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11 - Remembering and Imagining the National Past: Public Service Television Drama and the Construction of a Flemish Nation, 1953-1989

Published online by Cambridge University Press:  11 December 2020

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Summary

Abstract

This chapter argues that the conception of the nation as an imagined community is particularly productive to analyse twentieth-century broadcasting. Public service broadcasting (PSB) explicitly aimed to provide viewers with images of their nation and its culture, as a nationalized, public institution stimulating national coherence on a symbolical level. This chapter takes the example of Flanders, a region with growing national ambitions from the 1950s. From 1953, public service broadcaster NIR (later BRT, BRTN and now VRT) provided representations of this assumedly old and homogeneous ‘nation’, drama series presenting vivid and popular narratives about ‘our’ region, people and history. Nostalgia marked these productions, a bitter-sweet commemoration of the poor yet simple and sociable life in Flemish villages of the first half of the twentieth century.

Keywords: public service broadcasting, national identity, period drama, representation, nostalgia

Television plays a major role in shaping ideas about ‘the nation’. As a mass medium, it can and does address a large and varied segment of the national population, entering their lives on an everyday basis in the privacy of their homes. For this reason, in the mid-twentieth century the development of the new medium was closely guarded and regulated by governments. Across Europe, the model of public service broadcasting (PSB) was adopted, explicitly linking broadcasting institutions to national aspirations and policies. Television was conceived as a national medium in its organization, its programmes and its audience.

This chapter explores connections between television as an institution and the nation as an imagined community, focusing in particular on the case of Flanders, the northern, Dutch-speaking part of Belgium. The central question it addresses is: how did public television in Flanders contribute to the construction of a ‘national’ Flemish imagined community? While it is not a nation-state, Flanders has national aspirations which from the 1950s were supported – albeit implicitly – by the fast-growing medium of television. Providing images of the nation, television literally contributed to the ‘imagining’ of the nation, creating a set of widely shared representations of and discourses about Flanders. One key dimension in these representations was the establishment of connections with the ‘national’ past, creating a sense of shared history.

Type
Chapter
Information
Imagining Communities
Historical Reflections on the Process of Community Formation
, pp. 215 - 230
Publisher: Amsterdam University Press
Print publication year: 2018

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