of Cinematologists, 2 (1962), 2333

Ivan Kreilkamp , Voice and the Victorian Storyteller (Cambridge University Press, 2005), 179204

Emily C. Bloom , “Yeats’s Radiogenic Poetry: Oral Traditions and Auditory Publics,” Éire-Ireland, 46/3 and 4 (Winter 2011), 227–51 (at 227, 229)

Ernesto Suárez-Toste , “Spontaneous, Not Automatic: William Carlos Williams Versus Surrealist Poetics,” in Viorica Patea and Paul Scott Derrick (eds.), Modernism Revisited: Transgressing Boundaries and Strategies of Renewal in American Poetry (Amsterdam: Rodopi, 2007), 161–74 (at 165–66)

Ezra Pound , “Small Magazines,” English Journal, 19/9 (November 1930), 689704

Sean Latham and Robert Scholes , “The Rise of Periodical Studies,” PMLA, 121/2 (March 2006), 517–31

Edward Bishop , “Re:Covering Modernism – Format and Function in the Little Magazines,” in Ian Willison , Warwick Gould , and Warren Chernaik (eds.), Modernist Writers and the Marketplace (London: Macmillan, 1996), 287319 (at 309)

Brad Evans , “‘Ephemeral Bibelots’ in the 1890s,” in Peter Brooker and Andrew Thacker (eds.), The Oxford Critical and Cultural History of Modernist Magazines (Oxford University Press, 2012), vol. ii, 132–53 (at 134)

Koenraad Claes and Marysa Demoor , “The Little Magazine in the 1890s: Towards a ‘Total Work of Art,’” English Studies, 91/2 (April 2010), 133–49 (at 148)

Andrew Thacker , “Modern Tastes in Rhythm: The Visual and Verbal Culture of Advertisements in Modernist Magazines,” Katherine Mansfield Studies, 2/1 (2010), 419 (at 14)

J. Stephen Murphy and Mark Gaipa , “You Might Also Like… : Magazine Networks and Modernist Tastemaking in the Dora Marsden Magazines,” Journal of Modern Periodical Studies, 5/1 (2014), 2768 (at 48)

Jill Richards , “Model Citizens and Millenarian Subjects: Vorticism, Suffrage, and London’s Great Unrest,” Journal of Modern Literature, 37/3 (Spring 2014), 117 (at 7)

Paige Reynolds , “‘Chaos Invading Concept’: Blast as a Native Theory of Promotional Culture,” Twentieth Century Literature, 46/2 (Summer 2000), 238–68 (at 238)

Alan C. Golding , “The Dial, The Little Review, and the Dialogics of Modernism,” American Periodicals, 15/1 (2005), 4255 (at 50)

Marianne DeKoven , “Modernism and Gender,” in Michael Levenson (ed.), The Cambridge Companion to Modernism (Cambridge University Press, 1999), 174–93 (at 185)

Rachel Blau DuPlessis , “‘Virile Thought’: Modernist Maleness, Poetic Forms and Practices,” in Natalya Lusty and Julian Murphet (eds.), Modernism and Masculinity (Cambridge University Press, 2014), 1937 (at 23)

Laura Doyle , “Transnational History at Our Backs: A Long View of Larsen, Woolf, and Queer Racial Subjectivity in Atlantic Modernism,” Modernism/Modernity, 13/3 (2006), 531–59 (at 549, 554)

William J. Maxwell , “Global Poetics and State-Sponsored Transnationalism: A Reply to Jahan Ramazani,” American Literary History, 18/2 (Summer 2006), 360–64

David Chinitz , Which Sin to Bear? Authenticity and Compromise in Langston Hughes (New York: Oxford University Press, 2013)

Carla Kaplan , “Zora Neale Hurston, Folk Performance, and the ‘Margarine Negro,’” in George Hutchinson (ed.), The Cambridge Companion to the Harlem Renaissance (Cambridge University Press, 2007), 213–36 (at 230)

Graham Frankland , Freud’s Literary Culture (Cambridge University Press, 2000), 16

Jean-Michel Rabaté , “Loving Freud Madly: Surrealism between Hysterical and Paranoid Modernism,” Journal of Modern Literature, 25 (2002), 5874 (at 59)

Vincent John Cheng , Shakespeare and Joyce: A Study of Finnegans Wake (University Park: Pennsylvania State University Press, 1984)

Lawrence Rainey (ed.), Modernism: An Anthology (Malden, MA, and Oxford: Blackwell, 2005), 165–67 (at 165)

