Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-p2v8j Total loading time: 0 Render date: 2024-05-02T01:41:14.452Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  16 May 2018

Thomas A. Prendergast
Affiliation:
College of Wooster, Ohio
Jessica Rosenfeld
Affiliation:
Washington University, St Louis
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abel, Elizabeth. Virginia Woolf and the Fictions of Psychoanalysis. Women in Culture and Society. University of Chicago Press, 1989.Google Scholar
Adorno, Theodor. Aesthetic Theory, trans. Robert Hullot-Kentor. London and New York: Continuum Books, 2002.Google Scholar
Agamben, Giorgio. Remnants of Auschwitz: The Witness and the Archive, trans. Daniel Heller-Roazen. New York: Zone Books, 2002.Google Scholar
Agbabi, Patience. Telling Tales. Edinburgh: Canongate, 2014.Google Scholar
Akbari, Suzanne Conklin. Seeing through the Veil: Optical Theory and Medieval Allegory. University of Toronto Press, 2004.Google Scholar
Alighieri, Dante. Dante, De Vulgari Eloquentia, ed. and trans. Steven Botterill. Cambridge University Press, 1996.Google Scholar
Alighieri, Dante. Inferno, trans. Allen Mandelbaum. Bantam Classic edition. New York: Bantam Classics, 1982.Google Scholar
Allen, Judson Boyce and Moritz, Theresa Anne. A Distinction of Stories: The Medieval Unity of Chaucer’s Fair Chain of Narratives for Canterbury. Columbus: Ohio State University Press, 1981.Google Scholar
Aloni, Gila and Sharon-Zisser, Shirley. “Geoffrey Chaucer’s ‘Lyne Oriental’: Mediterranean and Oriental Languages in the Treatise on the Astrolabe.” Mediterranean Historical Review 16 (2001): 6977.Google Scholar
Altmann, Barbara K.Guillaume de Machaut’s Lyric Poetry.” In A Companion to Guillaume de Machaut, ed. McGrady, Deborah and Bain, Jennifer, 311331. Leiden: Brill, 2012.Google Scholar
Armstrong, Adrian and Kay, Sarah, eds., with the participation of Rebecca Dixon, Miranda Griffin, Sylvia Huot, Francesca Nicholson, and Finn Sinclair. Knowing Poetry: Verse in Medieval France from the Rose to the Rhétoriqueurs. Ithaca: Cornell University Press, 2011.Google Scholar
Augustine. Confessions, trans. Henry Chadwick. Oxford University Press, 1991.Google Scholar
Augustine. Sancti Augustini Confessionum libri XIII, ed. Verheijen, L., OSA. Corpus Christianorum Series Latina 27. Turnhout: Brepols, 1981.Google Scholar
Bahr, Arthur. Fragments and Assemblages: Forming Compilations of Medieval London. The University of Chicago Press, 2013.Google Scholar
Bahr, Arthur. “The Manifold Singularity of Pearl.” ELH 82, no. 3 (Fall 2015): 729758.Google Scholar
Bahr, Arthur, and Gillespie, Alexandra. “Medieval English Manuscripts: Form, Aesthetics, and the Literary Text.” The Chaucer Review 47, no. 4 (2013): 346360.Google Scholar
Barney, Stephen A., Lewis, W. J., Beach, J. A, and Berghof, Oliver, trans., The Etymologies of Isidore of Seville. Cambridge University Press, 2006.Google Scholar
Baswell, Christopher. Virgil in Medieval England: Figuring the Aeneid from the Twelfth Century to Chaucer. Cambridge University Press, 1995.Google Scholar
Barrington, Candace. “The Trentham Manuscript as Broken Prosthesis.” Accessus 1 (2013): article 4. http://scholarworks.wmich.edu/accessus/vol1/iss1/4.Google Scholar
Bennett, J. A. W. Chaucer at Oxford and at Cambridge. Oxford: Clarendon Press, 1974.Google Scholar
Benson, Larry D. “The Occasion of The Parliament of Fowls.” In The Wisdom of Poetry: Essays in Early English Literature in Honor of Morton W. Bloomfield, ed. Benson, Larry D and Wenzel, Siegfried, 123144. Kalamazoo: Medieval Institute Publications, 1982.Google Scholar
Benson, Larry D., gen. ed. The Riverside Chaucer. 3rd edn. Boston: Houghton Mifflin, 1987.Google Scholar
Benveniste, Emile. Problems in General Linguistics. Coral Gables, FL: University of Miami Press, 1971.Google Scholar
Biro, Andrew, ed. Critical Ecologies: The Frankfurt School and Contemporary Environmental Crises. University of Toronto Press, 2011.Google Scholar
Blackwood, Stephen. The Consolation of Boethius as Poetic Liturgy. Oxford University Press, 2015.Google Scholar
Blake, N. F., ed. The Canterbury Tales. London: Edward Arnold, 1980.Google Scholar
Blake, N. F., The Textual Tradition of The Canterbury Tales. London: Edward Arnold, 1985.Google Scholar
Blanchot, Maurice. The Space of Literature. Lincoln, NE: University of Nebraska Press, 1982.Google Scholar
Bloch, R. Howard. Medieval Misogyny and the Invention of Western Romantic Love. University of Chicago Press, 1991.Google Scholar
Bober, Harry. “The Zodiacal Miniature of the Très Riches Heures of the Duke of Berry: Its Sources and Meaning.” Journal of the Warburg and Courtauld Institutes 11 (1948): 134.Google Scholar
Boethius, . The Consolation of Philosophy, trans. Victor Watts, London: Penguin, 1999.Google Scholar
Boethius, . De Consolatione Philosophiae, ed. G. S. Smith. London: Oates and Washbourne, 1925.Google Scholar
Boffey, Julia. “The Lyrics in Chaucer’s Longer Poems.” Poetica: An International Journal of Linguistic-Literary Studies 37 (1993): 1537.Google Scholar
Bowers, John M., ed. The Canterbury Tales: Fifteenth-Century Continuations and Additions. Kalamazoo: Medieval Institute Publications, 1992.Google Scholar
Brantley, Jessica. “Reading the Forms of Sir Thopas.” The Chaucer Review 47, no. 4 (2013): 416438.Google Scholar
Brantley, Jessica. Reading in the Wilderness: Private Devotion and Public Performance in Late Medieval England. University of Chicago Press, 2007.Google Scholar
Brewer, Derek, ed. Chaucer: The Critical Heritage. 2 vols. Critical Heritage Series. London: Routledge & Kegan Paul, 1978.Bricker, Andrew Benjamin. “Form and Content.” In The Pocket Instructor: Literature: 101 Exercises for the College Classroom, eds. Diana Fuss and William A. Gleason. Princeton University Press, 2016.Google Scholar
Brooks, Cleanth. The Well-Wrought Urn: Studies in the Structure of Poetry. 1st edn. New York: Harcourt, 1947; repr. 1956, 1968.Google Scholar
Brooks, Peter. “Freud’s Masterplot.” Yale French Studies 55–56 (1977): 280300.Google Scholar
Brown, Emerson, Jr. “What is Chaucer Doing with the Physician and his Tale?Philological Quarterly 60, no. 2 (Spring 1981): 129149.Google Scholar
