Ames, Eric. 2005. “The Image of Culture–Or, What Münsterberg Saw in the Movies.” In German Culture in Nineteenth-Century America: Reception, Adaptation, Transformation, edited by Tatlock, Lynne and Erlin, Matt, 21–42. Rochester NY: Camden House.
Anon. 1912. “Motion Pictures to Test Auto Drivers.” The Moving Picture World 13, 20 July, p. 250.
Anon. 1913. “Denies Chauffeurs’ Test. Prof. Muensterberg Calls Fake a Story of Auto Experiment.” New York Times, 14 September 14, p. X16.
Anon. 1914a. “Munsterberg to Pick Salesmen by Psychology.” Boston Journal, 7 November, p. 12.
Anon. 1914b. “Uses a Jig Saw Puzzle to Test Job Applicants, Professor Munsterberg Applied Psychological Tests to 35.” Boston Morning Journal, 9 November, p. 12.
Anon. 1916a. “Munsterberg Speaks at Paramount Reception.” Motography, 27 May, p. 1215.
Anon. 1916b. “Teaches Psychology on Screens: Munsterberg is Paramount Editor.” Motography, 26 February, p. 465.
Anon. 1916c. “Munsterberg, Too, Goes in for Movies. Psychologist's Films to Show Us if We Fit Our Jobs.” New York Tribune, 14 February, p. 2.
Anon. 1916d. “Muensterberg in the Movies.” Evening Ledger, 26 February.
Ash, Mitchell G. 2003. “Psychology.” In Cambridge History of Science Volume 7: The Modern Social Sciences, edited by Porter, Theodor M. and Ross, Dorothy, 251–274. Cambridge UK: Cambridge University Press.
Baker, David B., and Savickas, Mark L.. 2005. “The History of Vocational Psychology: Antecedents, Origin, and Early Development.” In Handbook of Vocational Psychology, edited by Walsh, W. Bruce and Savickas, Mark L., 15–50. Mahwah NJ: Lawrence Erlbaum Associates, Inc. Publishers.
Baritz, Loren. 1960. The Servants of Power: A History of the Use of Social Science in American Industry. Middletown: Wesleyan University Press.
Bergengren, Ralph. 1911. “Psychological Apparatus for Testing Chauffeurs.” Scientific American 105:29, 38.
Bloomfield, Meyer. 1913. “Closing Address.” In Proceedings of the Second National Conference on Vocational Guidance, New York, October 23 to 26, 189–192.
Boring, Edwin G. 1929. A History of Experimental Psychology. New York: D. Appleton–Century Company.
Bowser, Eileen. 1990. The Transformation of Cinema, 1907–1915. New York: Charles Scribner's Sons.
Brain, Robert Michael. 2012. “Self-Projection: Hugo Münsterberg on Empathy and Oscillation in Cinema Spectatorship.” Science in Context 25:329–353.
Bridges, James W. 1914. “An Experimental Study of Decision Types and Their Mental Correlates.” Psychological Monographs 17:1–72.
Bringmann, Wolfgang G., et al. 1980. “The Establishment of Wundt's Laboratory: An Archival and Documentary Study.” In Wundt Studies, edited by Bringmann, Wolfgang and Tweney, Ryan, 123–157. Toronto: C. J. Hogrefe.
Brown, Elspeth H. 2005. The Corporate Eye: Photography and the Rationalization of American Commercial Culture, 1884–1929. Baltimore: Johns Hopkins University Press.
Bruce, H. Addington. 1911. “Psychology and Business.” Outlook 99:32–36.
Bruce, H. Addington. 1913. “Choosing a Career.” Metropolitan (July):42–44.
Bruno, Giuliana. 2009. “Film, Aesthetics, Science: Hugo Münsterberg's Laboratory of Moving Images.” Grey Room 36:88–113.
Burnett, Charles T. 1906. “The Estimation of Number.” Harvard Psychological Studies 2:349–404.
Burnham, John C. 1987. How Superstition Won and Science Lost: Popularizing Science and Health in the United States. New Brunswick: Rutgers University Press.
Burnham, John C. 1988. Paths into American Culture: Psychology, Medicine, and Morals. Philadelphia: Temple University Press.
Burnham, John C. 2009. Accident Prone: A History of Technology, Psychology, and Misfits of the Machine Age. Chicago: University of Chicago Press.
Burtt, Harold E. 1917. “Professor Münsterberg's Vocational Tests.” Journal of Applied Psychology 1:202–213.
Camfield, Thomas. 1973. “The Professionalization of American Psychology, 1870–1917.” Journal of the History of the Behavioral Sciences 9:66–75.