Richard Stites , Serfdom, Society and the Arts in Imperial Russia: The Pleasure and the Power (New Haven, CT: Yale University Press, 2005)

Jochen Hellbeck , Revolution on My Mind: Writing a Diary under Stalin (Cambridge, MA: Harvard University Press, 2006)

Kimberly Healey , “French Literary Modernism,” in Astradur Eysteinsson and Vivian Liska (eds.), Modernism, vol. ii (Amsterdam: John Benjamins, 2007), 801

Thomas Mann , “On the German Republic,” trans. Lawrence Rainey , Modernism/Modernity, 14/1 (January 2007), 109–32 (at 110)

Robert K. Martin , “Walt Whitman and Thomas Mann,” Walt Whitman Quarterly Review, 4 (Summer 1986), 16

Barry McCrea , In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce and Proust (New York: Columbia University Press, 2011)

Karl Morgenstern , “On the Nature of the Bildungsroman,” trans. Tobias Boes , PMLA, 124 (2009), 647–59 (at 654)

Julian B. Kaye , “Conrad’s Under Western Eyes and Mann’s Doctor Faustus,” Comparative Literature, 9/1 (Winter 1957), 6065

Robert Goldwater , Primitivism in Modern Art, rev. edn. (Cambridge, MA: Harvard University Press, 1986),

Lawrence Rainey , “Pound or Eliot: Whose Era?” in Alex Davis and Lee M. Jenkins (eds.), The Cambridge Companion to Modernist Poetry (Cambridge University Press, 2007), 87113.

Paul Smith in “1924: Hemingway’s Luggage and the Miraculous Year,” in Scott Donaldson (ed.), The Cambridge Companion to Hemingway (Cambridge University Press, 1996), 3654 (at 43–44).

Robert Colls , Identity of England (Oxford University Press, 2002), 289304.

Donald M. Kartiganer examines Faulkner’s indebtedness to Symbolism in “‘So I, who had never had a war…’: William Faulkner, War, and the Modern Imagination,” Modern Fiction Studies, 44/3 (1998), 619–45 (at 620–22)

Donald M. Kartiganer , “Modernism as Gesture: Faulkner’s Missing Facts,” Renaissance and Modern Studies, 41/1 (1998), 1328.

Howard J. Booth , “D.H. Lawrence and Male Homosexual Desire,” Review of English Studies, 53/209 (2002), 86107 (at 105, n. 64).

R.P. Draper (ed.), D.H. Lawrence: The Critical Heritage (London: Routledge & Kegan Paul, 1970), 343–47 (at 344, 347).

Susan Reid , “Decolonizing Time: The Mexican Temporalities of D.H. Lawrence, Aldous Huxley and Carlos Fuentes,” Journal of Postcolonial Writing, 50/6 (2014), 717–29.

Alex Goody , Modernist Articulations: A Cultural Study of Djuna Barnes, Mina Loy, and Gertrude Stein (Basingstoke: Palgrave MacMillan, 2007), 126–27.

Diane Chisholm , “Obscene Modernism: Eros Noir and the Profane Illumination of Djuna Barnes,” American Literature, 69 (1997), 167206 (at 188–89);

Monika Kaup , “The Neobaroque in Djuna Barnes,” Modernism/Modernity, 12 (2005), 85110 (at 100).

David Hopkins , “Men Before the Mirror: Duchamp, Man Ray, and Masculinity,” Art History, 21 (1998), 303–23 (at 307–09).

Amelia Jones , “Equivocal Masculinity: New York Dada in the Context of World War I,” Art History, 25 (2002), 162205 (at 183).

Teresa de Lauretis , “Nightwood and the Terror of Uncertain Signs,” Critical Inquiry, 34 (2008), 117–29 (at 122).

Michel Leiris , “On Duchamp,” October, 112 (2005), 4550 (at 48, 49).

Laura Mulvey and Peter Wollen , “Frida Kahlo and Tina Modotti,” Visual and Other Pleasures (Bloomington: Indiana University Press, 1989), 81107 (at 83).

Louis Untermeyer , “The Spirit of Modern American Poetry,” English Journal, 13/2 (February 1924), 8999 (at 96).

Eileen Gregory , “Rose Cut in Rock: Sappho in H.D.’s Sea Garden,” Contemporary Literature, 27/4 (Winter 1986), 525–52 (at 538).

Tracy Bealer , “‘The Kiss of Memory’: The Problem of Love in Hurston’s Their Eyes Were Watching God,” African American Review, 43/2–3 (Summer/Fall 2009), 311–27 (at 312).