Brusendorff, Aage. The Chaucer Tradition. 1925. Reprint, Oxford: Clarendon Press, 1967.Google Scholar
Burke, Donald A.Adorno’s Aesthetic Rationality: On the Dialectic of Natural and Artistic Beauty.” In Critical Ecologies: The Frankfurt School and Contemporary Environmental Crises, ed. Biro, Stephen, 165186. University of Toronto Press, 2011.Google Scholar
Burnley, David. “Chaucer’s Literary Terms.” Anglia: Zeitschrift Für Englische Philologie 114, no. 2 (1996): 202235.Google Scholar
Burrow, John. “Hoccleve and the Middle French Poets.” In The Long Fifteenth Century: Essays for Douglas Gray, ed. Cooper, Helen and Mapstone, Sally, 3549. Oxford: Clarendon Press, 1997.Google Scholar
Burrow, John. “Chaucer as Petioner: Three Poems.” The Chaucer Review 45, no. 3 (2011): 349356.Google Scholar
Bury, Richard de. Philobiblon, ed. and trans. Thomas, Ernest Chester. Oxford: Blackwell, 1960.Google Scholar
Butterfield, Ardis. The Familiar Enemy: Chaucer, Language, and Nation in the Hundred Years War. Oxford University Press, 2009.Google Scholar
Butterfield, Ardis. “Lyric and Elegy in The Book of the Duchess.” Medium Aevum 60, no. 1 (1991): 3360.Google Scholar
Butterfield, Ardis. “Mise-en-page in the Troilus Manuscripts: Chaucer and French Manuscript Culture.” Huntington Library Quarterly 58, no. 1 (1995): 4980.Google Scholar
Camille, Michael. “The Book as Flesh and Fetish in Richard de Bury’s Philobiblon.” In The Book and the Body, ed. Frese, Dolores Warwick and O’Keeffe, Katherine O’Brien, 3477. University of Notre Dame Press, 1996.Google Scholar
Camille, Michael. “The Image and the Self: Unwriting Late Medieval Bodies.” In Framing Medieval Bodies, ed. Kay, Sarah and Rubin, Miri, 6299. Manchester University Press, 1994.Google Scholar
Cannon, Christopher. “Form.” In Middle English, ed. Strohm, Paul, 177190. Oxford University Press, 2007.Google Scholar
Cannon, Christopher. The Grounds of English Literature. Oxford University Press, 2004.Google Scholar
Cannon, Christopher. From Literacy to Literature: England, 1300–1400. Oxford University Press, 2016.Google Scholar
Carruthers, Mary J. The Experience of Beauty in the Middle Ages.Oxford University Press, 2014.Google Scholar
Carson, Anne. Decreation: Poetry, Essays, Opera. New York: Vintage Contemporaries, 2006.Google Scholar
Cervone, Cristina Maria, ed. Readings in Medieval Textuality: Essays in Honour of A. C. Spearing. Cambridge, UK: D. S. Brewer, 2016.Google Scholar
Chaganti, Seeta. The Medieval Poetics of the Reliquary: Enshrinement, Inscription, Performance. New York: Palgrave Macmillan, 2008.Google Scholar
Chaucer, Geoffrey. The Riverside Chaucer, 3rd edn. Gen. ed. Larry D. Benson. Boston: Houghton Mifflin, 1987.Google Scholar
Chickering, Howell. “Form and Interpretation in the Envoy to the Clerk’s Tale.” The Chaucer Review 29, no. 4 (1995): 352372.Google Scholar
[Cicero]. Ad C. Herennium de ratione dicendi (Rhetorica ad Herennium), trans. Harry Caplan. Cambridge, MA: Harvard University Press, 1954.Google Scholar
Clark, Charles. “The Zodiac Man in Medieval Medical Astrology.” Journal of the Rocky Mountain Medieval and Renaissance Association 3 (1982): 1338.Google Scholar
Cole, Andrew. The Birth of Theory. University of Chicago Press, 2014.Google Scholar
Cole, Andrew. “Chaucer’s English Lesson.” Speculum 77, no. 4 (October 2002): 11281167.Google Scholar
Cole, Kristin Lynn. “Chaucer’s Metrical Landscape.” In Chaucer’s Poetry: Words, Authority and Ethics, ed. Carney, Clíodhna and McCormack, Frances, 92106. Dublin: Four Courts Press, 2013.Google Scholar
Cole, Sarah. At the Violet Hour: Modernism and Violence in England and Ireland. Modernist Literature and Culture. Oxford University Press, 2012.Google Scholar
Coleman, Joyce. “The Flower, the Leaf, and Philippa of Lancaster.” In The Legend of Good Women: Context and Reception, ed. Collette, Carolyn P., 3358. Cambridge, UK: D. S. Brewer, 2006.Google Scholar
Coleman, Joyce. “Strange Rhyme: Prosody and Nationhood in Robert Mannyng’s Story of England.” Speculum 78, no. 4 (October 2003): 12141238.Google Scholar
Collette, Caroline P. “‘Peyntyng with Greet Cost’”: Virginia as Image in the Physician’s Tale.Chaucer Yearbook 2 (1985): 4962.Google Scholar
Cooper, Helen. The Canterbury Tales. Oxford University Press, 1989.Google Scholar
Copeland, Rita, ed. Criticism and Dissent in the Middle Ages. Cambridge University Press, 1996.Google Scholar
Copeland, Rita, “Why Women Can’t Read: Medieval Hermeneutics, Statutory Law, and the Lollard Heresy Trials.” In in Representing Women: Law, Literature, and Feminism, ed. Susan Sage Heinzelman and Zipporah Batshaw Wiseman (Durham, NC: Duke University Press, 1994).Google Scholar
Cornelius, Ian. “The Rhetoric of Advancement: Ars dictaminis, Cursus, and Clerical Careerism in Late Medieval England.” New Medieval Literatures 12 (2010): 289330.Google Scholar
Corsa, Helen Storm, ed. The Physician’s Tale. Volume 2, part 17 of A Variorum Edition of The Works of Geoffrey Chaucer, eds. Paul G Ruggiers, Donald C. Baker and Daniel Ransom. Norman: University of Oklahoma Press, 1987.Google Scholar
Crafton, John Micheal. “‘The Physician’s Tale’ and Jephtha’s Daughter.” ANQ 20, no. 1 (Winter 2007): 813.Google Scholar
Crane, Susan. “‘The lytel erthe that here is’: Environmental Thought in Chaucer’s Parliament of Fowls.” Studies in the Age of Chaucer 39 (2017): 130.Google Scholar
Crocker, Holly A. Chaucer’s Visions of Manhood. New York: Palgrave Macmillan, 2007.Google Scholar
Culler, Jonathan. “The Closeness of Close Reading.” ADE Bulletin 149 (2010): 20–25.Google Scholar
Curry, Patrick. Prophecy and Power: Astrology in Early Modern England. Princeton University Press, 1989.Google Scholar
David, Alfred. “Literary Satire in The House of Fame.” PMLA: Publications of the Modern Language Association of America 75, no. 4 (September 1960): 333339.Google Scholar
de Boer, C., ed. Ovide moralisé; poème du commencement du quatorzième siècle. Vol. 4. Amsterdam: J. Muller, 1915. Noord-Hollandsche Uitgeversmaatschappij, 1936.Google Scholar
de Granson, Oton. Oton de Granson: Poems. Ed. and trans. Peter Nicholson and Joan Grenier-Winther. Kalamazoo, MI: Medieval Institute Publications, 2015.Google Scholar
