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VICTORIANS LIVE

Published online by Cambridge University Press:  25 January 2013

Extract

Art for the Nation: Sir Charles Eastlake at the National Gallery

HILARY FRASER

Apocalypse Then and Now

LYNDA NEAD

Exhibiting Dickens at 200

ANNE HUMPHERYS

Type
Review Essays
Copyright
Copyright © Cambridge University Press 2013

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References

WORKS CONSIDERED

Avery-Quash, Susanna, and Sheldon, Julie. Art for the Nation: The Eastlakes and the Victorian Art World. London: The National Gallery, 2011.Google Scholar
Journals and Correspondence of Lady Eastlake. Ed. Eastlake Smith, Charles. 2 vols. London: John Murray, 1895.Google Scholar
Rossetti, D. G.The Letters of Dante Gabriel Rossetti. Ed. Doughty, O. and Wahl, J. R.. 4 vols. Oxford: Clarendon P, 1965–67.Google Scholar
“The Royal Academy. The Eighty-seventh Exhibition, 1855.” Art Journal 17 (1855): 169–84.Google Scholar
Siegel, Jonah. Desire and Excess: The Nineteenth-Century Culture of Art. Princeton: Princeton UP, 2000.CrossRefGoogle Scholar
The Travel Notebooks of Sir Charles Eastlake. The Walpole Society, vol. 73. Ed. Avery-Quash, Susanna. 2 vols. London: Charlesworth Group, 2011.Google Scholar

WORKS CONSIDERED

John Martin: Apocalypse. Tate Britain, London. 21 September 2011 – 15 January 2012. Curated by Martin Myrone.Google Scholar
John Martin: Apocalypse. Ed. Martin Myrone, with contributions by Anna Austen, David Bindman, Michael J. Campbell, Lars Kokkenhan, Sarah Maisey, Julie Milne. London: Tate Publishing, 2011. On the occasion of the exhibition John Martin: Apocalypse.Google Scholar
Altick, Richard D. The Shows of London. Cambridge: Belknap P of Harvard UP, 1978.Google Scholar
Christie, Ian. “Kings of the Vast.” Tate Etc. 23 (Autumn 2011). www.tate.org.uk/tateetc/issue23/johnmartin.htm. Web. 5 Sept. 2012.Google Scholar
Nead, Lynda. Victorian Babylon: People, Streets and Images in Nineteenth-Century London. New Haven: Yale UP, 2000.Google Scholar
Žižek, Slavoj. www.lacan.com/ziny.htm. Web. 5 Sept. 2012.Google Scholar

EXHIBITIONS REVIEWED

Charles Dickens: The Key to Character. New York Public Library. Curator William Moeck. 14 September 2012–27 January 2013. http://www.nypl.org/events/exhibitions/charles-dickens-key-character.Google Scholar
Dickens and His World. The Bodleian Library at Oxford. Curator Clive Hurst, Head of Rare Books at the Bodleian Libraries. 2 June–28 October 2012. http://www.bodleian.ox.ac.uk/bodley/about/exhibitions/online/dickens.Google Scholar
Dickens and London. Museum of London. Curator Alex Werner, Head of History Collections at the Museum of London. 9 December 2011–10 June 2012. http://www.museumoflondon.org.uk/Explore-online/Past/Dickens-London/Default.htm.Google Scholar
Dickens and Music. Royal Academy of Music. 2 May–20 December 2012. http://www.ram.ac.uk/dickens-and-music.Google Scholar
Dickens and Popular Culture. Senate House Library, University of London. Curator Michael Slater. 9 January–9 July 2012. http://www.ull.ac.uk/exhibitions/dickenshome.shtml.Google Scholar
Dickens and the Artists. Watts Gallery, Surrey. Curator Mark Bills, Curator of Watts Gallery. 19 June–28 October 2012. http://www.wattsgallery.org.uk/exhibition/gallery-exhibition/2011/11/09/dickens-and-artists.Google Scholar
Dickens at 200. The Morgan Library and Museum. Curator Declan Kiely, the Morgan's Robert H. Taylor Curator and Department Head of Literary and Historical Manuscripts. 23 September 2011–12 February 2012. http://www.themorgan.org/exhibitions/defaultPast.asp.Google Scholar

WORKS CONSIDERED

Bills, Mark, ed. Dickens and the Artists. New Haven: Yale UP, 2012.Google Scholar
Museum, Dickens. Partial list of exhibitions and other activities linked to the Dickens bicentennial. http://www.dickens2012.org/section/exhibitions. Web. 5 Sept. 2012.Google Scholar
Hardy, Pat. “Dickens and the Social Realists.” Dickens and the Artists. Ed. Bills, Mark. New Haven: Yale UP, 2012. 155–81.Google Scholar
Hurst, Clive, and Moller, Violet. The Curious World of Dickens. Oxford: Bodleian Library, 2012.Google Scholar
Werner, Alex, and Williams, Tony. Dickens's Victorian London 1839–1901. London: Ebury/Random House, 2011.Google Scholar