Sonnet Retman , “Langston Hughes’s ‘Rejuvenation through Joy’: Passing, Racial Performance, and the Marketplace,” African American Review, 45/4 (Winter 2012), 593602 (at 597).

Immanuel Kant , Critique of the Power of Judgment, trans. Paul Guyer and Eric Matthews (Cambridge University Press, 2000), 257–60.

Marjorie Perloff , “The Aura of Modernism,” Modernist Cultures, 1/1 (2005), 114 (at 12).

Douglas Mao and Rebecca L. Walkowitz , “The New Modernist Studies,” PMLA, 123/3 (2008), 737–48 (at 738).

Michael Bell . Literature, Modernism and Myth: Belief and Responsibility in the Twentieth Century. Cambridge University Press, 1997.

Art Berman . Preface to Modernism. Urbana: University of Illinois Press, 1994.

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Peter Nicholls . Modernisms: A Literary Guide. 2nd edn. London: Palgrave Macmillan, 2009.

Paul Peppis . Sciences of Modernism: Ethnography, Sexology, and Psychology. Cambridge University Press, 2014.

Jed Rasula . History of a Shiver: The Sublime Impudence of Modernism. New York: Oxford University Press, 2016.

Enda Duffy . The Speed Handbook: Velocity, Pleasure, Modernism. Durham, NC: Duke University Press, 2009.

Michael North . Novelty: A History of the New. University of Chicago Press, 2013.

Bryony Randall . Modernism, Daily Time and Everyday Life. Cambridge University Press, 2007.

Günter Berghaus . Theatre, Performance and the Historical Avant-Garde. London: Palgrave Macmillan, 2005.

Richard Brinkmann . Expressionismus. Stuttgart: Metzler, 1980.

Jonathan P. Eburne , and Felski Rita . “What is an Avant-Garde?New Literary History, special issue, 41/4 (2010), vxv.

Adam Parkes . A Sense of Shock: The Impact of Impressionism on Modern British and Irish Writing. New York: Oxford University Press, 2011.

Hubert van den Berg , et al. (eds.). A Cultural History of the Avant-Garde in the Nordic Countries, 1900–1925. Amsterdam: Rodopi, 2012.

Thomas Winner . The Czech Avant-Garde Literary Movement Between the World Wars. New York: Peter Lang, 2015.

Stephen Arata . Fictions of Loss in the Victorian Fin de Siècle. Cambridge University Press, 1996.

Ann L. Ardis Modernism and Cultural Conflict, 1880–1922. Cambridge University Press, 2002.

Greg Barnhisel . Cold War Modernists: Art, Literature, and American Cultural Diplomacy. New York: Columbia University Press, 2015.

Sarah Cole . Modernism, Male Friendship, and the First World War. Cambridge University Press, 2003.

Anne 843Fernihough . Freewomen and Supermen: Edwardian Radicals and Literary Modernism. Oxford University Press, 2013.

Helmut Lethen Cool Conduct: The Culture of Distance in Weimar Germany, trans. Don Reneau . Berkeley: University of California Press, 2002.

Marina MacKay . Modernism and World War II. Cambridge University Press, 2007.

Kirsten MacLeod . Fictions of British Decadence: High Art, Popular Writing, and the Fin de Siècle. Basingstoke: Palgrave Macmillan, 2006.

Patrick McGuinness . Poetry and Radical Politics in Fin de Siècle France: From Anarchism to Action Française. Oxford University Press, 2015.

Leo Mellor . Reading the Ruins: Modernism, Bombsites & British Culture. Cambridge University Press, 2011.

Tyrus Miller . Late Modernism: Politics, Fiction and the Arts Between the World Wars. Berkeley: University of California Press, 1999.

Paul Saint-Amour . Tense Future: Modernism, Total War, Encyclopaedic Form. Oxford University Press, 2015.

Tom Sandqvist . The Sacred Cause: The Europe that was Lost – Thoughts on Central and Eastern European Modernism. Frankfurt: Peter Lang, 2013.

Michael Szalay . New Deal Modernism: American Literature and the Invention of the Welfare State. Durham, NC: Duke University Press, 2000.

Christopher Crouch . Modernism in Art, Design, and Architecture. New York: St. Martin’s Press, 1999.

Christopher Green . Cubism and its Enemies: Modern Movements and Reaction in French Art 1916–1928. New Haven, CT: Yale University Press, 1987.

Patricia Leighten . The Liberation of Painting: Modernism and Anarchism in Avant-Guerre Paris. University of Chicago Press, 2013.

Bernard Smith . Modernism’s History. New Haven, CT: Yale University Press, 1998.