de Granson, Oton. Poésies, ed. Joan Grenier-Winther. Paris: Honor. Champion, 2010.Google Scholar
Deleuze, Gilles and Guattari, Félix. A Thousand Plateaus: Capitalism and Schizophrenia, trans Brian Massumi. Minneapolis: University of Minnesota Press, 1987.Google Scholar
Deschamps, Eustache. L’art de dictier, ed. and trans. Sinnreich-Levi, Deborah M. East Lansing, MI: Colleagues Press, 1994.Google Scholar
Dinshaw, Carolyn. How Soon is Now?: Medieval Texts, Amateur Readers, and the Queerness of Time. Durham, NC: Duke University Press, 2012.Google Scholar
Dixon, Rebecca and Sinclair, Finn E., eds. Poetry, Knowledge and Community in Late Medieval France. Rochester, NY: D. S. Brewer, 2008.Google Scholar
Dolmage, Jay. Disability Rhetoric. Syracuse University Press, 2014.Google Scholar
Donaldson, E. Talbot. Chaucer’s Poetry: An Anthology for the Modern Reader. New York: Ronald Press, 1975.Google Scholar
Donaldson, E. Talbot. Speaking of Chaucer. New York: Norton, 1970.Google Scholar
Drucker, Johanna. “Humanities Approaches to Interface Theory.” Culture Machine 12 (2011): 120.Google Scholar
Dworkin, Craig Douglas. “Penelope Reworking the Twill: Patchwork, Writing and Lyn Hejinian’s My Life.” Contemporary Literature 36, no. 1 (Spring 1995): 5881.Google Scholar
Eade, J. C. The Forgotten Sky: A Guide to Astrology in English Literature. Oxford: Clarendon Press, 1984.Google Scholar
Eagleton, Catherine and Spencer, Matthew. “Copying and Conflation in Geoffrey Chaucer’s Treatise on the Astrolabe: A Stemmatic Analysis Using Phylogenetic Software.” Studies in History and Philosophy of Science 37, no. 2 (June 2006): 237268.Google Scholar
Eastwood, Bruce. S.Early-Medieval Cosmology, Astronomy, and Mathematics.” In Medieval Science, ed. Lindberg, David C. and Shank, Michael H., 302322. Vol. 2 of The Cambridge History of Science. Cambridge University Press, 2013.Google Scholar
Eco, Umberto. Art and Beauty in the Middle Ages, trans. Hugh Bredin. New Haven: Yale University Press, 1986.Google Scholar
Edwards, A. S. G.The Unity and Authenticity of Anelida and Arcite: The Evidence of the Manuscripts.” Studies in Bibliography 41 (1988): 177188.Google Scholar
Eisner, Sigmund. “Chaucer as a Technical Writer.” The Chaucer Review 19, no. 3 (1985): 179201.Google Scholar
Eisner, Sigmund, ed. The Prose Treatises, Part 1: A Treatise on the Astrolabe. Vol. 6 of A Variorum Edition of the Works of Geoffrey Chaucer, eds. Paul G Ruggiers, Donald C. Baker and Daniel Ransom. Norman: University of Oklahoma Press, 2002.Google Scholar
Eisner, Sigmund and Osborn, Marijane. “Chaucer as Teacher: Chaucer’s Treatise on the Astrolabe.” In Medieval Literature for Children, ed. Kline, Daniel T., 155187. New York: Routledge, 2003.Google Scholar
Empson, William. Seven Types of Ambiguity. New York: New Directions, 1966.Google Scholar
Eyers, Tom. Speculative Formalism: Literature, Theory, and the Critical Present. Evanston, IL: Northwestern University Press, 2017.Google Scholar
Falk, Seb. “Improving Instruments: Equatoria, Astrolabes, and the Practices of Monastic Astronomy in Late Medieval England.” Ph.D. diss., University of Cambridge, 2016.Google Scholar
Fantl, Jeremy. “Knowing-How and Knowing-That.” Philosophy Compass 3, no. 3 (May 1, 2008): 451470.Google Scholar
Farber, Lianna. “The Creation of Consent in the Physician’s Tale.” The Chaucer Review 39, no. 2 (October 2004): 151164.Google Scholar
Frese, Dolores Warwick. An Ars Legendi for Chaucer’s Canterbury Tales: Re-Constructive Reading. Gainesville: University of Florida Press, 1991.Google Scholar
Froissart, Jean. Jean Froissart: An Anthology of Narrative and Lyric Poetry, ed. and trans. Kristen Mossler Figg and R. Barton Palmer. New York: Routledge, 2001.Google Scholar
Frow, John. Character and Person. Oxford University Press, 2014.Google Scholar
Fumo, Jamie C. Making Chaucer’s Book of the Duchess: Textuality and Reception. Cardiff: University of Wales Press, 2015.Google Scholar
Fyler, John M. Chaucer and Ovid. New Haven: Yale University Press, 1979.Google Scholar
Gallop, Jane. “Close Reading in 2009.” ADE Bulletin 149 (2010): 15–19.Google Scholar
Galloway, Andrew. “Chaucer’s Former Age and the Fourteenth-Century Anthropology of Craft: The Social Logic of a Premodernist Lyric.” ELH 63, no. 3 (Fall 1996): 535553.Google Scholar
Gardner, John. The Poetry of Chaucer. Carbondale, IL: Southern Illinois University Press, 1977.Google Scholar
Gasché, Rodolphe. “The Theory of Natural Beauty and Its Evil Star: Kant, Hegel, Adorno.” Research in Phenomenology 32, no. 1 (2002): 103122.Google Scholar
Gayk, Shannon. Image, Text, and Religious Reform in Fifteenth-Century England. Cambridge University Press, 2010.Google Scholar
Gayk, Shannon Noelle and Tonry, Kathleen Ann, eds. Form and Reform: Reading across the Fifteenth Century. Columbus: Ohio State University Press, 2011.Google Scholar
Gillespie, Alexandra. Print Culture and the Medieval Author: Chaucer, Lydgate, and their Books, 1473–1557. Oxford University Press, 2006.Google Scholar
Godden, Richard H.Prosthetic Ecologies: Vulnerable Bodies and the Dismodern Subject in Sir Gawain and the Green Knight.” Textual Practice 30, no. 7 (December 2016): 12731290.Google Scholar
Gower, John. The Complete Works of John Gower, ed. G. C. Macaulay. 4 vols. Oxford: Clarendon Press, 1899–1902.Google Scholar
Gower, John. Confessio Amantis, ed. Russell Peck, trans. Andrew Galloway. 3 vols. Kalamazoo, MI: Medieval Institute Publications, 2004–2013.Google Scholar
Gower, John. Mirour de l’Omme (The Mirror of Mankind), trans. William Burton Wilson. East Lansing, MI: Colleagues Press, 1992.Google Scholar
Grady, Frank. “Chaucer Reading Langland: The House of Fame.” Studies in the Age of Chaucer 18 (1996): 323.Google Scholar
Grafton, Carol Belanger. Old English Tile Designs for Artists and Craftspeople. New York: Dover Publications, 1985.Google Scholar
Grant, Edward. “Medieval and Renaissance Scholastic Conceptions of the Influence of the Celestial Region on the Terrestrial.” Journal of Medieval and Renaissance Studies 17, no. 1 (January 1987): 123.Google Scholar
Green, Richard Hamilton. Review of Criticism and Medieval Poetry by A. C. Spearing. Speculum 40, no. 3 (1965): 549553.Google Scholar
