Skip to main content Accessibility help
×
Home
Hostname: page-component-684899dbb8-pcn4s Total loading time: 0.214 Render date: 2022-05-28T08:07:27.564Z Has data issue: true Feature Flags: { "shouldUseShareProductTool": true, "shouldUseHypothesis": true, "isUnsiloEnabled": true, "useRatesEcommerce": false, "useNewApi": true }

The Cambridge Companion to African American Theatre. Edited by Harvey Young. Cambridge: Cambridge University Press, 2012; pp. xix + 291, illustrated. $94 cloth, $30.99 paper, $25 e-book. - The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance. By Brandi Wilkins Catanese. Ann Arbor: University of Michigan Press, 2011; pp. viii + 214. $75 cloth, $28.95 paper, $28.95 e-book. - Racial Innocence: Performing American Childhood from Slavery to Civil Rights. By Robin Bernstein. New York: New York University Press, 2011; pp. xi + 307, illustrated. $79 cloth, $24 paper, $19.20 e-book.

Published online by Cambridge University Press:  11 April 2014

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews: Edited by Kim Solga, with Sally Colwell
Copyright
Copyright © American Society for Theatre Research 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. See Sexton, Jared, Amalgamation Schemes: Antiblackness and the Critique of Multiracialism (Minneapolis: University of Minnesota Press, 2008)Google Scholar.

2. See Nyong'o, Tavia, The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (Minneapolis: University of Minnesota Press, 2009)Google Scholar.

3. See Wilderson, Frank B. III, Red, White and Black: Cinema and the Structure of U.S. Antagonisms (Durham, NC: Duke University Press, 2010)CrossRefGoogle Scholar.

4. See Wilson, August, “The Ground on Which I Stand,” keynote address to the Theatre Communications Group, 26 June 1996, American Theatre 13.7 (1996): 1416, 71–4Google Scholar.

5. See Brustein, Robert, “Subsidized Separatism,” American Theatre 13.8 (1996): 26–7, 100–1Google Scholar. For Wilson's reaction to Brustein, see Wilson, August, “August Wilson Responds,” in American Theatre 13.8 (1996): 101–7Google Scholar.

Save article to Kindle

To save this article to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

The Cambridge Companion to African American Theatre. Edited by Harvey Young. Cambridge: Cambridge University Press, 2012; pp. xix + 291, illustrated. $94 cloth, $30.99 paper, $25 e-book. - The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance. By Brandi Wilkins Catanese. Ann Arbor: University of Michigan Press, 2011; pp. viii + 214. $75 cloth, $28.95 paper, $28.95 e-book. - Racial Innocence: Performing American Childhood from Slavery to Civil Rights. By Robin Bernstein. New York: New York University Press, 2011; pp. xi + 307, illustrated. $79 cloth, $24 paper, $19.20 e-book.
Available formats
×

Save article to Dropbox

To save this article to your Dropbox account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your Dropbox account. Find out more about saving content to Dropbox.

The Cambridge Companion to African American Theatre. Edited by Harvey Young. Cambridge: Cambridge University Press, 2012; pp. xix + 291, illustrated. $94 cloth, $30.99 paper, $25 e-book. - The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance. By Brandi Wilkins Catanese. Ann Arbor: University of Michigan Press, 2011; pp. viii + 214. $75 cloth, $28.95 paper, $28.95 e-book. - Racial Innocence: Performing American Childhood from Slavery to Civil Rights. By Robin Bernstein. New York: New York University Press, 2011; pp. xi + 307, illustrated. $79 cloth, $24 paper, $19.20 e-book.
Available formats
×

Save article to Google Drive

To save this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your Google Drive account. Find out more about saving content to Google Drive.

The Cambridge Companion to African American Theatre. Edited by Harvey Young. Cambridge: Cambridge University Press, 2012; pp. xix + 291, illustrated. $94 cloth, $30.99 paper, $25 e-book. - The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance. By Brandi Wilkins Catanese. Ann Arbor: University of Michigan Press, 2011; pp. viii + 214. $75 cloth, $28.95 paper, $28.95 e-book. - Racial Innocence: Performing American Childhood from Slavery to Civil Rights. By Robin Bernstein. New York: New York University Press, 2011; pp. xi + 307, illustrated. $79 cloth, $24 paper, $19.20 e-book.
Available formats
×
×

Reply to: Submit a response

Please enter your response.

Your details

Please enter a valid email address.

Conflicting interests

Do you have any conflicting interests? *