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Part IV - Analyses of key works

Published online by Cambridge University Press:  05 April 2016

Simon Emmerson
Affiliation:
De Montfort University, Leicester
Leigh Landy
Affiliation:
De Montfort University, Leicester
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Primary Sources

Child, A. (1995) Magneze EP. Downwards Records.Google Scholar
Henke, R. (2009) Silence. Monolake/Imbalance Computer Music.Google Scholar
Henke, R. (2012) Ghosts. Monolake/Imbalance Computer Music.Google Scholar
James, R. (1993) Surfing On Sine Waves. Warp Records.Google Scholar
Various artists (1994) Artificial Intelligence II. Warp Records.Google Scholar

Secondary Sources

Hawtin, R. 2008. Richie Hawtin on his Traktor Scratch DJ setup – Pt 1. Berlin: Native Instruments. www.youtube.com/watch?v=J1H9W_iLff0Google Scholar
Matthews, K. 1999. Call Me. Barcelona: Metronom Gallery.Google Scholar
Mills, J. 2004. Purpose Maker Mix. Exhibitionist [Digital Video Disk]. London: React.Google Scholar
Waisvisz, M. ca. 1999. Hyper Instruments [video recording]. Amsterdam: STEIM. www.youtube.com/watch?v=pYfRORkuPX8Google Scholar
Waisvisz, M. 2004. No Backup [video recording]. Amsterdam: STEIM. www.youtube.com/watch?v=U1L-mVGqug4Google Scholar
Waisvisz, M. and Sehnaoui, C. 2008. Shortwave [CD Audio]. Lebanon: Al Maslakh.Google Scholar
Alvarez, Javier. 1996. Mambo à la Braque, empreintes DIGITALes, IMED 9604.Google Scholar
Chion, Michel. 1992. Credo Mambo, Metamkine MKCD004.Google Scholar
Matos, Gerardo. 1916. Rodríguez’s La Cumparsita.Google Scholar
Salazar, Diana. 2011. La voz del fuelle, Elektramusic CD Volume III.Google Scholar
Salazar, Diana. 2014. Papyrus (2008–9), CMMAS CD020.Google Scholar
Cambridge Street Records. (1996) The Vancouver Soundscape 1973/Soundscape Vancouver 1996, Cambridge Street Records CSR2CD 9701.Google Scholar
Schryer, C. (1996) Vancouver Soundscape Revisited. On The Vancouver Soundscape 1973/Soundscape Vancouver 1996, Cambridge Street Records CSR2CD 9701.Google Scholar
Schryer, C. (1997) Autour. Empreintes DIGITALes – IMED 9736.Google Scholar

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