Gruber, Joachim. Kommentar zu Boethius, De Consolatione Philosophiae. Berlin: Walter de Gruyter, 2006.Google Scholar
Gunther, R. T., ed. Chaucer and Messahalla on the Astrolabe. Oxford University Press, 1929.Google Scholar
Haberly, Loyd. Mediaeval English Pavingtiles: Illustrated by the Author with Many Examples. Oxford: Basil Blackwell, 1937.Google Scholar
Hager, Peter J. and Nelson, Ronald J.. “Chaucer’s A Treatise on the Astrolabe: A 600-Year-Old Model for Humanizing Technical Documents.” IEEE Transactions on Professional Communication 36, no. 2 (June 1993): 8794.Google Scholar
Hanna, Ralph, ed. The Awntyrs off Arthure at the Terne Wathelyn: An Edition Based on Bodleian Library Ms Douce 324. Manchester University Press, 1974Google Scholar
Hanna, Ralph, “Donaldson and Robertson: An Obligatory Conjunction.” The Chaucer Review 41, no. 3 (January 2007): 240249.Google Scholar
Hanna, Ralph, Pursuing History: Middle English Manuscripts and their Texts. Palo Alto: Stanford University Press, 1996.Google Scholar
Hanning, Robert W.Chaucer’s First Ovid: Metamorphosis in The Book of the Duchess and The House of Fame.” In Chaucer and the Craft of Fiction, ed. Arrathoon, Leigh A., 121163. Rochester, MI: Solaris, 1986.Google Scholar
Hardman, Phillipa. “Ars Celare Artem: Interpreting the Black Knight’s ‘Lay’ in Chaucer’s Book of the Duchess.” Poetica: An International Journal of Linguistic-Literary Studies 37 (1993): 4957.Google Scholar
Hardwick, C. et al., eds., A Catalogue of the Manuscripts Preserved in the Library of the University of Cambridge. 6 vols. Cambridge University Press, 1858.Google Scholar
Harrington, Henry R.The Central Line Down the Middle of To the Lighthouse.” Contemporary Literature 21, no. 3 (Summer 1980): 363382.Google Scholar
Harrison, Leigh. “Black Gold: The Former and Future Age.” In Dark Chaucer: An Assortment, ed. Seaman, Myra, Joy, Eileen, and Masciandaro, Nicola, 5969. Brooklyn: Punctum Books, 2012.Google Scholar
Harvey, S. W.Chaucer’s Debt to Sacrobosco.” Journal of English and Germanic Philology 34 (1935): 3438.Google Scholar
Hayot, Eric. On Literary Worlds. Oxford University Press, 2012.Google Scholar
Hejinian, Lyn. My Life; And, My Life in the Nineties. Middletown, CT: Wesleyan University Press, 2013.Google Scholar
Heller-Roazen, Daniel. Fortune’s Faces: The Roman de la Rose and the Poetics of Contingency. Baltimore: Johns Hopkins University Press, 2003.Google Scholar
Henchman, Anna. The Starry Sky Within: Astronomy and the Reach of the Mind in Victorian Literature. Oxford University Press, 2014.Google Scholar
Heyworth, Gregory. Desiring Bodies: Ovidian Romance and the Cult of Form. University of Notre Dame Press, 2009.Google Scholar
Hiatt, Alfred. “Blank Spaces on the Earth.” Yale Journal of Criticism 15, no. 2 (Fall 2002): 223250.Google Scholar
Hoffman, Richard L.Jephthah’s Daughter and Chaucer’s Virginia.” The Chaucer Review 2, no. 1 (1967): 2031.Google Scholar
Holsinger, Bruce. “Lyrics and Short Poems.” In The Yale Companion to Chaucer, ed. Lerer, Seth, 179212. New Haven, CT: Yale University Press, 2006.Google Scholar
Holsinger, Bruce. “The Parable of Caedmon’s ‘Hymn’: Liturgical Invention and Literary Tradition.” Journal of English and Germanic Philology 106, no. 2 (April 2007): 149175.Google Scholar
Hsy, Jonathan. “The Monk’s Tale: Disability/Ability” In Open Access Companion to The Canterbury Tales, ed. Candace Barrington et al. Published online September 2017. https://opencanterburytales.dsl.lsu.edu/mkt1/.Google Scholar
Hsy, Jonathan. “Blind Advocacy: Blind Readers, Disability Theory, and Accessing John Gower.” Accessus 1, no. 1 (2013): article 2. http://scholarworks.wmich.edu/accessus/vol1/iss1/2.Google Scholar
Hsy, Jonathan. “Disability.” In The Cambridge Companion to the Body in Literature, ed. Hillman, David and Maude, Ulrika, 2440. Cambridge University Press, 2015.Google Scholar
Hudson, Anne, ed. Selections from English Wycliffite Writings. Cambridge University Press, 1978.Google Scholar
Irvine, Martin. “Medieval Grammatical Theory and Chaucer’s House of Fame.” Speculum 60, no. 4 (October 1985): 850876.Google Scholar
Jambeck, Thomas J. and Jambeck, Karen K.. “Chaucer’s Treatise on the Astrolabe: A Handbook for the Medieval Child.” Children’s Literature 3 (1974): 117122.Google Scholar
Jameson, Fredric. Late Marxism: Adorno, Or, the Persistence of the Dialectic. New York: Verso, 1990.Google Scholar
Johnson, Eleanor. Practicing Literary Theory in the Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve. University of Chicago Press, 2013.Google Scholar
Jokinen, Anniina. “Zodiac Man: Man as Microcosm.” At Luminarium. Last modified April 13, 2012. www.luminarium.org/encyclopedia/zodiacman.htm.Google Scholar
Jones, Joan M. “The Chess of Love (Old French Text with Translation and Commentary).” Ph.D. diss., University of Nebraska, 1968.Google Scholar
Kant, Immanuel. Critique of Judgment, trans. J. H. Bernard. New York: Hafner Publishing Company, 1951.Google Scholar
Karnes, Michelle. Imagination, Meditation, and Cognition in the Middle Ages. University of Chicago Press, 2011.Google Scholar
Kay, Sarah. The Place of Thought: The Complexity of One in Late Medieval French Didactic Poetry. Philadelphia: University of Pennsylvania Press, 2007.Google Scholar
Kay, Sarah and Rubin, Miri, eds. Framing Medieval Bodies. New York: St. Martin’s Press, 1994.Google Scholar
Kaye, Joel. A History of Balance, 1250–1375: The Emergence of a New Model of Equilibrium and its Impact on Thought. Cambridge University Press, 2014.Google Scholar
Kean, P. M. Chaucer and the Making of English Poetry. London: Routledge and Kegan Paul, 1972.Google Scholar
Kelly, Henry Ansgar. Chaucer and the Cult of Saint Valentine. Leiden: Brill, 1986.Google Scholar
Kelly, Henry Ansgar. Chaucerian Tragedy. Cambridge, UK: D. S. Brewer, 1997.Google Scholar
Kiser, Lisa J.Sleep, Dreams, and Poetry in Chaucer’s Book of the Duchess.” Papers on Language and Literature 19, no. 1 (Winter 1983): 312.Google Scholar
Klima, Gyula. “Natures: The Problem of Universals.” In The Cambridge Companion to Medieval Philosophy, ed. McGrade, A. S., 196207. Cambridge University Press, 2003.Google Scholar