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Andrés Mario Zervigón . John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage. University of Chicago Press, 2012.

Jessica Berman . Modernist Fiction, Cosmopolitanism, and the Politics of Community. Cambridge University Press, 2001.

Mary Gluck . Popular Bohemia: Modernism and Urban Culture in Nineteenth-Century Paris. Cambridge, MA: Harvard University Press, 2005.

William B. Scott , and Peter Rutkoff . New York Modern: The Arts and the City. Baltimore, MD: Johns Hopkins University Press, 1999.

Richard Begam , and Michael Valdez Moses (eds.). Modernism and Colonialism: British and Irish Literature, 1899–1939. Durham, NC: Duke University Press, 2007.

Jessica Berman . Modernist Commitments: Ethics, Politics, and Transnational Modernism. New York: Columbia University Press, 2012.

Gregory Castle . Modernism and the Celtic Revival. Cambridge University Press, 2001.

Deborah Cullen (ed.). Nexus New York: Latin/American Artists in the Modern Metropolis. New York: El Museo del Barrio, 2009.

Susan Stanford Friedman . Planetary Modernisms: Provocations on Modernity Across Time. New York: Columbia University Press, 2015.

Roberto González Echevarría . Myth and Archive. Cambridge University Press, 1990.

Gary B. Magee , and Andrew Thompson . Empire and Globalization: Networks of People, Goods and Capital in the British World, c. 1850–1914. Cambridge University Press, 2010.

Barry McCrea Languages of the Night: Minor Languages and the Literary Imagination in Twentieth-Century Ireland and Europe. New Haven, CT: Yale University Press, 2015.

Bill Schwarz (ed.). West Indian Intellectuals in Britain. Manchester University Press, 2003.

Russell Berman The Rise of the Modern German Novel: Crisis and Charisma. Cambridge, MA: Harvard University Press, 1986.

Maria DiBattista , and Emily Wittman (eds.). Modernism and Autobiography. New York: Cambridge University Press, 2014.

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Jonathan Greenberg . Modernism, Satire, and the Novel. Cambridge University Press, 2011.

Paul Griffiths . Olivier Messiaen and the Music of Time. Ithaca, NY: Cornell University Press, 1985.

Dominic Head . The Modernist Short Story. Cambridge University Press, 1992.

Tony E. Jackson The Subject of Modernism: Narrative Alterations in the Fiction of Eliot, Conrad, Woolf, and Joyce. Ann Arbor: University of Michigan Press, 1994.

Stephen Kern . The Modernist Novel: A Critical Introduction. Cambridge University Press, 2011.

David F. Kuhns German Expressionist Theatre: the Actor and the Stage. Cambridge University Press, 1997.

Michael Levenson . Modernism and the Fate of Individuality: Character and Novelistic Form from Conrad to Woolf. Cambridge University Press, 1991.

Pericles Lewis . Modernism, Nationalism, and the Novel. Cambridge University Press, 2000.

Pericles Lewis . Religious Experience and the Modernist Novel. Cambridge University Press, 2010.

Paul Sheehan . Modernism, Narrative and Humanism. Cambridge University Press, 2002.

Joseph N. Strauss Remaking the Past: Musical Modernism and the Influence of Tonal Tradition. Cambridge, MA: Harvard University Press, 1990.

David Trotter . The Making of the Reader: Language and Subjectivity in Modern American, English, and Irish Poetry. London: Macmillan, 1984.

Lawrence Venuti . The Translator’s Invisibility. New York: Routledge, 1995.

Julia Walker . Expressionism and Modernism in the American Theatre: Bodies, Voices, Words. Cambridge University Press, 2005.

Stephen Yao . Translation and the Languages of Modernism. New York: Palgrave Macmillan, 2002.

Gabriele Brandstetter . Poetics of Dance: Body, Image and Space in the Historical Avant-Gardes. Oxford University Press, 2015.

John Xiros Cooper . Modernism and the Culture of Market Society. New York: Cambridge University Press, 2004.

Mary Davis . Classic Chic: Music, Fashion, and Modernism. Berkeley: University of California Press, 2006.

Stephen Fredman . Poet’s Prose: The Crisis in American Verse. 2nd edn. Cambridge University Press, 1990.

Thomas C. Grey The Wallace Stevens Case: Law and the Practice of Poetry. Cambridge, MA: Harvard University Press, 1991.

Sam Halliday . Sonic Modernity: Representing Sounds in Literature, Culture and the Arts. Edinburgh University Press, 2013.

Charles Hamm . Putting Popular Music in its Place. Cambridge University Press, 1995.

