Book contents
- Ralph Ellison in Context
- Ralph Ellison in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Abbreviations
- Introduction
- Part I Geographical, Institutional, and Interpersonal Contexts
- Part II Historical, Political, and Cultural Contexts
- Part III Literary and Critical Contexts
- Chapter 20 The Harlem Renaissance
- Chapter 21 Ellison’s Early Writings
- Chapter 22 The Wright School
- Chapter 23 Literary Modernism
- Chapter 24 Beyond Raglan’s Hero: Ellison’s Ritualist Influences
- Chapter 25 Sociology
- Chapter 26 The Soapbox Speech in Ellison’s Fiction
- Chapter 27 Postwar Literary Aesthetics
- Chapter 28 Ellison as Correspondent
- Part IV Reception and Reputation
- Index
Chapter 23 - Literary Modernism
from Part III - Literary and Critical Contexts
Published online by Cambridge University Press: 14 January 2022
- Ralph Ellison in Context
- Ralph Ellison in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Abbreviations
- Introduction
- Part I Geographical, Institutional, and Interpersonal Contexts
- Part II Historical, Political, and Cultural Contexts
- Part III Literary and Critical Contexts
- Chapter 20 The Harlem Renaissance
- Chapter 21 Ellison’s Early Writings
- Chapter 22 The Wright School
- Chapter 23 Literary Modernism
- Chapter 24 Beyond Raglan’s Hero: Ellison’s Ritualist Influences
- Chapter 25 Sociology
- Chapter 26 The Soapbox Speech in Ellison’s Fiction
- Chapter 27 Postwar Literary Aesthetics
- Chapter 28 Ellison as Correspondent
- Part IV Reception and Reputation
- Index
Summary
This chapter surveys Ellison’s complex relationship with other key Modernist writers, as expressed both explicitly in his letters and chapters, and implicitly in his short stories, in Invisible Man, and in Three Days Before the Shooting … . Examining key moments in his intellectual formation, such as his encounters with Eliot and Joyce during his undergraduate studies at Tuskegee, it also maps out the paradox of his attested admiration for but rare intertextual dialogue with Hemingway, and his ambivalent and shifting positions on Faulkner. Lastly, it suggests that despite Ellison’s and Morrison’s mutual and clearly voiced antipathy, these two writers have far more in common, particularly in terms of their conceptions of Modernism, than either would like to admit. Throughout my overview, I will take account of the best pre-existing scholarship on this subject.
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- Ralph Ellison in Context , pp. 250 - 259Publisher: Cambridge University PressPrint publication year: 2021
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