Kline, Daniel T.Jephthah’s Daughter and Chaucer’s Virginia: The Critique of Sacrifice in The Physician’s Tale.” Journal of English and Germanic Philology 107, no. 1 (January 2008): 77103.Google Scholar
Kramnick, Jonathan, and Nersessian, Anahid. “Form and Explanation.” Critical Inquiry 43, no. 3 (Spring 2017): 650669.Google Scholar
Kunitzsch, Paul. The Arabs and the Stars: Texts and Traditions on the Fixed Stars, and their Influence in Medieval Europe. Northampton, MA: Variorum Reprints, 1989.Google Scholar
La Tour Landry, Geoffroy de. Le livre du chevalier de La Tour Landry pour l’enseignement de ses filles, ed. Anatole de Montaiglon. Paris: P. Jannet, 1854.Google Scholar
Labbie, Erin Felicia. Lacan’s Medievalism. Minneapolis: University of Minnesota Press, 2006.Google Scholar
Laird, Edgar. “Geoffrey Chaucer and Other Contributors to the Treatise on the Astrolabe.” In Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400–1602, ed. Prendergast, Thomas A. and Kline, Barbara, 145165. Columbus: Ohio State University Press, 1999.Google Scholar
Langlands, Rebecca. Sexual Morality in Ancient Rome. Cambridge University Press, 2006.Google Scholar
Leach, Elizabeth Eva. “Machaut’s Peer, Thomas Paien.” Plainsong and Medieval Music 18, no. 2 (October 2009): 91112.Google Scholar
Leavis, F. R. The Great Tradition: George Eliot, Henry James, Joseph Conrad. London: Chatto and Windus, 1948.Google Scholar
Lee, Brian S.The Position and Purpose of the Physician’s Tale.” The Chaucer Review 22, no. 2 (1987): 141160.Google Scholar
Lerer, Seth. Boethius and Dialogue: Literary Method in The Consolation of Philosophy. Princeton University Press, 1985.Google Scholar
Lerer, Seth. “Chaucer’s Sons.” University of Toronto Quarterly 73, no. 3 (Summer 2004): 906915.Google Scholar
Lesjak, Carolyn. “Reading Dialectically.” Criticism 55, no. 2 (Spring 2013): 233277.Google Scholar
Levine, Caroline. Forms: Whole, Rhythm, Hierarchy, Network. Princeton University Press, 2015.Google Scholar
Levinson, Marjorie. “What is New Formalism?PMLA: Publications of the Modern Language Association of America 122, no. 2 (March 2007): 558569.Google Scholar
Lipson, Carol. “Descriptions and Instructions in Medieval Times: Lessons to Be Learnt from Geoffrey Chaucer’s Scientific Instruction Manual.” Journal of Technical Writing and Communication 12, no. 3 (July 1, 1982): 243256.Google Scholar
Lipson, Carol. “‘I n’am But a Lewd Compilator’: Chaucer’s ‘Treatise on the Astrolabe’ as Translation.” Neuphilologische Mitteilungen 84, no. 2 (1983): 192200.Google Scholar
Livy, . History of Rome, vol. ii, ed. Foster, B. O.. Cambridge, MA: Harvard University Press, 1922.Google Scholar
Loesberg, Jonathan. A Return to Aesthetics: Autonomy, Indifference, and Postmodernism. Palo Alto: Stanford University Press, 2005.Google Scholar
Lomperis, Linda. “Unruly Bodies and Ruling Practices: Chaucer’s Physician’s Tale as Socially Symbolic Act.” In Feminist Approaches to the Body in Medieval Literature, ed. Lomperis, Linda and Stanbury, Sarah, 2137. Philadelphia: University of Pennsylvania Press, 1993.Google Scholar
Looze, Laurence de. “Guillaume de Machaut and the Writerly Process.” French Forum 9, no. 2 (May 1984): 145–11.Google Scholar
Lorch, Richard. “The Treatise on the Astrolabe by Rudolf of Bruges.” In Between Demonstration and Imagination: Essays in the History of Science and Philosophy Presented to John D. North, ed. Nauta, Lodi and Vanderjagt, Arjo. Leiden: Brill, 1999.Google Scholar
Lydgate, John. Fall of Princes, ed. Henry Bergen. 4 vols., EETS e.s. 121124. London: Oxford University Press, 1924–1927. Reprint, 1967.Google Scholar
McGerr, Rosemarie P. Chaucer’s Open Books: Resistance to Closure in Medieval Discourse. Gainesville: University Press of Florida, 1998.Google Scholar
McGrade, Arthur Stephen, ed. The Cambridge Companion to Medieval Philosophy. Cambridge University Press, 2003.Google Scholar
McGurl, Mark. “The Posthuman Comedy.” Critical Inquiry 38, no. 3 (Spring 2012): 533553.Google Scholar
Machan, Tim William. Chaucer’s Boece: A Critical Edition Based on Cambridge University Library, MS Ii.3.21, ff. 9r–180v. Heidelberg: Universitätsverlag, 2008.Google Scholar
Machan, Tim William, and Minnis, A. J., eds. Sources of the Boece. The Chaucer Library. Athens: University of Georgia Press, 2005.Google Scholar
Machaut, Guillaume de. The Fountain of Love (La Fonteinne Amoureuse); and, Two Other Love Vision Poems, ed. R. Barton Palmer. New York: Garland, 1993.Google Scholar
Machaut, Guillaume de. “Le Jugement du roy de Behaigne” and “Remede de Fortune”, eds. James I. Wimsatt and William W. Kibler. Athens: University of Georgia Press, 1988.Google Scholar
McKenzie, D. F. Bibliography and the Sociology of Texts. Cambridge University Press, 1999. First published 1986 by the British Library (London).Google Scholar
Magee, John. “Boethius’ Anapestic Dimeters (Acatalectic), with regard to the Structure and Argument of the Consolatio.” In Boèce ou la chaîne des savoirs. Actes du colloque international de la Fondation Singer-Polignac, ed. Galonnier, A., 147169. Louvain and Paris: Éditions Peeters, 2003.Google Scholar
Mandel, Jerome H. Geoffrey Chaucer: Building the Fragments of The Canterbury Tales. Rutherford: Fairleigh Dickinson University Press, 1992.Google Scholar
Mandel, Jerome H.Governance in the Physician’s Tale.” The Chaucer Review 10, no. 4 (1976): 316325.Google Scholar
Mandelbaum, Allen, trans. The Metamorphoses of Ovid. New York: Harcourt, 1993.Google Scholar
Manly, John Matthews and Rickert, Edith, eds. The Text of The Canterbury Tales, Studied on the Basis of All Known Manuscripts, 8 vols. University of Chicago Press, 1940.Google Scholar
Mann, Jill, ed. Geoffrey Chaucer: The Canterbury Tales. New York: Penguin, 2005.Google Scholar
Mannyng, Robert. The Chronicle, ed. Sullens, Idelle. Binghamton, NY: SUNY Press, 1996.Google Scholar
Marshall, Mary Hatch. “Boethius’ Definition of Persona and Mediaeval Understanding of the Roman Theater.” Speculum 25, no. 4 (October 1950): 471482.Google Scholar
Masciandaro, Nicola. The Voice of the Hammer: The Meaning of Work in Middle English Literature. University of Notre Dame Press, 2007.Google Scholar
Maw, David. “Redemption and Retrospection in Jacques de Liège’s Concept of Cadentia.” Early Music History 29 (2010): 79118.Google Scholar
