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The Quest for the Melodic Electric Bass: From Jamerson to Spenner. By Per Elias Drabløs . Farnham: Ashgate Publishing, 2015. 252 pp. ISBN 978-1-4724-3482-1

  • Luca Guariento (a1)


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Hawkins, S. 2002. Settling the Pop Score: Pop Texts and Identity Politics (Aldershot, Ashgate)
Hawking, S. 2009. ‘“Chelsea Rodgers” was a model: vocality in Prince of the twenty-first century’, in The Ashgate Research Companion to Popular Musicology , ed. Scott, D.B. (Farnham, Ashgate), pp. 335–48
Hawking, S., and Niblock, S. 2011. Prince: the making of a pop music phenomenon (Farnham, Ashgate)
Ripiani, R.J. 2006. The New Blue Music: Changes in Rhythm and Blues, 1950–1999 (Jackson, MS, The University Press of Mississippi)
Tagg, P. 1982. ‘Analysing popular music: theory, method and practice’, Popular Music, 2, pp. 3767
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Popular Music
  • ISSN: 0261-1430
  • EISSN: 1474-0095
  • URL: /core/journals/popular-music
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