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Distinguishing between two types of musical emotions and reconsidering the role of appraisal

  • Agnes Moors (a1) and Peter Kuppens (a2)
  • DOI: http://dx.doi.org/10.1017/S0140525X08005438
  • Published online: 01 October 2008
Abstract
Abstract

The target article inventories mechanisms underlying musical emotions. We argue that the inventory misses important mechanisms and that its structure would benefit from the distinction between two types of musical emotions. We also argue that the authors' claim that appraisal does not play a crucial role in the causation of musical emotions rests on a narrow conception of appraisal.

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This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.

C. Gabriel & L. Crickmore (1977) Emotion and music. Psychology of Music 5:2831.

H. Leventhal & K. Scherer (1987) The relationship of emotion to cognition: A functional approach to a semantic controversy. Cognition and Emotion 1:328.

E. Payne (1980) Towards an understanding of music appreciation. Psychology of Music 8:3141.

K. Swanwick (1975) Can there be objectivity in listening to music. Psychology of Music 3:1723.

R. B. Zajonc (1968) Attidudinal effects of mere exposures. Journal of Personality and Social Psychology 9(2):127.

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Behavioral and Brain Sciences
  • ISSN: 0140-525X
  • EISSN: 1469-1825
  • URL: /core/journals/behavioral-and-brain-sciences
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