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Experience as Artifact: Transformations of the Immaterial
Published online by Cambridge University Press: 13 January 2015
Abstract
The article analyzes an artistic project that is situated on the dividing line between the realm of performance and of exhibition. The Musée de la Danse in Rennes, France, contests the dichotomies of object and experience and introduces a notion of exhibition-as-performance. In so doing, the “Dancing Museum” suggests new perspectives on, and comprehensions of, the materiality involved in both museal and performance-based modes of presentation.
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- Copyright © Congress on Research in Dance 2014
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