Stephen Hutchings . Russian Modernism: The Transfiguration of the Everyday. Cambridge University Press, 1997.

Jeffrey H. Jackson Making Jazz French: Music and Modern Life in Interwar Paris. Durham, NC: Duke University Press, 2003.

Susan Jones . Literature, Modernism and Dance. Oxford University Press, 2013.

David Kadlec . Mosaic Modernism: Anarchism, Pragmatism, Culture. Baltimore, MD: Johns Hopkins University Press, 2000.

Mark Morrisson . The Public Face of Modernism: Little Magazines, Audiences, and Reception, 1905–1920. Madison: University of Wisconsin Press, 2001.

Carol Oja . Making Music Modern: New York in the 1920s. Oxford University Press, 2000.

Liesl Olson . Modernism and the Ordinary. Oxford University Press, 2009.

Marjorie Perloff . Wittgenstein’s Ladder: Poetic Language and the Strangeness of the Ordinary. University of Chicago Press, 1996.

Sarah Posman , et al. (eds.). The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange. Berlin: De Gruyter, 2013.

David 859Roberts . The Total Work of Art in European Modernism. Ithaca, NY: Cornell University Press, 2011.

Max Saunders . Self Impression: Life-Writing, Autobiografiction, and the Forms of Modern Literature. Oxford University Press, 2010.

Ronald Schleifer . Modernism and Popular Music. Cambridge University Press, 2011.

Simon Shaw-Miller . Visible Deeds of Music: Art and Music from Wagner to Cage. New Haven, CT: Yale University Press, 2002.

Glenn Watkins . Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the Postmodernists. Cambridge, MA: Belknap Press, 1994.

Ian 860Willison , Warwick Gould , and Warren Chernaik (eds.). Modernist Writers and the Marketplace. London: Macmillan, 1996.

Ann Ardis , and Patrick Collier (eds.). Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms. London: Palgrave Macmillan, 2008.

Tim Armstrong . Modernism, Technology, and the Body: A Cultural Study. Cambridge University Press, 1998.

Todd Avery . Radio Modernism: Literature, Ethics, and the BBC, 1922–1938. Farnham: Ashgate, 2006.

Debra Rae Cohen , Michael Coyle , and Jane Lewty (eds.). Broadcasting Modernism. Gainesville: University Press of Florida, 2009.

Rhonda Garelick . Electric Salome: Loie Fuller’s Performance of Modernism. Princeton University Press, 2007.

Mark Goble . Beautiful Circuits: Modernism and the Mediated Life. New York: Columbia University Press, 2010.

Michael North . Camera Works: Photography and the Twentieth-Century Word. New York: Oxford University Press, 2005.

Pamela Thurschwell . Literature, Technology and Magical Thinking, 1880–1920. Cambridge University Press, 2001.

Walter L. Adamson Avant-Garde Florence: From Modernism to Fascism. Cambridge, MA: Harvard University Press, 1993.

Paul Allen Anderson . Deep River: Music and Memory in Harlem Renaissance Thought. Durham, NC: Duke University Press, 2001.

Udo Bermbach . Der Wahn des Gesamtkunstwerks: Richard Wagners politisch-ästhetische Utopie. Stuttgart: Metzler, 2004.

Donald J. Childs Modernism and Eugenics: Woolf, Eliot, Yeats and the Culture of Degeneration. Cambridge University Press, 2001.

James De Jong . Vicious Modernism: Black Harlem and the Literary Imagination. Cambridge University Press, 1990.

James Donald . Some of These Days: Black Stars, Jazz Aesthetics, and Modernist Culture. Oxford University Press, 2015.

Rachel Blau DuPlessis . Genders, Races, and Religious Cultures in Modern American Poetry, 1908–1934. Cambridge University Press, 2001.

Erica Fischer-Lichte . Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre. London: Routledge, 2005.

Farah Jasmine Griffin . “Who Set You Flowin’?”: The African-American Migration Narrative. New York: Oxford University Press, 1995.

Boris Groys . The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond, trans. Charles Rougle . London: Verso, 2011.

Eric Haralson . Henry James and Queer Modernity. Cambridge University Press, 2003.

Andrew Hewitt . Social Choreography: Ideology as Performance in Dance and Everyday Movement. Durham, NC: Duke University Press, 2005.

Gary Edward Holcomb . Claude McKay, Code Name Sasha: Queer Marxism and the Harlem Renaissance. Gainesville: University Press of Florida, 2007.

Axel Honneth . Reification: A New Look at an Old Idea, ed. Martin Jay . New York: Oxford University Press, 2008.

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