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Subjectivity and Subjugation in Seventeenth-Century Drama and Prose
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  • Cited by 3
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    This book has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Mäkelä, Maria 2018. Exceptionality or Exemplarity?. Poetics Today, Vol. 39, Issue. 1, p. 17.

    Conroy, Derval 2016. Ruling Women, Volume 2. p. 5.

    Hélène Bilis 2013. CORNEILLE'S <em>CINNA</em>, CLEMENCY, AND THE IMPLAUSIBLE DECISION. The Modern Language Review, Vol. 108, Issue. 1, p. 68.

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    Subjectivity and Subjugation in Seventeenth-Century Drama and Prose
    • Online ISBN: 9780511553936
    • Book DOI: https://doi.org/10.1017/CBO9780511553936
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Book description

This 1992 book analyses the relation between an emergent modern subjectivity in seventeenth-century French literature, particularly in dramatic works, and the contemporaneous evolution of the absolutist state. It shows how major writers of the Classical period (Corneille, Racine, Moliere, Lafayette) elaborate a new subject in and through their representations of the family, and argues that the family serves as the mediating locus of a patriarchal ideology of sexual and political containment. Most importantly, it asks why the theatre became the privileged form of representation in this state, and why this theatre concentrates almost exclusively on family conflict. Professor Greenberg argues that the narrative of oedipal sexuality and subjugation central to this new literary canon reflected the conflicting social, political and economic forces that were shifting European society away from the universe of the Renaissance and guiding it towards the 'transparency' of Classical representation.

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