Canales, Jimena. 2001. “Exit the Frog, Enter the Human: Physiology and Experimental Psychology in Nineteenth-Century Astronomy.” British Journal for the History of Science 34:173–197.
Capshew, James H. 1992. “Psychologists on Site: A Reconnaissance of the Historiography of the Laboratory.” American Psychologist (February):132–142.
Capshew, James H. 1999. Psychologists on the March: Science, Practice, and Professional Identity in America, 1929–1969. Cambridge UK: Cambridge University Press.
Carroll, Noël. 1988. “Film/Mind Analogies: The Case of Hugo Munsterberg.” Journal of Aesthetic and Art Criticism 46:489–499.
Carson, John. 1993. “Army Alpha, Army Brass, and the Search for Army Intelligence.” Isis 84:278–309.
Cartwright, Lisa. 2011. “The Hands of the Projectionist.” Science in Context 24:443–464
Child, Richard Washburn. 1915. “The Man-Screen.” Cosmopolitan Magazine 58:647–649.
Colapietro, Vincent. 2000. “Let's All Go to the Movies: Two Thumbs up for Hugo Münsterberg's ‘The Photoplay.’“ Transactions of the Charles S. Peirce Society 36:477–501.
Coon, Deborah J. 1992. “Testing the Limits of Sense and Science: American Experimental Psychologists Combat Spiritualism, 1880–1920.” American Psychologist 47:143–151.
Coon, Deborah. 1993. “Standardizing the Subject: Experimental Psychologists, Instrospection, and the Quest for a Technoscientific Ideal.” Technology and Culture 34:757–783.
Curtis, Scott. 1996. “‘Like a Hailstorm on the Nerves of Modern Man’: Cinema, Legibility, and the Body in Germany, 1895–1914.” Ph.D. diss., University of Iowa.
Curtis, Scott. 2011. “‘Tangible as Tissue’: Arnold Gesell, Infant Behavior, and Film Analysis.” Science in Context 24:417–442.
Danziger, Kurt. 1980. “The History of Introspection Reconsidered.” Journal of the History of the Behavioral Sciences 16:241–262.
Danziger, Kurt. 1990. Constructing the Subject: Historical Origins of Psychological Research. Cambridge UK: Cambridge University Press.
Daston, Lorraine, and Galison, Peter. 2007. Objectivity. New York: Zone Books.
Davis, Robert C. 1970. “The Brass Age of Psychology.” Technology and Culture 11:604–612.
Feingold, Gustave A. 1915. “Recognition and Discrimination.” Psychological Monographs 18:1–128.
Fielding, Raymond. 1970. “Hale's Tours: Ultrarealism in the Pre-1910 Motion Picture.” Cinema Journal 10:34–47.
Forman, Paul. 2007. “The Primacy of Science in Modernity, of Technology in Postmodernity, and of Ideology in the History of Technology.” History and Technology 23 (March/June):1–152.
Fredericksen, Donald. 1977. The Aesthetic of Isolation in Film Theory: Hugo Münsterberg. North Stratford NH: Ayer Publishing.
Friedman, Walter A. 2004. The Birth of a Salesman: The Transformation of Selling in America. Cambridge MA: Harvard University Press.
Gerstner, David A. 2006. Manly Arts: Masculinity in Early American Cinema. Durham: Duke University Press.
Griffith, Richard. 1970. “Foreword.” In The Film: A Psychological Study, by Münsterberg, Hugo, v-xv. Mineola: Dover Publications.
Gundlach, Horst. 2007. “What Is a Psychological Instrument?” In Psychology's Territories: Historical and Contemporary Perspectives from Different Disciplines, edited by Ash, Mitchell and Sturm, Thomas, 195–224. Mahwah NJ: Lawrence Erlbaum Associates Publishers.
Hale, Matthew. 1980. Human Science and Social Order: Hugo Münsterberg and the Origins of Applied Psychology. Philadelphia: Temple University Press.
Hansen, Miriam. 1991. From Babel to Babylon: Spectatorship in American Silent Film. Cambridge MA: Harvard University Press.
James, William. 1890. The Principles of Psychology, Vol. 1. New York: Henry Holt and Company.
Kevles, Daniel J. 1968. “Testing the Army's Intelligence: Psychologists and the Military in World War I.” Journal of American History 55:565–581.
Kittler, Friedrich. 1999. Gramophone, Film, Typewriter. Palo Alto: Stanford University Press.
Krows, Arhur Edwin. 1941. “Motion Pictures–Not for Theaters.” Educational Screen 19:107–109.
Kuklick, Bruce. 1977. The Rise of American Philosophy: Cambridge, Massachusetts, 1860–1930. New Haven: Yale University Press.
