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Appendix: Fundamental Issues of Musical Listening (1925)

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Heinrich Besseler . ‘Studien zur Musik des Mittelalters II: die Motette von Franko von Köln bis Philipp von Vitry’. Archiv für Musikwissenschaft 8/2 (1927), 137258.

Bonnie J. Blackburn ‘For Whom do the Singers Sing?’. Early Music 25/4 (1997), 593609.

Leon Botstein . ‘Listening Through Reading: Musical Literacy and the Concert Audience’. 19th-Century Music 16/2 (1992), 129–45.

Tia DeNora . Music in Everyday Life. Cambridge: Cambridge University Press, 2000.

Pauline Fairclough . ‘Mahler Reconstructed: Sollertinsky and the Soviet Symphony’. Musical Quarterly 85/2 (2001), 367–90.

Joseph Ludwig Fischer , and Ludwig Lade , eds. Deutsche Musikpflege. Frankfurt: Verlag des Bühnenvolksbundes, 1925.

Michael Inwood . A Heidegger Dictionary. Oxford: Blackwell, 1999.

Edward E. Lowinsky ‘Heinrich Besseler (1900–1969)’. Journal of the American Musicological Society 24/3 (1971), 499502.

Margaret Notley . Volksconcerte in Vienna and Late Nineteenth-Century Ideology of the Symphony’. Journal of the American Musicological Society 50/2–3 (1997), 421–53.

Christopher Page . ‘Johannes de Grocheio on Secular Music: a Corrected Text and a New Translation’. Plainsong and Medieval Music 2 (1993), 1741.

Anne C. Schreffler ‘Berlin Walls: Dahlhaus, Knepler, and Ideologies of Music History’. Journal of Musicology 20/4 (2003), 498525.

Virgil Thomson . The Musical Scene. New York: A. A. Knopf, 1945.

Rob C. Wegman ‘“Das musikalische Hören” in the Middle Ages and Renaissance: Perspectives from Pre-War Germany’. Musical Quarterly 82/3–4 (1998), 434–54.

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Twentieth-Century Music
  • ISSN: 1478-5722
  • EISSN: 1478-5730
  • URL: /core/journals/twentieth-century-music
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