This chapter surveys Ellison’s complex relationship with other key Modernist writers, as expressed both explicitly in his letters and chapters, and implicitly in his short stories, in Invisible Man, and in Three Days Before the Shooting … . Examining key moments in his intellectual formation, such as his encounters with Eliot and Joyce during his undergraduate studies at Tuskegee, it also maps out the paradox of his attested admiration for but rare intertextual dialogue with Hemingway, and his ambivalent and shifting positions on Faulkner. Lastly, it suggests that despite Ellison’s and Morrison’s mutual and clearly voiced antipathy, these two writers have far more in common, particularly in terms of their conceptions of Modernism, than either would like to admit. Throughout my overview, I will take account of the best pre-existing scholarship on this subject.