Book contents
- The Victorian Cult of Shakespeare
- Cambridge Studies In Nineteenth-Century Literature And Culture
- The Victorian Cult of Shakespeare
- Copyright page
- Dedication
- Contents
- Figures
- Preface
- Acknowledgments
- Introduction
- Chapter 1 Shakespearean Sermons and Other Pious Texts
- Chapter 2 The Harmonies and Beauties of Devotional Shakespeare Volumes
- Chapter 3 The Sonnets and the Messiah
- Chapter 4 The Authority of the (Missing) Author
- Chapter 5 Shakespearean Clerisies and Perfect Texts
- Conclusion: Concealed Wonders and Choice Treasures
- Notes
- Selected Bibliography
- Index
- Cambridge Studies in Nineteenth-Century Literature and Culture
Chapter 4 - The Authority of the (Missing) Author
Published online by Cambridge University Press: 30 October 2020
- The Victorian Cult of Shakespeare
- Cambridge Studies In Nineteenth-Century Literature And Culture
- The Victorian Cult of Shakespeare
- Copyright page
- Dedication
- Contents
- Figures
- Preface
- Acknowledgments
- Introduction
- Chapter 1 Shakespearean Sermons and Other Pious Texts
- Chapter 2 The Harmonies and Beauties of Devotional Shakespeare Volumes
- Chapter 3 The Sonnets and the Messiah
- Chapter 4 The Authority of the (Missing) Author
- Chapter 5 Shakespearean Clerisies and Perfect Texts
- Conclusion: Concealed Wonders and Choice Treasures
- Notes
- Selected Bibliography
- Index
- Cambridge Studies in Nineteenth-Century Literature and Culture
Summary
Chapter Four, “The Elusiveness of the Divine William” traces how nineteenth-century Biblical criticism and theological controversy brought about the so-called “authorship controversy” by bringing to light the uncertainty of Shakespeare’s personal history. In it, I demonstrate how Shakespeare’s person becomes a great mystery in the aftermath of D. F. Strauss’s Das Leben Jesu, translated by George Eliot in 1846 as The Life of Jesus. Nineteenth-century Biblical studies had by this point progressed to the point that their philological and textual tools were widely applied to other distant figures, from Homer to Sappho, and – more importantly – Biblical scholars’ conclusions had also become publicized enough that they were irresistible for Shakespeare scholars.Strauss’s epoch-marking work, for instance, carefully unfolds just how little reliable evidence we have for saying anything historical about Jesus. At just this moment in the history of Biblical criticism, suddenly Shakespeare, too, loomed as an exalted figure about whom real questions lingered.
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- The Victorian Cult of ShakespeareBardology in the Nineteenth Century, pp. 103 - 120Publisher: Cambridge University PressPrint publication year: 2020