Mead, Jenna. “Geoffrey Chaucer’s Treatise on the Astrolabe.” Literature Compass 3, no. 5 (September 1, 2006): 973991.Google Scholar
Mead, Jenna. “Reading by Said’s Lantern: Orientalism and Chaucer’s Treatise on the Astrolabe.” Medieval Encounters 5, no. 3 (November 1999): 350357.Google Scholar
Meyer-Lee, Robert J. “Literary Value and the Customs House: The Axiological Logic of the House of Fame.” The Chaucer Review 48, no. 4 (2014): 374394.Google Scholar
Middleton, Anne. “The Physician’s Tale and Love’s Martyrs: ‘Ensamples Mo Than Ten’ as a Method in The Canterbury Tales.” The Chaucer Review 8, no. 1 (1973): 932.Google Scholar
Minnis, A. J. “‘Glosying is a glorious thyng’: Chaucer at Work on the Boece.” In The Medieval Boethius: Studies in the Vernacular Translations of De Consolatione Philosophiae, ed. Minnis, A.J., 106124. Cambridge, UK: Boydell and Brewer, 1987.Google Scholar
Minnis, A. J. Medieval Theory of Authorship: Scholastic Literary Attitudes in the Later Middle Ages. London: Scolar Press, 1984; Philadelphia: University of Pennsylvania Press, 1988. Reprint, 2012.Google Scholar
Minnis, A. J.A Note on Chaucer and the Ovide moralisé.” Medium Aevum 48 (1979): 254257.Google Scholar
Minnis, A. J., ed. The Medieval Boethius: Studies in the Vernacular Translations of De Consolatione Philosophiae. Cambridge, UK: D. S. Brewer, 1987.Google Scholar
Minnis, A. J., with Scattergood, V. J., and Smith, J. J., eds. The Oxford Guides to Chaucer: The Shorter Poems. Oxford University Press, 1995.Google Scholar
Minogue, Sally. “Was it a Vision? Structuring Emptiness in To the Lighthouse.” Journal of Modern Literature 21, no. 2 (Winter 1997–1998): 281294.Google Scholar
Mitchell, David T. and Snyder, Sharon L.. Narrative Prosthesis: Disability and the Dependencies of Discourse. Ann Arbor: University of Michigan Press, 2000.Google Scholar
Mitchell, J. Allan. Becoming Human: The Matter of the Medieval Child. Minneapolis: University of Minnesota Press, 2014.Google Scholar
Morell, Thomas. The Canterbury Tales of Chaucer, in the Original, From the Most Authentic Manuscripts. London, 1737.Google Scholar
Morris, William, ed. The Works of Geoffrey Chaucer Now Newly Imprinted. Hammersmith: Kelmscott Press, 1896.Google Scholar
Mullally, Robert. The Carole: A Study of a Medieval Dance. Farnham, Surrey: Ashgate, 2011.Google Scholar
Nafde, Aditi. “Laughter Lines: Reading the Layouts of the Tale of Sir Thopas.” Pecia 16 (2013): 143151.Google Scholar
Nagel, Thomas. The View from Nowhere. Oxford University Press, 1986.Google Scholar
Nauta, Lodi and Vanderjagt, Arie Johan, eds. Between Demonstration and Imagination: Essays in the History of Science and Philosophy Presented to John D. North. Leiden: Brill, 1999.Google Scholar
Nielsen, Melinda E.Translating Lady Philosophy: Chaucer and the Boethian Corpus of Cambridge, University Library MS Ii. 3. 21.” The Chaucer Review 51, no. 2 (2016): 209226.Google Scholar
Nolan, Barbara. “‘A Poet Ther Was’: Chaucer’s Voices in the General Prologue to The Canterbury Tales.” PMLA 101, no. 2 (March 1986): 154169.Google Scholar
Nolan, Maura, “Beauty.” In Middle English, ed. Paul Strohm, 207221. Oxford University Press, 2007.Google Scholar
Nolan, Maura, John Lydgate and the Making of Public Culture. Cambridge University Press, 2005.Google Scholar
Nolan, Maura, “Making the Aesthetic Turn: Adorno, the Medieval, and the Future of the Past.” Journal of Medieval and Early Modern Studies 34, no. 3 (Fall 2004): 549575.Google Scholar
Nolan, Maura, “Medieval Sensation and Modern Aesthetics: Aquinas, Adorno, Chaucer.” The Minnesota Review 80 (2013): 145158.Google Scholar
North, John David. “Astronomy and Astrology.” In The Cambridge History of Science, vol. ii: Medieval Science, ed. Lindberg, David C. and Shank, Michael H., 456484. Cambridge University Press, 2013.Google Scholar
North, John David. Chaucer’s Universe. Oxford: Clarendon Press, 1988.Google Scholar
Norton-Smith, J.Chaucer’s Etas Prima.” Medium Aevum 32, no. 1 (1963): 117124.Google Scholar
Nuttall, Jenni. “The Vanishing English Virelai: French Complainte in English in the Fifteenth Century.” Medium Aevum 85, no. 1 (June 2016): 5976.Google Scholar
O’Daly, Gerard J. P.Sense-Perception and Imagination in Boethius, Philosophiae Consolatio 5 m. 4.” In Philanthropia kai Eusebeia: Festschrift für Albrecht Dihle zum 70. Geburtstag, ed. Most, G. W., Petersmann, H., and Ritter, A. M., 327340. Göttingen: Vandenhoeck and Ruprecht, 1993.Google Scholar
Olsson, Kurt. “Grammar, Manhood, and Tears: The Curiosity of Chaucer’s Monk.” Modern Philology 76, no. 1 (August 1978): 117.Google Scholar
Orlemanski, Julie. “Literary Genre, Medieval Studies, and the Prosthesis of Disability.” Textual Practice 30, no. 7 (December 2016): 12531272.Google Scholar
Oruch, Jack B.St. Valentine, Chaucer, and Spring in February.” Speculum 56, no. 3 (July 1981): 534565.Google Scholar
Osborn, Marijane. Time and the Astrolabe in The Canterbury Tales. Series for Science and Culture 5. Norman, OK: University of Oklahoma Press, 2002.Google Scholar
Ovid, . Metamorphoses, ed. Tarrant, R. J.. Oxford University Press, 2004.Google Scholar
Ovid, . Metamorphoses, trans. Frank Justus Miller. Cambridge, MA: Harvard University Press, 1984.Google Scholar
Ovitt, George, Jr. “History, Technical Style, and Chaucer’s Treatise on the Astrolabe.” In Creativity and the Imagination: Case Studies from the Classical Age to the Twentieth Century, ed. Amsler, Mark, 3458. Studies in Science and Culture 3. Newark: University of Delaware Press, 1998.Google Scholar
Pace, George B. and David, Alfred, eds. The Variorum Editions of the Works of Geoffrey Chaucer, vol. v: The Minor Poems. Norman, OK: University of Oklahoma Press, 1982.Google Scholar
Palmer, R. Barton. “The Book of the Duchess and Fonteinne Amoureuse: Chaucer and Machaut Reconsidered.” Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée 7, no. 4 (Fall 1980): 380393.Google Scholar
Patterson, Lee. Acts of Recognition: Essays on Medieval Culture. University of Notre Dame Press, 2010.Google Scholar
Patterson, Lee. Chaucer and the Subject of History. Madison: University of Wisconsin Press, 1991.Google Scholar
