Book contents
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- Copyright page
- Contents for Volume I
- Figures for Volume I
- Maps for Volume I
- Table for Volume I
- Contributors for Volume I
- Preface
- 1 Global History in the History of Fashion
- Part I Multiple Origins of Fashion
- Part II Early Modern Global Entanglements
- Part III Many Worlds of Fashion
- 13 ‘Black Cloth’
- 14 Fashion and Moral Concern in Early Modern Japan
- 15 Textiles and Fashion in Southeast Asia
- 16 Fashion in Ming and Qing China
- 17 Everyday Fashion in the Ottoman Empire,C. 1600–1800
- 18 Imperialism and Fashion: South Asia, c. 1500–1800
- 19 Fashion Systems in the Indian Ocean World, from Ancient Times to c. 1850
- 20 Fashion and First Peoples in European Settler Societies, c. 1700–1850
- Index
- References
20 - Fashion and First Peoples in European Settler Societies, c. 1700–1850
from Part III - Many Worlds of Fashion
Published online by Cambridge University Press: 04 August 2023
Book contents
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- Copyright page
- Contents for Volume I
- Figures for Volume I
- Maps for Volume I
- Table for Volume I
- Contributors for Volume I
- Preface
- 1 Global History in the History of Fashion
- Part I Multiple Origins of Fashion
- Part II Early Modern Global Entanglements
- Part III Many Worlds of Fashion
- 13 ‘Black Cloth’
- 14 Fashion and Moral Concern in Early Modern Japan
- 15 Textiles and Fashion in Southeast Asia
- 16 Fashion in Ming and Qing China
- 17 Everyday Fashion in the Ottoman Empire,C. 1600–1800
- 18 Imperialism and Fashion: South Asia, c. 1500–1800
- 19 Fashion Systems in the Indian Ocean World, from Ancient Times to c. 1850
- 20 Fashion and First Peoples in European Settler Societies, c. 1700–1850
- Index
- References
Summary
In a portrait painted by Joseph Merrett in the mid-1840s, an unnamed Māori woman wears a distinctive blend of local and imported garb. This young Indigenous woman from Aotearoa (New Zealand) draped her korawai-ngore, a cloak decorated in red woollen pompoms and black string tags, over a cotton scarlet-and-navy print dress (Figure 20.1). In addition to her kauae moko (female facial tattoo), she wears a greenstone and blue ribbon ornament in one ear, and in the other what is probably a shark’s tooth carved in bone.
- Type
- Chapter
- Information
- The Cambridge Global History of FashionFrom Antiquity to the Nineteenth Century, pp. 672 - 705Publisher: Cambridge University PressPrint publication year: 2023
References
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