Renaissance Quarterly: Volume 75 -

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
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Volume 75 - Winter 2022

Review

Materiële representatie opgetekend aan het Haagse hof (1345–1425). Anne-Maria van Egmond. Hilversum: Verloren, 2020. 472 pp. €39.

Vasari, Michelangelo and the “Allegory of Patience.” Carlo Falciani. The Klesch Collection. London: Paul Holberton Publishing, 2020. 56 pp. $25.

Reviews

Translation at Work: Chinese Medicine in the First Global Age. Harold J. Cook, ed. Clio Medica: Studies in the History of Medicine and Health 100. Leiden: Brill, 2020. xii + 214 pp. €119.

Watermarks: Leonardo Da Vinci and the Mastery of Nature. Leslie A. Geddes. Princeton, NJ: Princeton University Press, 2020. 242 pp. $60.

Review

My Dearest Heart: The Artist Mary Beale (1633–1699). Penelope Hunting. London: Unicorn Publishing Group, 2019. 208 pp. $35.

Reviews

Women Artists and Patrons in the Netherlands, 1500–1700. Elizabeth Sutton, ed. Visual and Material Culture, 1300–1700 14. Amsterdam: Amsterdam University Press, 2019. 180 pp. €99.

Gender, Health, and Healing, 1250–1550. Sara Ritchey and Sharon Strocchia, eds. Premodern Health, Disease, and Disability 3. Amsterdam: Amsterdam University Press, 2020. 330 pp. €109.

Review

Women Artists, Their Patrons, and Their Publics in Early Modern Bologna. Babette Bohn. University Park: Pennsylvania State University Press, 2021. xvi + 316 pp. $74.95.

Reviews

Aesthetic Science: Representing Nature in the Royal Society of London, 1650–1720. Alexander Wragge-Morley. Chicago: University of Chicago Press, 2020. 244 pp. $120.

Review

Kepler's New Star (1604): Context and Controversy. Patrick J. Boner, ed. Medieval and Early Modern Philosophy and Science 31. Leiden: Brill, 2021. xii + 298 pp. $180.

Reviews

Women's Patronage and Gendered Cultural Networks in Early Modern Europe: Vittoria della Rovere, Grand Duchess of Tuscany. Adelina Modesti. Visual Culture in Early Modernity. New York: Routledge, 2020. xxx + 298 pp. $155.

Review

Rire en images à la Renaissance. Francesca Alberti and Diane H. Bodart, eds. The Body in Art. Turnhout: Brepols, 2018. 542 pp. €150.

The Italian Renaissance of Machines. Paolo Galluzzi. Trans. Jonathan Mandelbaum. The Bernard Berenson Lectures on the Italian Renaissance. Cambridge, MA: Harvard University Press, 2020. x + 276 pp. $39.95.

Reviews

Cartographie et pouvoir au XVI e siècle: L'Atlas de Jacques de Deventer. Colin Dupont. Terrarum Orbis: Histoire des représentations de l'espace; textes, images 16. Turnhout: Brepols, 2019. 352 pp. + color pls. €120.

Review

The Shadow Drawing: How Science Taught Leonardo How to Paint. Francesca Fiorani. New York: Farrar, Straus and Giroux, 2020. 374 pp. $35.

Reviews

Natural Knowledge and Aristotelianism at Early Modern Protestant Universities. Pietro Daniel Omodeo and Volkhard Wels, eds. Episteme in Bewegung 14. Wiesbaden: Harrassowitz Verlag, 2019. 342 pp. €72.

Review

Health and Healing in the Early Modern Iberian World: A Gendered Perspective. Margaret E. Boyle and Sarah E. Owens, eds. Toronto: University of Toronto Press, 2021. xii + 268 pp. $65.

The Shogun's Silver Telescope: God, Art, and Money in the English Quest for Japan, 1600–1625. Timon Screech. Oxford: Oxford University Press, 2020. xviii + 306 pp. $35.

Reviews

Tycho Brahe and the Measure of the Heavens. John Robert Christianson. Renaissance Lives. London: Reaktion Books, 2020. 288 pp. £15.95.

Der frühneuzeitliche Kometendiskurs im Spiegel deutschsprachiger Flugschriften. Anna Jerratsch. Boethius 71. Stuttgart: Franz Steiner Verlag, 2020. 854 pp. €84.

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Volume 75 - Winter 2022

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