Patterson, Lee. Negotiating the Past: The Historical Understanding of Medieval Literature. Madison: University of Wisconsin Press, 1987.Google Scholar
Patterson, Lee. “Perpetual Motion: Alchemy and the Technology of the Self.” Studies in the Age of Chaucer 15 (1993): 2557.Google Scholar
Pavel, Thomas G. Fictional Worlds. Cambridge, MA: Harvard University Press, 1986.Google Scholar
Peck, Russell A. and Galloway, Andrew, eds. Confessio Amantis. Kalamazoo: Published for TEAMS (The Consortium for the Teaching of the Middle Ages) in association with the University of Rochester by Medieval Institute Publications, 2006.Google Scholar
Perkins, Nicholas, ed. Medieval Romance and Material Culture. Cambridge, UK: D. S. Brewer, 2015.Google Scholar
Poirion, Daniel. Le poète et le prince: L’évolution du lyrisme courtois de Guillaume de Machaut à Charles d’Orléans. Paris: Presses universitaires de France, 1965.Google Scholar
Purdie, Rhiannon. “The Implications of Manuscript Layout in Chaucer’s Tale of Sir Thopas.” Forum for Modern Language Studies 41, no. 3 (July 2005): 262274.Google Scholar
Putter, Ad. “Adventures in the Bob-and-Wheel Tradition: Narratives and Manuscripts,” in Medieval Romance and Material Culture, ed. Perkins, Nicholas, 147164. Cambridge, UK: D. S. Brewer, 2015.Google Scholar
Putter, Ad. “The Language and Metre of Pater Noster and Three Dead Kings.” Review of English Studies 55, no. 221 (September 2004): 498526.Google Scholar
Pynson, Richard. The Boke of Canterbury Tales. ESTC 5086. London, 1526.Google Scholar
Quintilian. The Orator’s Education, ed. Russell, D.A.. Cambridge, MA: Harvard University Press, 2001.Google Scholar
Ramsey, Lee C.The Sentence of It Sooth Is: Chaucer’s The Physician’s Tale.” Chaucer Review 6, no. 3 (1972): 185197.Google Scholar
Reddy, Srikanth. “Changing the ‘Sjuzet’: Lyn Hejinian’s Digressive Narratologies.” Contemporary Literature 50, no. 1 (Spring 2009): 5493.Google Scholar
Reiman, Donald H., ed. Shelley and his Circle, 1773–1822, vol. vii. Cambridge, MA: Harvard University Press, 1986.Google Scholar
Reinecke, George F.F. N. Robinson (1872–1967).” In Editing Chaucer: The Great Tradition, ed. Ruggiers, Paul G., 230251. Norman, OK: Pilgrim, 1984.Google Scholar
Richards, I. A. Practical Criticism: A Study of Literary Judgment. London: Routledge and Kegan Paul, 1929.Google Scholar
Robertson, Kellie. “Medieval Materialism: A Manifesto.” Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 22, no. 2 (Summer 2010): 99118.Google Scholar
Robertson, Kellie. Nature Speaks: Medieval Literature and Aristotelian Philosophy. Philadelphia: University of Pennsylvania Press, 2017.Google Scholar
Robinson, F. N., ed. The Complete Works of Geffrey Chaucer. London: Oxford University Press, 1933.Google Scholar
Rosenfeld, Jessica. Ethics and Enjoyment in Late Medieval Poetry: Love after Aristotle. Cambridge University Press, 2011.Google Scholar
Rowland, Beryl. “The Physician’s ‘Historial Thyng Notable’ and the Man of Law.” ELH 40, no. 2 (Summer 1973): 165178.Google Scholar
Ruffolo, Lara. “Literary Authority and the Lists of Chaucer’s House of Fame: Destruction and Definition through Proliferation.” The Chaucer Review 27, no. 4 (1993): 325341.Google Scholar
Ruggiers, Paul G.The Unity of Chaucer’s House of Fame.” Studies in Philology 50, no. 1 (January 1953): 1629.Google Scholar
Scarry, Elaine. “The Well-Rounded Sphere: The Metaphysical Structure of the Consolation of Philosophy.” In Essays in the Numerical Criticism of Medieval Literature, ed. Eckhardt, Caroline D., 91140. Lewisburg, PA: Bucknell University Press, 1980.Google Scholar
Scattergood, V. J.The Short Poems.” In Oxford Guides to Chaucer: The Shorter Poems, ed. Minnis, A. J., with Scattergood, V.J. and Smith, J.J., 455512. Oxford: Clarendon Press, 1995.Google Scholar
Schlauch, Margaret. “Chaucer’s Prose Rhythms.” PMLA 65, no. 4 (June 1950): 568589.Google Scholar
Schmidt, A. V. C.Chaucer and the Golden Age.” Essays in Criticism 26, no. 2 (April 1976): 99115.Google Scholar
Seymour, M. C. A Catalogue of Chaucer Manuscripts, vol. ii: The Canterbury Tales. Aldershot: Scolar Press, 1997.Google Scholar
Siebers, Tobin. Disability Aesthetics. Ann Arbor: University of Michigan Press, 2010.Google Scholar
Silk, Edmund T. “Cambridge MS Ii.3.21 and the Relation of Chaucer’s Boethius to Trivet and Jean de Meung.” Ph.D. diss., Yale University, 1930.Google Scholar
Skeat, Walter W., ed. The Complete Works of Geoffrey Chaucer, 7 vols. Oxford: Clarendon Press, 1894–1897.Google Scholar
Smith, D. Vance. The Book of the Incipit: Beginnings in the Fourteenth Century. Minneapolis: University of Minnesota Press, 2001.Google Scholar
Smith, D. Vance. “Destroyer of Forms: Chaucer’s Philomela.” In Readings in Medieval Textuality: Essays in Honour of A. C. Spearing, ed. Cervone, Cristina Maria and Smith, D. Vance. Cambridge, UK: D. S. Brewer, 2016.Google Scholar
Smith, D. Vance. “The Inhumane Wonder of the Book.” The Chaucer Review 47, no. 4 (2013): 361371.Google Scholar
Smith, D. Vance. “Medieval Forma: The Logic of the Work.” In Reading for Form, ed. Wolfson, Susan J. and Brown, Marshall, 6679. Seattle: University of Washington Press, 2006.Google Scholar
Sobecki, Sebastian. “Ecce Patet Tensus: The Trentham Manuscript, In Praise of Peace, and John Gower’s Autograph Hand.” Speculum 90, no. 4 (October 2015): 925959.Google Scholar
Spahr, Juliana. “Resignifying Autobiography: Lyn Hejinian’s My Life.” American Literature 68, no. 1 (March 1996): 139159.Google Scholar
Spearing, A. C. Criticism and Medieval Poetry. London: Edward Arnold, 1964.Google Scholar
Spearing, A. C. Textual Subjectivity: The Encoding of Subjectivity in Medieval Narratives and Lyrics. Oxford University Press, 2005.Google Scholar
Speirs, John. Chaucer the Maker. London: Faber and Faber, 1951.Google Scholar
Stanbury, Sarah. The Visual Object of Desire in Late Medieval England. Philadelphia: University of Pennsylvania Press, 2008.Google Scholar
Stanley, Jason. Know How. Oxford University Press, 2011.Google Scholar
Steel, Karl. “A Fourteenth-Century Ecology: ‘The Former Age’ with Dindimus.” In Rethinking Chaucerian Beasts, ed. Dyke, Carolynn Van, 185199. New York: Palgrave Macmillan, 2012.Google Scholar
