Renaissance Quarterly: Volume 75 -

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
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Renaissance Quarterly

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Volume 75 - Winter 2022

Reviews

City Views in the Habsburg and Medici Courts: Depictions of Rhetoric and Rule in the Sixteenth Century. Ryan E. Gregg. Brill's Studies in Intellectual History 294; Brill's Studies on Art, Art History, and Intellectual History 35. Leiden: Brill, 2019. xxii + 418 pp. $227.

Review

Pontormo's Frescos in San Lorenzo: Heresy, Politics and Culture in the Florence of Cosimo I. Massimo Firpo. Trans. Richard Bates. Viella History, Art and Humanities Collection 9. Rome: Viella, 2021. 472 pp. €80.

Green Worlds of Renaissance Venice. Jodi Cranston. University Park: Pennsylvania State University Press, 2019. xii + 216 pp. $89.95.

Reviews

Piero di Cosimo: Painter of Faith and Fable. Dennis Geronimus and Michael W. Kwakkelstein, eds. Niki Studies in Netherlandish-Italian Art History 12. Leiden: Brill, 2019. xxvi + 320 pp. €127.

Review

Poussin and the Dance. Emily A. Beeny and Francesca Whitlum-Cooper. Exh. Cat. Los Angeles, CA: J. Paul Getty Museum, 2021. xiv + 130 pp. $30.

Heroines, Harpies, and Housewives: Imaging Women of Consequence in the Dutch Golden Age. Martha Moffitt Peacock. Brill's Studies in Intellectual History 312; Brill's Studies on Art, Art History, and Intellectual History 45. Boston, MA: Brill, 2020. xxiv + 506 pp. $199.

Reviews

Leonardo: Discoveries from Verrocchio's Studio; Early Paintings and New Attributions. Laurence Kanter. New Haven, CT: Yale University Press, 2018. 144 pp. $35.

Festival and Violence: Princely Entries in the Context of War, 1480–1635. Margaret M. McGowan. European Festival Studies: 1450–1700. Turnhout: Brepols, 2019. 294 pp. + b/w pls. + color pls. €85.

Review

Kult und Kunst—Kopie und Original: Altarbilder von Rogier van der Weyden, Jan van Eyck und Albrecht Dürer in ihrer frühneuzeitlichen Rezeption. Antonia Putzger. Reimer Bild + Bild 5. Berlin: Reimer, 2021. 398 pp. + color pls. €59.

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Riemenschneider in Rothenburg: Sacred Space and Civic Identity in the Late Medieval City. Katherine M. Boivin. University Park: Pennsylvania State University Press, 2021. xvi + 232 pp. $99.95.

Reviews

Painting as a Modern Art in Early Renaissance Italy. Robert Brennan. Renovatio Artium: Studies in the Arts of the Renaissance. London: Harvey Miller, 2019. 362 pp. €125.

Titian's Icons: Tradition, Charisma, and Devotion in Renaissance Italy. Christopher J. Nygren. University Park: Pennsylvania State University Press, 2020. xix + 250 pp. $99.95.

Representing from Life in Seventeenth-Century Italy. Sheila McTighe. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2020. 252 pp. €109.

Review

The Gouda Windows (1552–72): Art and Catholic Renewal on the Eve of the Dutch Revolt. Xander van Eck. Brill's Studies in Intellectual History 310; Brill's Studies on Art, Art History, and Intellectual History 44. Leiden: Brill, 2020. xvi + 194 pp. €107.

L'Accademia di San Luca nella Roma del secondo Seicento: Artisti, opere, strategie culturali. Stefania Ventra. Quaderni sull'Età e la Cultura del Barocco 2. Florence: Olschki, 2019. xliv + 370 pp. €55.

Reviews

Somaesthetic Experience and the Viewer in Medicean Florence: Renaissance Art and Political Persuasion, 1459–1580. Allie Terry-Fritsch. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2020. 296 pp. + color pls. €115.

Jacomo Tentor F.: Myzelien II zur Tintoretto-Forschung; Rückblicke, Einblicke, Exkurse, Exkursionen. Erasmus Weddigen. Concetto: Lesarten der Künste 7. Munich: Scaneg Verlag, 2018. 432 pp. €58.

Review

Mannerism, Spirituality and Cognition: The Art of Enargeia. Lynette M. F. Bosch. Visual Culture in Early Modernity. Abingdon: Routledge, 2020. xii + 144 pp. $160.

Tracing the Visual Language of Raphael's Circle to 1527. Alexis R. Culotta. Brill's Studies in Intellectual History 313; Brill's Studies on Art, Art History, and Intellectual History 46. Leiden: Brill, 2020. x + 228 pp. €115.

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