Kusch, Martin. 1999. Psychological Knowledge: A Social History and Philosophy. London: Routledge.
Lamiell, James T. 2003. Beyond Individual and Group Difference: Human Individuality, Scientific Psychology and William Stern's Critical Personalism. Thousand Oaks: Sage Publications.
Landecker, Hannah. 2006. “Microcinematography and the History of Science and Film.” Isis 97:121–132.
Landy, Frank J. 1992. “Hugo Münsterberg: Victim or Visionary?” Journal of Applied Psychology 77:787–802.
Langdale, Allan. 2002. “Editor's Introduction: S(t)imulation of Mind: The Film Theory of Hugo Münsterberg.” In Hugo Münsterberg on Film. The Photoplay: A Psychological Study and Other Writings, edited by Langdale, Allan, 1–41. London and New York: Routledge.
Lanzoni, Susan. 2012. “Empathy in Translation: Movement and Image in the Psychological Laboratory.” Science in Context 25:301–327.
Malin, Brenton J. 2009. “Mediating Emotion: Technology, Social Science, and Emotion in the Payne Fund Motion-Picture Studies.” Technology and Culture 50:366–390.
Mancini, Elaine. 1983. “Theory and Practice: Hugo Münsterberg and the Early Films of D. W. Griffith.” New Orleans Review 10:154–160.
Mason, Gregory. 1914. “Teaching by the Movies.” The Outlook 107:963–970.
McComas, Henry Clay. 1911. “Some Types of Attention.” Psychological Monographs 13:1–58.
Meskill, David. 2010. Optimizing the German Workforce: Labor Administration from Bismarck to the Economic Miracle. New York: Berghahn Books.
Morawski, Jill G, ed. 1988. The Rise of Experimentation in American Psychology. New Haven: Yale University Press.
Morawski, Jill. 2007. “Scientific Selves: Discerning the Subject and the Experimenter in Experimental Psychology in the United States, 1900–1935. In Psychology's Territories: Historical and Contemporary Perspectives from Different Disciplines, edited by Ash, Mitchell and Sturm, Thomas, 129–148. Mahwah NJ: Lawrence Erlbaum Associates Publishers.
Moskowitz, Merle J. 1977. “Hugo Münsterberg: A Study in the History of Applied Psychology.” American Psychologist 32:824–842.
Münsterberg, Hugo. 1893 “The New Psychology, and Harvard's Equipment for Teaching It.” Harvard Graduates’ Magazine 1:201–209.
Münsterberg, Hugo. 1895. “The New Psychology.” Journal of Education 41:332–333.
Münsterberg, Hugo. 1908. On the Witness Stand: Essays on Psychology and Crime. New York: McClure Company.
Münsterberg, Hugo. 1909. “The Psychological Laboratory.” In Reports of the President and the Treasurer of Harvard College 1907–08, 259–260. Cambridge: Harvard University Press.
Münsterberg, Hugo. 1910. “Finding a Life Work.” McClure's Magazine 24:398–403.
Münsterberg, Hugo. 1912a. Vocation and Learning. St. Louis: Peoples University.
Münsterberg, Hugo. 1912b. “Experimental psychology und Berufswahl.” Zeitschrift für Pädagogsische Psychologie und experimentelle Pädagogik 13:1–7.
Münsterberg, Hugo. 1913a. Psychology and Industrial Efficiency. Boston: Houghton Mifflin Company.
Münsterberg, Hugo. 1913b. “Mending Misfits in the World Workshops,” The Sun, 9 March, sec. 5, p. 2.
Münsterberg, Hugo. 1914a. Grundzüge der Psychotechnik. Leipzig: Barth.
Münsterberg, Hugo. 1914b. Psychology General and Applied. New York: D. Appleton and Company.
Münsterberg, Hugo. 1915a. “Why We Go to the ‘Movies.’” Cosmopolitan 60 (December 15):22–32.
Münsterberg, Hugo. 1915b. Business Psychology. Chicago: La Salle Extension University.
Münsterberg, Hugo. 1916a. The Photoplay: A Psychological Study. New York: D. Appleton and Company.
Münsterberg, Hugo. 1917. “Twenty-Five Years in America: The First Chapter of an Unfinished Autobiography.” Century 94:34–48.
Napoli, Donald S. 1981. Architects of Adjustment: The History of the Psychological Profession in the United States. Port Washington: Kennikate Press.
Noble, David. 1979. America by Design: Science, Technology, and the Rise of Corporate Capitalism. New York: Alfred A. Knopf.
O’Donnell, John. 1985. The Origins of Behaviorism. New York: New York University Press.
Parsons, Frank. 1909. Choosing a Vocation. Boston and New York: Houghton Mifflin Company.