Steel, Karl. “Kill Me, Save Me, Let Me Go: Custance, Virginia, Emelye.” In Dark Chaucer: An Assortment, ed. Seaman, Myra, Joy, Eileen, and Masciandro, Nicola. Brooklyn: Punctum Books, 2012.Google Scholar
Strakhov, Elizaveta. “‘Counterfeit’ Imitatio: Understanding the Poet-Patron Relationship in Guillaume de Machaut’s Fonteinne amoureuse and Geoffrey Chaucer’s Book of the Duchess.” In Chaucer’s Book of the Duchess: New Interpretations, ed. Jamie C. Fumo. Cambridge, UK: Boydell and Brewer, forthcoming.Google Scholar
Strohm, Paul. Social Chaucer. Cambridge, MA: Harvard University Press, 1989.Google Scholar
Strohm, Paul. Theory and the Premodern Text. Medieval Cultures 26. Minneapolis: University of Minnesota Press, 2000.Google Scholar
Stubbs, Estelle. “‘Here’s One I Prepared Earlier’: The Work of Scribe D on Oxford, Corpus Christi College, MS 198.” Review of English Studies 58, no. 234 (April 2007): 133153.Google Scholar
Stylisticienne: her newe poetrye. http://stylisticienne.com.Google Scholar
Tatarkiewicz, Wladyslaw. History of Aesthetics, vol. ii, ed. Harrell, J, Barrett, C., and Petsch, D.. New York: Continuum, 1974.Google Scholar
Terrell, Katherine H.Reallocation of Hermeneutic Authority in Chaucer’s House of Fame.” The Chaucer Review 31, no. 3 (1997): 279.Google Scholar
Thompson, John J. The Cursor Mundi: Poem, Texts and Contexts. Oxford: The Society for the Study of Medieval Languages and Literature, 1998.Google Scholar
Thorndike, Lynn. The Sphere of Sacrobosco and its Commentators. University of Chicago Press, 1949.Google Scholar
Thynne, William, ed. The Workes of Geffray Chaucer. London, 1532.Google Scholar
Travis, Peter W.White.” Studies in the Age of Chaucer 22 (2000): 166.Google Scholar
Treharne, Elaine. “The Physician’s Tale as Hagioclasm.” In Dark Chaucer: An Assortment, ed. Seaman, Myra, Joy, Eileen, and Masciandro, Nicola. Brooklyn: Punctum Books, 2012.Google Scholar
Trilling, Renée R. The Aesthetics of Nostalgia: Historical Representation in Old English Verse. University of Toronto Press, 2009.Google Scholar
Tupper, Frederick. “Chaucer’s Sinners and Sins.” Journal of English and Germanic Philology 15, no. 1 (1916): 56106.Google Scholar
Utz, Richard. “The Colony Writes Back: F. N. Robinson’s Complete Works of Geoffrey Chaucer and the Translatio of Chaucer Studies to the United States.” Studies in Medievalism 19 (2010): 160203.Google Scholar
Wakelin, Daniel. Scribal Correction and Literary Craft: English Manuscripts, 1375–1510. Cambridge University Press, 2014.Google Scholar
Wallace, David, ed. The Cambridge History of Medieval English Literature. Cambridge University Press, 1999.Google Scholar
Wallace, David, Chaucerian Polity: Absolutist Lineages and Associational Forms in England and Italy. Palo Alto: Stanford University Press, 1997.Google Scholar
Wheatley, Edward. Stumbling Blocks before the Blind: Medieval Constructions of a Disability. Ann Arbor: University of Michigan Press, 2010.Google Scholar
White, Hayden. The Content of the Form: Narrative Discourse and Historical Representation. Baltimore: Johns Hopkins University Press, 1987.Google Scholar
Whittock, Trevor. A Reading of The Canterbury Tales. Cambridge University Press, 1968.Google Scholar
Williams, Deanne. “The Dream Visions.” In The Yale Companion to Chaucer, ed. Lerer, Seth, 147178. New Haven, CT: Yale University Press, 2006.Google Scholar
Williams, Deanne. The French Fetish from Chaucer to Shakespeare. Cambridge University Press, 2004.Google Scholar
Williams, Gordon. A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature. London: Athlone Press, 1994.Google Scholar
Wimsatt, James I. Chaucer and the French Love Poets: The Literary Background of The Book of the Duchess. Chapel Hill: University of North Carolina Press, 1968.Google Scholar
Wimsatt, James I. Chaucer and his French Contemporaries: Natural Music in the Fourteenth Century. University of Toronto Press, 1991.Google Scholar
Wimsatt, James I.The Sources of Chaucer’s ‘Seys and Alcyone.’” Medium Aevum 36 (1967): 231241.Google Scholar
Wolfson, Susan J.Reading for Form.” Modern Language Quarterly: A Journal of Literary History 61, no. 1 (March 2000): 116.Google Scholar
Wolfson, Susan J., and Brown, Marshall, eds. Reading for Form. Seattle: University of Washington Press, 2006.Google Scholar
Wood, Chauncy. Chaucer and the Country of the Stars: Poetic Uses of Astrological Imagery. Princeton University Press, 1970.Google Scholar
Woolf, Virginia. To the Lighthouse. New York: Harcourt Brace Jovanovich, 1989.Google Scholar
Yeager, R. F.Gower in Winter: Last Poems.” In The Medieval Python: The Purposive and Provocative Work of Terry Jones, ed. Yeager, R. F. and Takamiya, Toshiyuki, 87103. New York: Palgrave Macmillan, 2012.Google Scholar
Yeager, R. F.John Gower’s Audience,” The Chaucer Review 40, no. 1 (2005): 8387.Google Scholar
Yeager, R. F., ed. and trans. John Gower: The French Balades. Kalamazoo: Medieval Institute Publications, 2011.Google Scholar
Zeeman, Nicolette. “Imaginative Theory.” In Middle English, ed. Strohm, Paul, 222240. Oxford Twenty-First-Century Approaches to Literature. Oxford University Press, 2007.Google Scholar
Zeeman, Nicolette. “The Schools Give a License to Poets.” In Criticism and Dissent in the Middle Ages, ed. Copeland, Rita, 151180. Cambridge University Press, 1996.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Edited by Thomas A. Prendergast, College of Wooster, Ohio, Jessica Rosenfeld, Washington University, St Louis
  • Book: Chaucer and the Subversion of Form
  • Online publication: 16 May 2018
  • Chapter DOI: https://doi.org/10.1017/9781108147682.014
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Edited by Thomas A. Prendergast, College of Wooster, Ohio, Jessica Rosenfeld, Washington University, St Louis
  • Book: Chaucer and the Subversion of Form
  • Online publication: 16 May 2018
  • Chapter DOI: https://doi.org/10.1017/9781108147682.014
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Edited by Thomas A. Prendergast, College of Wooster, Ohio, Jessica Rosenfeld, Washington University, St Louis
  • Book: Chaucer and the Subversion of Form
  • Online publication: 16 May 2018
  • Chapter DOI: https://doi.org/10.1017/9781108147682.014
Available formats
×