Pegge, Denis C. 1949. “Another Forgotten Critic.” Sight and Sound 18:78–80.
Pettit, Michael J. 2007. “The Unwary Purchaser: Consumer Psychology and the Regulation of Commerce in America.” Journal of the History of the Behavioral Sciences 43:379–399.
Popplestone, John A., and McPherson, Marion White. 1984. “Pioneer Psychology Laboratories in Clinical Settings.” In Explorations of Psychology in the United States, edited by Brožek, Josef, 196–272. London: Bucknell University Press.
Reed, James. 1990. “Robert Yerkes and the Mental Testing Movement.” In Psychological Testing and American Society, 1890–1930, edited by Sokal, Michael, 75–94. New Brunswick: Rutgers University Press.
Ricker, Charles Sherwood. 1910. “Psychology and the Chauffeur.” Harvard Illustrated Magazine 11:185–188.
Rose, Nikolas. 1998. Inventing Our Selves: Psychology, Power, and Personhood. Cambridge: Cambridge University Press.
Schaffer, Simon. 1988. “Astronomers Mark Time: Discipline and the Personal Equation.” Science in Context 2:115–145.
Schmidgen, Henning. 2003. “Time and Noise: The Stable Surroundings of Reaction Time Experiments, 1860–1890.” Studies in History and Philosophy of Biological and Biomedical Sciences 34:237–275.
Schmidgen, Henning. 2010. “Münsterberg's Photoplays: Instruments and Models at Freiburg and Harvard (1891–1893).” The Virtual Laboratory (ISSN ). Online publication: http://vlp.mpiwg-berlin.mpg.de/references?id=art71, last accessed December 13, 2012.
Schweinitz, Jörg. 1996. “Psychotechnik, idealistische Ästhetik und der Film als mental strukturierter Wahrnehmungsraum: Die Filmtheorie von Hugo Münsterberg.” In Hugo Münsterberg, Das Lichtspiel: Eine psychologische Studie (1916) und andere Schriften zum Kino, edited by Schweinitz, Jörg, 9–26. Vienna: Synema.
Schweintiz, Jörg. 2006. “The Aesthetic Idealist as Efficiency Engineer: Hugo Münsterberg's Theories of Perception, Psychotechnics and Cinema.” In Film 1900: Technology, Perception, Culture, edited by Ligensa, Annemone and Kreimeier, Klaus, 77–86. New Barnet UK: John Libbey.
Sokal, Michael, ed. 1990. Psychological Testing and American Society, 1890–1930. New Brunswick: Rutgers University Press.
Spillmann, Jutta, and Spillmann, Lothar. 1993. “The Rise and Fall of Hugo Münsterberg.” Journal of the History of Behavioral Sciences 29:322–338.
Timberg, Bernard M. 1980. “E = MC2 and the Birth of Film.” Texas Studies in Literature and Language 22:263–285.
Stern, William. 1903a. “Angewandte Psychologie.” Beiträge zur Psychologie der Aussage 1:4–45.
Stern, William. 1903b. “Aussagestudium.” Beiträge zur Psychologie der Aussage 1:46–78.
van Strien, Pieter J. 1998. “Early Applied Psychology between Essentialism and Pragmatism: The Dynamics of Theory, Tools, and Clients.” History of Psychology 1:205–234.
von Mayrhauser, Richard T. 1990. “The Manager, the Medic, and the Mediator: The Clash of Professional Psychological Styles and the Wartime Origins of Group Mental Testing.” In Psychological Testing in American Society, 1890–1930, edited by Sokal, Michael, 128–157. New Brunswick: Rutgers University Press.
Ward, Steven C. 2002. Modernizing the Mind: Psychological Knowledge and the Remaking of Society. Wesport CT: Praeger.
Whipple, Guy Montrose. 1914. Manual of Mental and Physical Tests, Part I: Simpler Processes. Baltimore: Warwick & York.
Wicclair, Mark R. 1978. “Film Theory and Hugo Münsterberg's The Film: A Psychological Study.” Journal of Aesthetic Education 12:33–50.
Wiebe, Robert H. 1967. The Search for Order, 1877–1920. New York: Hill and Wang.
Winter, Alison. 2004. “Screening Selves: Sciences of Memory and Identity on Film, 1930–1960.” History of Psychology 7:367–401.
Winter, Alison. 2012. Memory: Fragments of a Modern History. Chicago: University of Chicago Press.
Woolley, Helen T. 1913. “The Psychological Laboratory as an Adjunct to a Vocational Bureau.” In Proceedings of the Second National Conference on Vocational Guidance, New York, 1912, October 23–26, 84–88.